At one point in our conversation, Dante Luiz referred to himself and H. Pueyo as “two unknown Latin Americans,” and while there may be some truth to that at the moment, it cannot be said that they aren’t incredibly talented.
The two writer/artists work separately and together, but they share an interest in South American history and culture, folklore and in looking at violence. Luiz has been published in La Raza Anthology: Unidos y Fuertes and Dates!, and H. has been publishing short fiction in a variety of outlets and has a piece in new volume of the long-running Dirty Diamonds anthology. The two have a short comic in the upcoming anthology Gothic Tales of Haunted Love, which is currently being kickstarted. That’s in addition to their work appearing in other anthologies like Tales from The Public Domain, Tabula Idem, Wayward Sisters and Built on Strange Ground.
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The ‘X-Men: Grand Design’ and ‘Hip Hop Family Tree’ creator reflects on the work of comics legend Jack Kirby.
All this week we’re celebrating the life and influence of comics legend Jack Kirby, who would have turned 100 on Aug. 28. You can find other Kirby-related articles here.
Ed Piskor was already well known for comics like Wizzywig, Macedonia and other work, but it was Hip Hop Family Tree that really brought his work to a new audience and won him an Eisner Award. Right now Piskor is working on X-Men: Grand Design, a series from Marvel that he’s writing, drawing, coloring and lettering that launches at the end of the year. Piskor has talked about his love for Kirby in the past and we reached out to talk about his thoughts about the man and his work.
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The creator of ‘Madman’ talks about the ‘power’ of Jack Kirby’s work, the difference between Kirby’s Marvel and DC work, and his love for the Silver Surfer
All this week we’re celebrating the life and influence of comics legend Jack Kirby, who would have turned 100 on Aug. 28. Watch for more interviews and posts as the week continues.
Mike Allred is the perfect person to talk to about Jack Kirby for a number of reasons. Right now he’s drawing two books, the ongoing Silver Surfer series at Marvel and the miniseries Bug! The Adventures of Forager at DC. Both characters are Kirby creations, as was Allred’s previous project, Marvel’s FF. Allred remains perhaps best known for his own creations, though, which range from Madman to Red Rocket 7 to The Atomics to iZombie. More than simply being an immensely talented creator, Allred is one of those creators who has long acknowledged his debt to Kirby and his style, and he talked a little about what that has meant to him.
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The artistic creator behind ‘Gødland’ and ‘The Transformers vs G.I. Joe’ discusses the influence Jack Kirby had on his art and career.
All this week we’ll celebrate the life and influence of comics legend Jack Kirby, who would have turned 100 on Aug. 28. Watch for more interviews and posts as the week continues.
Tom Scioli has established a reputation as an artist who is working in what many have described as the Kirby tradition. In work like The Myth of 8-Opus, American Barbarian, Gødland and The Transformers vs G.I. Joe, Scioli has demonstrated the clear influence of Jack Kirby on his work, but Scioli isn’t an imitator. Kirby’s sensibility and style is one of Scioli’s biggest influences, but he’s carving his own path and crafting a style that is recognizably his own from that. This month he’s been posting comics and drawings about Kirby on his Twitter feed to mark the centennial, and he spent a few minutes to talk about Kirby’s work.
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Delisle talks about the 15-year long process of making the book and its storytelling challenges.
Guy Delisle has a reputation for crafting a series of travelogue books that detail his travels and the long periods of time he’s spent in places like Myanmar (Burma Chronicles) and Israel (Jerusalem: Chronicles from the Holy City), the latter of which received the Prize for Best Album at the 2012 Angouleme International Comics Festival. He’s also the cartoonist behind the series A User’s Guide to Neglectful Parenting.
Delisle’s book Hostage is a different book for him. It tells the true story of Christophe Andre, an administrator with Médecins Sans Frontiéres (Doctors Without Borders) who was kidnapped in Chechnya in 1997 and held hostage for 111 days. Delisle takes this story and makes the situation of a single man in a room both dramatic and visually engaging, working in a different style and color palate that readers of his earlier books might have expected. Delisle spoke about the 15-year long process of making the book and its storytelling challenges.
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The creator discusses the end of ‘Clyde Fans,’ the film ‘Seth’s Dominion’ and more.
