The prose author discusses his comic book sequel to Anno Dracula, his own comics reading history and much more.
Kim Newman is a beloved and acclaimed cult writer. Comics fans may only know him for his 2015 miniseries Witchfinder: The Mysteries of Unland, but prose fans know him for his dozens of books which include Professor Moriarty – The Hound of the D’Urbervilles, The Night Mayor, and the Diogenes Club series. Perhaps his best known works are the series Anno Dracula. The 1992 novel is something of a what if – what if Dracula defeated Van Helsing. The resulting novel – and the sequels – mixed real life figures and literary characters in a way that is much more common today than it was when the novel first came out.
The new miniseries from Titan Comics, Anno Dracula 1895: Seven Days in Mayhem, is written by Newman and illustrated by Paul McCaffrey. The comic, which wraps up this week, is a direct sequel to the novel Anno Dracula – and a prequel to the second book in the series Bloody Red Baron, which takes place in World War I. Like the novels this one mixes real and fictional worlds. Newman was kind enough to talk about the miniseries, his novels, and everything from Philip Jose Farmer to possible comics crossovers he’s eager to write.
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The creator of ‘The Jam’ talks about his career, current projects and new short story collection from About Comics.
The new book XVI from About Comics collects short comics from the acclaimed creator Bernie Mireault. He has never been the most well-known or best-selling comics creator, but over the past few decades he’s been a key figure in comics.
His miniseries Mackenzie Queen wears its influences on its sleeves, and those influences are Steve Ditko and Doctor Strange and Harvey Kurtzman, European comics and manga, back in the early 1980’s when that range of influences was not as common – or as easy to find – as it is today. Mireault went onto draw Grendel: The Devil Inside and colored many other stories in Matt Wagner’s Grendel series. Mireault then created The Jam, a different kind of superhero comic, which appeared before many other reinventions of the genre appeared.
Mireault spoke about the new collection of his black and white comics, what he’s working on now and more.
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The co-founder of 2d Cloud discusses her latest graphic novel, her essay ‘Getting Divorced in Comics’ and more.
Maggie Umber’s most recent graphic novel Sound of Snow Falling is a wordless painted graphic novel. A beautiful and meditative look at a pair of great horned owls, it may her most recent comic, but in many respects it’s her earliest comics work and is a project that she has been thinking about and working on for many years. It is available now from 2d Cloud.
This book is Umber’s second graphic novel after 2015’s Time Capsule. She is also the co-founder of 2d Cloud and she recently stepped down as Associate Publisher – one of the many hats she wore at the publisher, events that she discusses (among other topics) in her much-discussed essay “Getting Divorced in Comics.” Umber spoke about her book, the essay, her short comic in the upcoming anthology Warmer, which comes out next month.
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The cartoonist and painter discusses her book, which is about an Emily Dickinson in the present day, complete with Facebook and OkCupid accounts.
In The Slanted Life of Emily Dickinson, Rosanna Bruno imagines a present-day Dickinson, or considers the ways in which the habits of the legendary poet would brush up against how contemporary life works, giving her a Facebook page and an OkCupid account and karaoke lists. It’s not simply poking fun at Dickinson, who despite being one of the great modern poets is often considered a recluse. Bruno clearly has read and knows Dickinson’s work and finds interesting ways to play with those ideas and how we think about poetry. Bruno is a painter by training and she spoke about Dickinson, the book, how comics required a different approach from her paintings and more.
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Thomas talks about his long-running comic strip turned webcomic, his post-election editorial cartoon that went viral and his work with James Patterson on ‘Public School Hero.’
Cory Thomas remains best known for his comic Watch Your Head. First launched as a comic strip in 2006, Thomas relaunched it in 2014 as a webcomic, tweaking the story and characters, though it has remained the story of a diverse cast of characters attending Douglass University, a historically black university. He continues to update the comic occasionally, though a lot of his attention has been focused on other projects like the James Patterson book Public School Superhero.
Late last year Thomas got a lot of attention for a comic he made for Fusion titled “The Weirdness of being Black in White Spaces After the Election,” which struck a nerve with a lot of people from different backgrounds. Thomas sat down to talk about the response to that comics, the status of Watch Your Head, and what he’s working on now.
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The ‘Stray’ writer discusses his contribution to the New Brooklyn Universe.
