Smash Pages Q&A: Greg Anderson Elysée

The creator of Is’nana the Were-Spider discusses the new volume of the series, which is currently up on Kickstarter.

Greg Anderson Elysée is the creator of Is’nana the Were-Spider, the award-winning horror-fantasy series. Over the course of three volumes, the story has managed to navigate a world that’s mundane and also features the character interacting with mythological and folkloric characters from Africa and the diaspora. The new volume of the series, Showtime, is a change of pace for the series, a more playful story, but also a darker one, as the main character has to deal with what it means to be a young black man in America today.

Elysée is kickstarting Showtime, which runs through the end of the month, and he was kind enough to talk about his mythological influences and how he writes characters.

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Smash Pages Q&A: George O’Connor

The creator of the ‘Olympians’ series discusses his work on ‘Unrig: How To Fix Our Broken Democracy,’ the first book released under First Second’s World Citizen Comics publishing line.

George O’Connor is the acclaimed cartoonist behind the Olympians series of graphic novels retelling the Greek myths. Readers may know him for his earlier comics like Journey into Mohawk Country and Ball Peen Hammer, but his new book, Unrig, is something of a departure for him. 

Unrig: How To Fix Our Broken Democracy is the first volume of a new publishing line at First Second Books called World Citizen Comics. O’Connor worked with Daniel Newman, the president and co-founder of Maplight, a nonprofit that reveals the influence of money on politics. The book looks at how money has influenced American politics, how people and organizations with money have changed the system, and how individuals and local organizations have been fighting back. It’s an important book for many reasons, and I reached out to talk with George about the challenges of the project and what he learned from working on the book.

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Smash Pages Q&A: Rob Kirby

The creator and editor discusses his new Patreon, his graphic novel ‘Marry Me a Little’ and much more.

Rob Kirby is the acclaimed creator of the long-running comic strip Curbside and many other comics. He’s a critic and interviewer for publications like Publisher’s Weekly and The Comics Journal. And in a series of anthologies like QU33R, The Book of Boy Trouble, The Shirley Jackson Project and What’s Your Sign, Girl? has demonstrated that he’s one of the best comics editors around.

Kirby recently launched a Patreon, and I reached out to ask about his current project, Marry Me a Little; why he decided to make a graphic novel after all this time; taking advice from cartoonist life coach MariNaomi; and our shared dislike of “romance.”

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Smash Pages Q&A: Matthew Southworth

The artist of ‘The Cloven’ discusses his latest project, working with Garth Stein, the intersection of his art with his music, and more.

Matthew Southworth has been working in comics for years, pencilling and inking a long list of projects, but the odds are that most readers know him for Stumptown. He and writer Greg Rucka made two miniseries about the Portland private eye Dex Parios, and while never a bestseller, the book is beloved by its fans and the basis for the current television show on ABC.

Southworth’s new book is The Cloven, a collaboration with writer Garth Stein that was released by Fantagraphics this summer. The comic is about James “Tuck” Tucker, a genetically modified human who escapes from a research lab to live in the Pacific Northwest. And while the story sounds familiar, what Southworth and Stein do with the story is much less so. Southworth has always been an artist interested in mood and atmosphere, using pacing and color to play with the tone in different ways, and The Cloven is his most masterful work yet.

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Smash Pages Q&A: Monalesia Earle

The scholar and researcher discusses her new book, ‘Writing Queer Women of Color: Representation and Misdirection in Contemporary Fiction and Graphic Narratives.’

Monalesia Earle is a British based scholar and researcher and the author of the new book Writing Queer Women of Color: Representation and Misdirection in Contemporary Fiction and Graphic Narratives. Her analyses of comics like Sexile/Sexilio and My Lesbian Experience with Loneliness are insightful and thought provoking, finding ways to consider not just representation but the depictions of power dynamics, elision and how comics can illuminate and depict liminal spaces.

It’s an incredible work of scholarship, and Earle was kind enough to answer a few questions about the book.

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Smash Pages Q&A: Lonnie Nadler and Jenna Cha

The writer and artist of ‘Black Stars Above’ discuss the Lovecraftian horror tale, the tone and texture of the tale, and more.

Black Stars Above is a comic by Lonnie Nadler and Jenna Cha, which was just collected by Vault Comics. Set in 1887, this Lovecraftian horror tale is set in the Canadian frontier, and the story itself is this eerie, atmospheric horror story. You can read the complete first issue right here on Smash Pages.

But what fascinated me most was the small details in how both Nadler and Cha told the story — from the artist’s details that went into capturing the feel of the period to the language and the journal entries to the landscapes.

