Smash Pages Q&A: Marco Finnegan

The artist of ‘Crossroad Blues’ returns with a new YA graphic novel about the Zoot Suit Riots, family tension and lizardmen.

In the early 1940s, racial tension between the Chicano community and white servicemen in the Los Angeles area led to the Zoot Suit Riots, named for the baggy suits worn by Mexican-American youths at the time.

Lizard in a Zoot Suit is a new graphic novel from Marco Finnegan (Crossroad Blues) that uses these riots as a backdrop for a socially relevant tale of racial tension, family and magical realism. Inspired by playwright Luis Valdez and movies like LA Confidential, Lizard in a Zoot Suit features two sisters who discover a lizardman — a lost member of an underground species who just wants to get home. Amidst the chaos, the sisters do what they can for their new friend in a beautiful tale told in two colors.

I spoke with Finnegan about the book, his inspiration for it and more.

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‘Monstress’ gets a spinoff miniseries this fall

‘Monstress: Talk-Stories’ will follow the conclusion of the title’s fifth story arc.

Image Comics has announced that Marjorie Liu and Sana Takeda’s award-winning Monstress will get a spinoff this fall, titled Monstress: Talk-Stories.

The two-issue miniseries will fill the gap between the fifth and sixth story arcs of Monstress and “invites you to eat dumplings beside the fire and listen as Kippa recounts a defining moment from her childhood.”

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The Justice League at 60, Part Three: Into Orbit

Tom Bondurant jumps into the ‘Satellite Era’ of the 1970s and ’80s this week, as he continues his look 60 years of the Justice League.

Check out part one and part two of this series!

What we’re calling the “Satellite Era” of Justice League of America began in November 1968’s issue #66, several issues before the team would move into its new headquarters stationed geosynchronously 22,300 miles above Metropolis. Still, writer Gardner Fox’s departure with #65 was the end of an era which stretched arguably back to the Justice Society; and successor Denny O’Neil was making changes even before the satellite was built.

Just as the Silver Age was dominated by Fox and artist Mike Sekowsky, the Satellite Era would be directed mostly by writer Gerry Conway and artist Dick Dillin. This period lasted until November 1984’s issue #232 (after which the team had moved out of the satellite for good); and of those 164 regular issues and two Annuals, Conway wrote 81 and Dillin pencilled 116. Because Conway arrived long after Dillin started, the two only collaborated on 39 issues. Nevertheless, one or the other was part of just about every JLA issue from November 1968 through February 1984.

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