Vito Delsante has been writing comics for years, and he’s had success with stories in comics that range from Batman Adventures to Savage Tales to Scooby Doo to Superman. But recently though Delsante has been putting out his best work in a pair of projects. One of them is Stray, the story of a retired sidekick who returns to the hero game whose new solo series from Action Labs kicks off in September.
Perhaps his biggest project, though, is The Purple Heart, which is part of the New Brooklyn Universe spearheaded by Dean Haspiel, a shared universe that also includes The Red Hook and The Brooklynite and the upcoming War Cry, which launches in the fall. The weekly webcomic that Delsante is making with Ricardo Venancio wraps up this week, and Delsante spoke about working in a shared universe, and crafting a story very different from The Red Hook about Brooklyn’s Silver Surfer-like hero.
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The creator of ‘Powdered Milk’ discusses her newest collection from Koyama Press.
In her ongoing self-published series Powdered Milk, Keiler Roberts has been crafting some of the best autobiographical comics being made today. The main characters of the series are her and her daughter Xia, who manages to provide malapropisms and unintentional humor, but for people have read large chunks of Roberts’ work, it’s possible to see Xia growing up in a way that is clear-eyed and unsentimental and familiar, I think, both to people who have children and those of us who do not.
I described one of her comics to Roberts as “funny, relatable and horrifying” and that sums up a lot of her comics – particularly those about parenting. Roberts may sentimentally want to capture these moments, but she depicts everything and everyone – especially herself – without sentimentality. Roberts has crafted something truly outstanding, a portrait of her life at the moment, which, of course, is all too fleeting. It is a striking and singular accomplishment. Roberts won an Ignatz Award for Outstanding Series in 2016, and now Koyama Press has just released Sunburning, a new collection of Roberts’ recent work.
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Elizabeth Beier only started working in comics a few years ago, but the graphic designer has made a name for herself self-publishing two issues of the comic Bisexual Trials and Errors, and comics like We Belong and I Like Your Headband. The winner of the 2016 Queer Press Grant from Prism and a Moth StorySLAM winner, this fall Northwest Press is publishing Beier’s first full length book, The Big Book of Bisexual Trials and Errors.
The spine of the collection is Beier’s own autobiographical story of starting to date after a six year relationship and being intimidated and finding her way through the entertaining confusion. Those comics, along with the flow charts and infographics that Beier enjoys crafting, manage to be funny and relatable in a way that transcends age and orientation. But the book is also much more that. Beier mentioned that she loves to draw faces, but she’s also interested in voice, and that interest in authenticity, in specificity, in capturing individuals and their stories is at the heart of her work. This is a coming of age story about a twenty-something woman, but it’s also about a woman situating herself in and coming to understand her community.
The book will be coming out this fall from Northwest Press, and the book is currently up as part of Kickstarter Gold, which highlights new projects by creators who have used the crowdfunding site in the past “making new works inspired by their past projects, so backers can discover extra-amazing ideas.” In 2013 Northwest published Anything That Loves, a comics anthology of comics story that took place in “the world outside of gay and straight boxes,” as editor and publisher Zan Christensen put it. The book was a critical and commercial success and Northwest will be publishing Beier’s book as a companion to and a continuation of that conversation. The campaign, which can be found here, runs through July 27.
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The creator of ‘War of Streets and Houses’ talks about her journalism comics collection, ‘What is a Glacier?,’ and her work translating ‘Pretending is Lying.’
Since her book War of Streets and Houses was published by Uncivilized Books, it seems as though Sophie Yanow has been publishing work on a regular basis. She’s become a significant comics journalist, regularly publishing pieces in The Nib and The Guardian and elsewhere, covering the protests at Standing Rock and the U.S. elections. This year she has two very different comics coming out. The New York Review of Comics has just released Pretending is Lying, a comics memoir by Dominique Goblet that Yanow translated. At TCAF, Retrofit Comics released What is a Glacier, which collects some of Yanow’s journalism comics.
Yanow is currently teaching at the Center for Cartoon Studies in Vermont and this career model – making nonfiction comics, teaching, translation – has existed among prose writers and poets for generations, but it’s something new to comics. We spoke recently about Goblet, translation, nonfiction and the idea that Pretending is Lying.
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