The filmmaker and playwright discusses her plans for Humanoids’ ‘Omni.’
Melody Cooper is a filmmaker, TV writer and playwright who was a resident at Yaddo and is currently in the HBO Access writing program. Her new project is the Humanoids series Omni.
Taking over writing the book from Devin Grayson, Cooper is continuing the politically charged stories of Dr. Cecelia Cobbina, who continues to try to uncover what’s behind the ignition of superpowers in the world. Cooper answered a few questions about how she works, politics and writing the smartest woman in the world.
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The creators of ‘Protector’ discuss the miniseries, how they collaborate and more.
Simon Roy first came to a lot of people’s attention with Prophet, or perhaps people know him for his projects like Habitat or Jan’s Atomic Heart and Other Stories. His new project, which has been coming out from Image Comics this year, is the miniseries Protector.
A collaboration with novelist Daniel M. Bensen (Junction) and artist Artyom Trakhanov (The 7 Deadly Sins), the book is a science fantasy adventure set in 3241 AD in the remote regions of North America (or what’s left of it) as Iron Age humans are dealing with demons and aliens and slavers and warring tribes. Issue #3 is out this week from Image, and I had a chance to speak with the team about the project.
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The creator of ‘Lackadaisy’ discusses her new Kickstarter for an animated version of the popular webcomic.
Tracy Butler has worked as a game designer and illustrator, but for many of us, Butler is the best known as the person behind the webcomic Lackadaisy. Set in St. Louis during Prohibition, the comic has followed a band of anthropomorphic cats in story involving speakeasies, bootleggers, jazz musicians. It manages to both simultaneously romanticize the past, while never straying into sentimentality. Butler depicts the hardships, the violence, the sacrifices, the tough choices and losses that characters face along with many of the real life details and complexities that marked that period.
Butler’s new project is an animated version of Lackadaisy. To help her, she’s enlisted Fable Siegel, an animation veteran that Butler is co-directing the film with, and C. Spike Trotman, the woman behind Iron Circus Comics. The Kickstarter for the project launched this week and hit its goal in a matter of hours, but Butler answered a few questions about the project and offered us a look at some of the design work for the film.
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The creator of ‘The Nature of Nature,’ ‘Remember This?,’ and ‘Help Yourself’ discusses ‘Becoming Horses,’ her latest graphic novel from Drawn and Quarterly.
In recent years, Disa Wallander has been crafting a small but deliberate and brilliant body of work in comics like The Nature of Nature, Remember This?, Help Yourself, and in her webcomic, Slowly Dying. Her new book, Becoming Horses, which was just released by Drawn & Quarterly, is her longest work to date, and perhaps her best.
In the book she uses collage, mostly watercolors and photography, overlaid with a precise but delicate linework that’s been compared to Jules Feiffer. Like Feiffer, Wallander is interested in shape, gesture and an interest in dialogue, but the similarity ends there. In this book Wallander is crafting a series of conversations about art and life, which doesn’t sound exciting or visually interesting when phrased that way, but in Wallander’s hands, these conversations are at the center of this stunning and moving dream-like journey.
There are scenes and images form the book that have stayed with me through multiple readings, and I was so thrilled that Wallander agreed to answer a few questions over email about existentialism, how she works and Tove Jansson’s influence.
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The artist of ‘Kim & Kim’ discusses most of her recent comics work, Boudika Comics and much more.
Kim & Kim artist Eva Cabrera has been on a lot of people’s radar since 2016 for her skill at drawing body language and emotion; conveying complex emotions in a loose, cartoony style; and the ways that she manages to dynamically draw action sequences. Her action sequences are all the more impressive because often there aren’t many major fights or moments of violence. Her skill is at how she’s able to capture those moments before and after, at suggesting so much and depicting the buildup and the aftermath that it feels as though the reader has experienced it alongside the characters.
Besides all three Kim & Kim series, Cabrera drew most of the series Betty and Veronica: Vixens; drew the Oni/Limerence graphic novel Open Earth, a much quieter book with sex scenes instead of fight scenes; filled in on Oh Joy, Sex Toy; had a story in the anthology Dead Beats; and worked on #Guardian, the first issue which was released in January. She’s one half of Boudika Comics, a studio consisting of her and artist Claudia Aguirre (Morning in America, Hotel Dare).
