Sarah Vaughn and Leila del Duca team for new title from Image Comics this December.
Earlier this year Image Comics announced Sleepless, by artist Leila del Duca, writer Sarah Vaughn, editor Alissa Sallah and letterer Deron Bennett. It’s not about your last trip to Comic-Con; it’s actually an historical romance drama about a knight who never sleeps.
“Sleepless is a story that is very dear to me, grown from an idea I would play in my head at night as I tried to fall asleep,” said Vaughn. “It’s wonderful to see the book come to life with Leila, Alissa and Deron. I hope readers enjoy reading about Poppy and Cyrenic and getting a little more romance, costumes and fantasy in their lives.”
One of Top Cow’s signature titles returns in December.
Top Cow has announced that they’ve recruited writer Caitlin Kittredge, artist Roberta Ingranata and colorist Bryan Valenza to create a new Witchblade series, featuring the sword-wielding character created by Marc Silvestri, Brian Haberlin, Michael Turner and David Wohl. The new series starts in December.
“Everywhere you look in the real world, you’ll see a hero. Not the kind that wears a cape and flies around a comic page or across the big screen but the kind you see walking around being kind of unremarkable. Basically people. People that, when given the choice, will simply do the right thing. Because that’s what a hero does,” said Silvestri. “Doing the right thing isn’t always easy, as it often means being selfless. Without hesitation. But again, that’s what a hero does. Our most enduring superheroes come from this simple idea: people choosing to do the right thing. People like the wielders of the Witchblade.”
The adventures of Mike Mignola’s heroic half-demon will be collected in six volumes.
Clear some room — a lot of room — on your bookshelves. Dark Horse Comics will publish Mike Mignola’s signature, award-winning series Hellboy in Omnibus format, collecting the entire run in chronological order.
“I’m very excited to finally have all the Hellboy stories collected in chronological order,” Mignola said. “And I’m especially excited to have the three Duncan Fegredo books—all the stuff with Alice and the Queen of Blood—together in one collection for the first time.”
When Bane invades the TMNT universe, Donatello looks to Batman for assistance.
Batman and the Teenage Mutant Ninja Turtles will meet again in Batman/Teenage Mutant Ninja Turtles II, a six-issue miniseries by James Tynion IV and Freddie Williams II.
“What DC and IDW started with Batman/TMNT in 2015 continues to spark interest with fans of these characters that have worldwide recognition,” said Hank Kanalz, DC SVP Editorial Strategy & Administration. “We can’t wait to see what James and Freddie deliver this time around.”
In addition to the 2015 crossover series, the characters also met in 2016’s Batman/TMNT Adventures — although that crossover featured the animated versions of both.
The second issue of Kyle Starks and Gabo’s horror-comedy miniseries finds our zombie-fighting heroes getting some help from a drunk mall Santa.
I enjoyed the first issue of Dead of Winter, Kyle Starks and Gabo’s horror-comedy miniseries based on the game by Plaid Hat Games. Oni Press has sent out a preview of the second issue, which features our zombie-fighting heroes getting some help from the man in red and white — Santa Claus. Or a drunk mall Santa, to be precise.
You can find the preview and solicit info below. Dead of Winter #2 comes out on Wednesday.
New title from Image Comics will showcase a family during the Harlem Renaissance protecting the world from supernatural forces.
David Walker, Chuck Brown and Sanford Greene will team up on a new comic set during the Harlem Renaissance, Bitter Root, next year from Image Comics. The new series was announced today at the Rose City Comic Con in Portland, Oregon.
“Bitter Root is going to be unlike any comic book people have seen,” said Walker. “We’re mixing action and horror, with a cast of characters unique to the medium to tell an epic tale of the Sangerye family and the sacrifices they are willing to make for humanity. I’m excited for this series for several reasons. It gives me the chance to work with Sanford again, Chuck, who is a great co-writer, and Image, which publishes some absolutely amazing comics.”
Tie-in to the Netflix cartoon ‘Stretch Armstrong and the Flex Fighters’ launches in January.
The nostalgia wave continues with the re-introduction of Stretch Armstrong, the flexible action figure from the ’70s. Following his re-release by Hasbro and the upcoming Stretch Armstrong and the Flex Fighters cartoon on Netflix, IDW has announced plans for a comic featuring the stretchy heroes, due out in January.
The comic will be written by series executive producers and head writers Kevin Burke and Chris “Doc” Wyatt, with art by Nikos Koutsis. Cover art will be provided by Aluir Amancio and Koutsis. Burke & Wyatt developed Stretch Armstrong for television in collaboration with fellow executive producer, Victor Cook.
Old friends reunite in the cover image for the upcoming collection.
Artist Kevin Maguire brought his signature style to the Justice League in the late 1980s/early 1990s, and along with Keith Giffen and J.M DeMatteis, redefined the team in the Post-Crisis DC Universe. Now their humorous take on the team is getting the Omnibus treatment, and Maguire has shared the cover to the massive book:
Jason Mehmel shares what he learned about Jack Kirby during his time directing the play “King Kirby” in Calgary in 2016.
All this week we’re celebrating the life and influence of comics legend Jack Kirby, who would have turned 100 on Aug. 28. Today we present a guest editorial from Jason Mehmel, a professional director and producer of theatre in Calgary, Alberta, Canada, who had a unique opportunity related to Jack Kirby.
by Jason Mehmel
I’ve known about Jack Kirby for years… his style is as unique as a fingerprint. Crazy designs, often using circles. Crackling energy balls of negative space (later called ‘Kirby Krackles’). It represented the platonic ideal of superheroes, particularly the Marvel characters he created, and the subsequent artists, composing with better anatomy, perspective or even composition, are still ultimately riffing on the energy behind Kirby’s pencil, and the choices it led him to.
Two years ago, I came across a theatre script about the life of Kirby and found myself running a theatre company. I decided to jump at it and produce King Kirby: A Play by Crystal Skillman & Fred Van Lente, which walked through the pivotal moments in Kirby’s life:
How he came from poverty, his early love of science fiction and big ideas, and of telling them visually. How he got into comics from that love, and the birth of Captain America, just before his own wartime experience. How Marvel Comics as we know it exploded from his pen, and those of his fellow pencillers, though it would be hard to compete with the sheer volume of characters and stories Kirby developed in those years.