Millar says the new sci-fi series is “all the things ‘Star Wars’ or Marvel can’t get away with.”
For their third comic book collaboration, Mark Millar and Netflix are headed to space next February with Sharkey the Bounty Hunter. The new series will be drawn by former Wolverine and Astonishing X-Men artist Simone Bianchi and will be published by Image Comics.
Sharkey the Bounty Hunter follows The Magic Order and Prodigy, the first two comics from Millar following the acquisition of his Millarworld imprint last year.
The children’s author discusses his first book aimed at adults, which is about the daily battles that undocumented worker face.
Duncan Tonatiuh has been writing and drawing picture books for children for many years, but his new book Undocumented is something very different. The book for adults is designed in an accordion format, in a way that calls to mind Mixtec codex. Throughout his career, Tonatiuh has been influenced by pre-Columbian art. His children’s books have looked at the lives of Diego Rivera and Amalia Hernandez, re-imagined legends, and looked at how Sylvia Mendez and her family helped to end segregated schools in California.
Undocumented: A Worker’s Fight is about the daily battle that so many workers in the country face and is both an inspirational story of people coming together to create change and improve their lives, and a guide to how people can organize. It’s more important and timely than ever, and one of the year’s most important books. He was kind enough to answer a few questions about his work.
The cartoonist discusses her latest book from Fantagraphics, the comics workshops she conducted in refugee shelters in Germany and much more.
The full title of Ali Fitzgerald’s first book is Drawn to Berlin: Comic Workshops in Refugee Shelters and Other Stories from a New Europe. The book details time that the Berlin-based cartoonist spent teaching comics workshops in a refugee center and the people she met there. To add a depth to their stories and Fitzgerald trying to understand the changing face of Berlin, she turns to Joseph Roth and his book What I Saw: Reports from Berlin 1920-1933, where Roth documented the lives of refugees in Berlin, demonstrating how this is not a new phenomenon. Moreover, while the refugees have not found the Berlin they were hoping for, neither did Fitzgerald, who was first inspired to visit the city from her reading of Christopher Isherwood and others.
Fitzgerald has been making comics for years. She made Hungover Bear and Friends for McSweeney’s, and Bermuda Square for New York. Fitzgerald has contributed to many publications including The New Yorker, The New York Times, Huffington Post, and BitchMagazine. She was kind enough to answer a few questions over email about her book.
An open letter to Abrams from the Asian Author Alliance, signed by more than 1,000 writers, teachers and readers, reads: “The simple fact is that today, the biggest terrorist threat in the United States is white supremacy. In publishing A Suicide Bomber Sits in the Library, Abrams is willfully fear-mongering and spreading harmful stereotypes in a failed attempt to show the power of story.”
McKean responded to some of the controversy on Twitter: “The premise of the book is that a boy uses his mind and faith to decide for himself that violence is not the right course or action.” The book was due to be published next May.
It is not too late to score some last minute deals!
As the day winds down, it is not too late to score some last minute Cyber Monday sales. It is a good idea to check your own local comic store for deals closest to home. Here are some comic and comic related deals online
‘Ginseng Roots’ will explore Thompson’s childhood ‘weeding and harvesting ginseng’ in order to buy comic books.
Craig Thompson is best known for his long-form graphic novels, including Blankets, Habibi and other titles that regularly appear on year-end “best of” lists. But now the creator is turning his attention to “the form of the medium that imprinted itself on me and my little brother, Phil, as children.”
Coming next spring from Uncivilized Books is Ginseng Roots, a bi-monthly comic book about the creator and his brother growing up in Wisconsin.
“For a decade of our childhood, Phil and I toiled in Wisconsin farms,” Thompson wrote on his blog. “Weeding and harvesting GINSENG—an exotic medicinal herb that fetched huge profits in China—funded our youthful obsession with comic books. Comics in turn, allowed us to escape our rural, working class trappings.”
Prequel series to the upcoming multiplayer game debuts in February.
Dark Horse and Bioware will continue their partnership that brought Dragon Age and Mass Effect to comics as they team up for a new series based on the upcoming video game Anthem.
Alexander Freed, who worked on the game, and Mac Walters, who has worked on Dark Horse’s Mass Effect: Foundation comic, will team with artist Eduardo Francisco on a prequel series to the video game’s story.
The new team follows Charles Soule and Phil Noto’s run on Matt Murdock’s alter-ego — a run that ends with a storyline called The Death of Daredevil.”
“A lot of writers in the past have left Daredevil in terrible situations at the end of their runs,” Soule said in a promotional video released by Marvel in September. “Brian Michael Bendis put him in prison for Ed Brubaker to handle; Mark Waid, who preceded me, had Daredevil in San Francisco, his secret identity was blown, he wasn’t a lawyer anymore. I had to handle all of that. So, I wanted to carry on in the tradition of leaving Daredevil in the worst spot imaginable, and letting the next writer somehow deal with this impossible problem that Matt would never get out of. And I wanted to make mine the biggest one that has ever been done.”
The New York Times not only wrote a thorough obituary of “The Man,” but also featured a comic by Brian Michael Bendis, Bill Walko and Howie Noel.
Peter David, freelance comics writer and a former Marvel employee, wrote a remembrance of Lee for Vulture. “Still, there was a time where Stan became the incarnation of that line from The Dark Knight: You either die a hero or live long enough to see yourself become a villain. In the ’80s and ’90s, it became increasingly stylish to bash Stan, to accuse him of hogging attention for his creations from the artists. But the fact is that before Marvel Comics, comics writers and artists were anonymous. It was Stan who made the artists the centerpieces of the work, giving them snappy nicknames like ‘Stainless’ Steve Ditko, ‘Genial’ Gene Colan, ‘Larrupin’’ Larry Lieber (no, even his brother wasn’t immune), and many others. We would come to know the artists (and other writers) as well as, if not better than, members of our only families. DC editors were so disdainful of this practice that they referred to him as ‘Stan Brag,’ before eventually following suit and crediting people.”
Roy Thomas, a legendary comics writer in his own right, shares the memory of his last Saturday spent with Lee at the Hollywood Reporter.