Plus: Udon to publish Daigo manga, another comics shop is robbed, a comics professor quits his job
It’s official: Comic-Con International will remain in San Diego for now, resisting the blandishments of other cities such as Los Angeles and Anaheim, which have been trying to woo it away. San Diego Mayor Kevin Faulconer announced on June 30 that the city has signed a three-year deal with Comic-Con that will last through 2021; the current contract ends after next year’s show. Faulconer made a pitch for expanding the convention center, something that has been talked about for years now; the City Council recently refused his request to put a special tax on the November ballot to fund an expansion. Con-goers get a bit of a break in this new contract, though: The last contract held all hotel rooms to their 2016 prices for the duration, and the new one only allows a 4% increase over the 2018 price over the subsequent three years.
Plus: ‘Check Please’ goes to First Second, ‘Infini-T’ Force goes to Udon, Jill Thompson, Red Planet and more.
A Pirate’s Life… Ain’t what it used to be. Cecilia D’Anastasio talks to several former scanlators (including NJT, who set up MangaHelpers back in the day) about their struggles to go legit, and she also talks to some legitimate translators about what they do. While scanlators defend what they do as providing a service by fans, for fans—no ugly profit involved—it’s also true that publishers may not want to license a series that is already being widely read on bootleg sites. Also, they are finding that publishers don’t want to hire them, and the pay isn’t enough to let them quit their day jobs. Because, as Kodansha Comics’ Ben Applegate observed, “Whenever there’s a large group of people giving away their labor for free, it’s going to depress pay for those who are trying to do things legitimately.”
The former owners of Emerald City Comic Con will pay $493,227.84 to former volunteers and the attorneys who represented them under a settlement that will keep the matter from going to court. Jerry Michael Brooks, a former volunteer at the con, filed a class action suit on behalf of all volunteers who worked at ECCC in 2014 and 2015, claiming that they were treated like employees and therefore should have been paid for their work. (Seattlish posted the details of the suit when it was first filed.) Under the settlement, Eitane Emerald Corp. and the Demonakos family will pay almost $500,000 to the volunteers, with the lawyers scooping up $123,300 for their troubles, Brooks getting $5,000, and the 250 or so other “volunteers” will divvy up the rest according to how many hours they worked. Although the defendants admit to no wrongdoing, the payments to the volunteers are to be regarded as part wages, part settlement for nonpayment of wages. ReedPOP, which purchased the con in 2015 and ran the 2016 and 2017 events, does not use unpaid volunteers.
Plus: Jack Kirby and William Messner-Loebs to receive the Bill Finger Award, why millennials like webcomics and more.
IDW announced its all-ages Star Wars Adventures comic series a few months ago, but they sprang a surprise this week: In August, they will publish an 80-page graphic novel adaptation of the movie Star Wars: The Force Awakens. The graphic novel, which is also intended for younger readers, is part of Disney’s Journey to Star Wars: The Last Jedi publishing program, which is designed to gin up excitement for the eighth movie, Star Wars: The Last Jedi, which will be out in December. The writer of the adaptation is Alessandro Ferrari, and the art is provided by “a group of Disney artists intended to bridge the gap between Star Wars and traditional Disney animation, making it more attractive for younger audiences.” You’d think people with that sort of ability would merit an actual name credit, but I guess not. This same anonymous group has done other Star Wars graphic novel adaptations that were published by Disney Lucasfilm Press, and in fact, Bleeding Cool notes that this graphic novel was announced in an article about them almost a year ago. That means the big news is really the publisher—it looks like IDW, will launch Star Wars Adventures in September, is becoming the chief publisher of Star Wars comics for young readers.
Comics gets a wake-up call, Wonder Woman gets a long-lost brother and Ted Rall gets SLAPPed.
It’s like comics is going through its half-year review, and manga and kids’ graphic novels get high marks but Marvel and DC get a low “needs improvement.” Heidi MacDonald has a long but very readable article at The Beat summarizing what’s going on: Comics are thriving, but not monthly comics and not in comic shops:
A cartoonist gets his career back, manga and kids’ comics are booming, and a con veteran offers advice for first-timers
Trolling the Trolls: Your bizarre read for the day is Emma Grey Ellis’s account of the strange career of Ben Garrison, a libertarian political cartoonist who became a sort of real-life Pepe the Frog after alt-right trolls started altering his cartoons to include Nazi imagery and seeded the internet with fake stories:
Plus: The mother of shojo manga, Naruto and real-life politics and more
David Draize, owner of Galactic Comics in Ocean Beach, California, doesn’t know why someone hurled several bricks through his store window, but he’s grateful for the police response that followed. Security camera footage shows a man in his 40s or 50s, clad in black, throwing several bricks and cinderblocks through the store window at about 1 a.m. on June 12. Nothing was taken from the store, in part, Draize believes, because the police officers who responded stayed to guard the store till he could get there.
Amalgam University Gets Its First Grant: In happier retailing news, Ariell Johnson, proprietor of Amalgam Comics & Coffeehouse in Philadelphia, has been awarded a $50,000 grant from the Knight Foundation to set up a programming space, which will expand the footprint of the store and allow her to create an “Amalgam University.” Johnson says that because she sells self-published work, she sees a lot of comics that have potential but are falling short in terms of craft. She hopes to offer classes to help those who can’t go to art school learn the nuts and bolts of making comics.
The man who finished ‘Omaha the Cat Dancer’ passes away, Frank Quitely finally gets that degree, and more.
Passings:James Vance, the author (with artist Dan Burr) of the graphic novels Kings in Disguise and On the Ropes, died on June 5 at the age of 64. Kings in Disguise was first published as a limited series by Kitchen Sink Press in 1988 and in 1989 won the Eisner and Harvey awards for Best New Series, and the first issue won the Eisner for Best Single Issue. W.W. Norton published a collected edition in 2006, with an introduction by Alan Moore. The sequel, On the Ropes, was published by Norton in 2013. Vance was married to Omaha the Cat Dancer writer Kate Worley from 1994 to 2004, and many years later he collaborated with Omaha artist Reed Waller to complete the story, which was left unfinished at Worley’s death; it was published in 2013. Vance, who was also a playwright, talked about his work with Alex Dueben at CBR in 2013. His illness and death leaves his family in a difficult financial situation, so a GoFundMe has been set up to help.
Plus: New superhero universe Catalyst Prime, comics to fight fake news, Jillian Tamaki, Rico Renzi’s color palette, and more!
What’s up with MAD Magazine?Mark Evanier lays out a brief history of MAD, which has been part of DC Comics for a long time (it’s complicated!), and updates us on its current status, which is… not good. Like pretty much all print magazines, MAD has been struggling for a while, although Evanier thinks editor John Ficarra has been doing a bang-up job. When the rest of DC packed up and moved to Burbank, California, a while ago, the MAD staff stayed, but they are moving out of their New York office at the end of this year, and DC has not been forthcoming with any news about what will happen next, beyond the fact that the magazine is moving to Burbank and only one staffer, a production artist, will be going with it. The February 2018 issue will be the last one produced by the Usual Gang of Idiots. DC has not made any announcements about what happens next, but Evanier suggests following the blog of artist Tom Richmond, one of the most frequent contributors to the magazine, for updates.