I’ve been reading Cabrera for years ,and her artwork and design work are always excellent and always a joy, so I reached out to see if she would answer a few questions about her work.
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The prolific writer and editor discusses his upcoming title from Ahoy Press, the state of the company and more.
Tom Peyer has been writing and editing comics for years, but in the past two years since he helped to launch Ahoy Comics, Peyer has been writing up a storm. From the two very different titles that launched the publisher, The Wrong Earth and High Heaven, to subsequent books like Hashtag: Danger and Dragonfly and Dragonflyman, Peyer has shaped the sensibility and approach of the company.
Last year Ahoy released Steel Cage #1, which contained three short comics: Bright Boy by Stuart Moore and Peter Gross, Noah Zark by Mark Waid and Lanna Souvanny, and True Identity by Peyer and Alan Robinson. Readers were encouraged to vote for their favorite, but because of voting irregularities, the company declared that all three would get their own series. Now Peyer and Robinson have their series, renamed Penultiman, launching on May 6. People can read the short comic from Steel Cage for free on ComiXology right now, and Peyer stopped by to answer a few questions about superheroes and the Silver Age, and show off some of Robinson’s artwork.
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The author of ‘The Liminal People’ discusses the Kickstarter campaign for ‘Box of Bones.’
Ayize Jama-Everett made a splash a few years go with the publication of his novel The Liminal People. Since then he’s published two more novels, The Entropy of Bones and The Liminal War, but his new project is the graphic novel Box of Bones. Currently being kickstarted, the book is the result of a conversations with Jama-Everett and his friend John Jennings, the writer-artist-editor-publisher-scholar-festival organizer, who Jama-Everett interviewed recently for The Believer.
Box of Bones is described as “Tales from the Crypt meets Black History” and involves an anthropologist searching for evidence of a box which has appeared throughout history in the Africa diaspora. It is that rare project that manages to be both a deeply researched historical work, and an entertaining horror ride. We spoke recently about writing comics, working with multiple artists and a winning formula for horror.
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The writer of ‘Second Coming’ discusses his new release from Ahoy Comics, which imagines an island where the rich escape from the end of the world.
Mark Russell has made a name for himself as one of the leading satirists in comics and a deeply subversive writer. I think it’s fair to say that no one envisioned The Flintstones or Snagglepuss the way that Russell wrote them, as these complex, thoughtful and tragic stories that addressed social issues in such pointed ways.
In addition to those books, there’s the two books where, with Shannon Wheeler, he reinterpreted The Bible (God is Disappointed in You, Apocrypha Now). He also wrote The Wonder Twins series for DC, which recently wrapped up, and Second Coming, which was originally going to be published by Vertigo, but the company dropped the series about Jesus becoming roommates with the world’s mightiest superhero.
Russell is back with a new series from Ahoy Comics, Billionaire Island. Taking place in 2044, it concerns an artificial island where the wealthiest can take their money and avoid the problems that come from dealing with humanity – and all the problems that the wealthy created. It is funny and outrageous – and someone is probably working on how to build such an island as we speak. I spoke with Russell about the book, being outrageous and taking guidance from Winston Churchill.
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The co-founder of Oneshi Press discusses the Kickstarter campaign for a second volume of ‘Tracy Queen.’
Lynsey G. has been working as a professional writer for years, but it’s only in the past few years that the writer and editor turned her eye to comics, writing work like Tracy Queen and Pack. In 2015 she and her partner Jayel Draco founded Oneshi Press, where Lynsey not only publishes her own work, but edits and publishes a semiannual anthology, which just released its ninth volume.
On the heels of that, Oneshi is kickstarting the second collection of Tracy Queen by Lynsey and Draco, which launches today. The comic is hard to describe – as we get into in our conversation – but at its heart it’s about a woman who finds herself, but still struggles to change some of her behaviors. It’s a story about sex work and sex workers and in the second volume the book really hits its stride, managing to capture both the thoughtful and emotional journey that Tracy is on, while also telling a story that revels in its own craziness. Much of the book’s charms come from the ways that it balances those two elements and Lynsey and I spoke recently about comics, writing, her many projects and complicating the idea of helpfulness.
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