In 2010 the cartoonist Seth revived his old comics series Palookaville as a series of hardcover volumes that come out once every year and a half or two years, in the smaller size and shape that Seth used in books like Wimbledon Green and The Great Northern Brotherhood of Canadian Cartoonists. Palookaville #23 has just been released by Drawn and Quarterly and like the earliest volumes, it contains a few different elements. There is a large selection of paintings that Seth created for two different exhibitions in 2014 and 2015. There’s the third chapter of Nothing Lasts, a memoir that Seth began in earlier volumes, and perhaps most notably, the fifth and final chapter of Clyde Fans.
Clyde Fans began many years ago in 1997 in the original Palookaville series, a followup to Seth’s now-classic graphic novel It’s A Good Life, If You Don’t Weaken. The story went on hiatus along with the series, and finishing the series has been one of Seth’s primary projects in the revived Palookaville series. In the interim he has been keeping busy, with a series of graphic novels, New Yorker covers, design projects like The Complete Peanuts, illustrating the Lemony Snicket series All the Wrong Questions, and making paintings and models for various exhibitions. We talked about what finishing the story means to him, what he’s working on next and some thoughts on the film Seth’s Dominion.
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Wheeler discusses his collection of illustrations of U.S. President Donald Trump’s tweets.
Shannon Wheeler has been drawing cartoons that are sardonic, sarcastic, political, angry but also strange and funny with its own unique viewpoint for a long time. Like many people I first got to know his work with Too Much Coffee Man. In the years since then Wheeler has drawn books like God is Disappointed in You, written by Mark Russell, and Oil and Water, written by Steve Duin. He’s also continued to work as a cartoonist contributing to The New Yorker and other publications.
In recent months though he’s been working on a strange project, illustrating Donald Trump’s tweets. The result is a book just out from Top Shelf, Sh*t My President Says. Since the book went to press, though, Wheeler hasn’t stopped. He’s already made a zine supplement and continues to post the comics on – where else – his Twitter feed. We spoke about how he approaches Donald Trump and why the project wasn’t just parody.
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The author and artist discuss their comics adaptation of Haldeman’s ‘The Forever War’ from Titan Comics.
Joe Haldeman is a name familiar to most science fiction readers. Best known for his novel The Forever War, the book remains more than forty years after it was published, a brilliant, landmark science fiction novel. Haldeman has been named a Grand Master by the Science Fiction Writers of America, and has received numerous Hugo and Nebula Awards, in addition to the World Fantasy Award and James Tiptree Jr. Award, for his novels, novellas and short stories including The Hemingway Hoax, Forever Peace, and Camouflage.
Haldeman is also the author of three comics series, collaborations with the Belgian creator Mark van Oppen, who publishes under the name Marvano. Marvano is best known as a creator for his many historical projects like Grand Prix, Berlin, Ver van leper, and La Brigade Juive. Their first collaboration, an adaptation of Haldeman’s The Forever War, is currently being published in English as a six issue miniseries by Titan Comics and the two spoke about their work, together and separately.
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The prose author discusses his comic book sequel to Anno Dracula, his own comics reading history and much more.
Kim Newman is a beloved and acclaimed cult writer. Comics fans may only know him for his 2015 miniseries Witchfinder: The Mysteries of Unland, but prose fans know him for his dozens of books which include Professor Moriarty – The Hound of the D’Urbervilles, The Night Mayor, and the Diogenes Club series. Perhaps his best known works are the series Anno Dracula. The 1992 novel is something of a what if – what if Dracula defeated Van Helsing. The resulting novel – and the sequels – mixed real life figures and literary characters in a way that is much more common today than it was when the novel first came out.
The new miniseries from Titan Comics, Anno Dracula 1895: Seven Days in Mayhem, is written by Newman and illustrated by Paul McCaffrey. The comic, which wraps up this week, is a direct sequel to the novel Anno Dracula – and a prequel to the second book in the series Bloody Red Baron, which takes place in World War I. Like the novels this one mixes real and fictional worlds. Newman was kind enough to talk about the miniseries, his novels, and everything from Philip Jose Farmer to possible comics crossovers he’s eager to write.
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