It’s a stunning book, and the two were kind enough to answer a few questions about the project, what they took from Lovecraft and more.

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Smash Pages Q&A: Johnnie Christmas on ‘Crema,’ coffee, romance and ghosts

The creator of ‘Firebug,’ ‘Sheltered,’ ‘Tartarus’ and other comics discusses ‘Crema,’ his collaboration with artist Dante Luiz for comiXology Originals.

Johnnie Christmas is best known for his recent work like Catbird Angel, a collaboration with Margaret Atwood, and William Gibson’s Alien3, which he drew and adapted from Gibson’s original film script. Christmas has also made comics like Firebug and Sheltered, and is currently writing the comic Tartarus, which comes out from Image Comics.

Crema came out recently from comiXology Originals, and the romance comic involves coffee – no surprise, given the title. A romantic ghost story, it involves Esme, a New York barista who can see ghosts, and Yara, a Brazilian model who is the heiress to a coffee plantation. It is a love story set in New York and Brazil involving Yara’s family and legacy. The collaboration with artist Dante Luiz is charming and sweet and strange and beautiful, and as we talked about, there’s a lot happening that’s unsaid and under the surface of events.

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Smash Pages Q&A: David Pepose enters ‘The O.Z.’

The writer of ‘Spencer & Locke’ and ‘Going to the Chapel’ discusses his latest project, which is now up on Kickstarter.

Most online comic fans probably first knew David Pepose as a reviewer for the comic site Newsarama, where he contributed to, and eventually took over, their Best Shots review column. He recently left that position to pursue a growing career as a comics writer, having written two Spencer & Locke miniseries and the excellent Going to the Chapel miniseries, all with publisher Action Lab.

For his latest project, Pepose is taking a new path, as he branches out into crowdfunding and self-publishing. Much like he did with Spencer & Locke, Pepose is taking a beloved, iconic property — in this case, The Wizard of Oz — and remixing it with another genre. The O.Z. stands for Occupied Zone, and features the granddaughter of Dorothy Gale, a war veteran, entering the war-torn land of Oz. Pepose is joined by artist Ruben Rojas, colorist Whitney Cogar and letterer DC Hopkins on the project.

The O.Z. Kickstarter is now live. I spoke with Pepose about his first crowdfunding project, L. Frank Baum and more.

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Smash Pages Q&A: Jimmy Palmiotti and Dave Johnson

The two-award-winning creators discuss their latest project together, the second issue of ‘Pop Kill’ from Paperfilms.

Dave Johnson is the award-winning cover artist of 100 Bullets, Punisher, Deadpool, Hellboy and the B.P.R.D., Lobster Johnson, Abe Sapien, The Butcher of Paris and many other comics. Jimmy Palmiotti began his career as an inker, but quickly became a writer and editor, co-creating comics like Ash, 21 Down and The Monolith. In recent years, Palmiotti has continued to work with his wife, the great Amanda Conner, on a variety of projects, but much of his work has been writing and co-writing creator-owned graphic novels including Killing Time in America, Retrovirus and Random Acts of Violence, which was adapted into a film just released on video-on-demand, in addition to continuing the story of his characters Painkiller Jane and The Monolith.

Many of those projects, like Pop Kill, which is currently being kickstarted, are collaborations with artist Juan Santacruz. This time they’re joined by co-writer Dave Johnson on a series that’s violent, sexy, very absurd, and they were kind enough to take a few minutes out to talk about the second issue of the series, and continuing the absurd tale of violence, sex, and corporate espionage.

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Smash Pages Q&A: Remy Boydell

The artist of ‘The Pervert’ discusses his latest, ‘920London,’ which is out now from Image Comics.

Remy Boydell’s new book, 920London, will remind a lot of readers of The Pervert, the book that Boydell made with Michelle Perez that was published by Image Comics in 2018. 920London establishes very early that this book may look similar, but it has an approach and tone of its own.

920London is an intimate love story that is raw and emotional, and will remind many of their 20s. It features a couple who see the apocalypse just over the horizon. Boydell’s great gift is the skillful mix of funny and unsettling, as the two main characters are searching for something. It is beautiful and sad and funny and painfully relatable, and Boydell was kind enough to answer a few questions about the book.

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Smash Pages Q&A: Garth Stein

The author of ‘The Art of Racing in the Rain’ talks about ‘The Cloven,’ his graphic novel collaboration with artist Matthew Southworth.

Garth Stein is an author, playwright, filmmaker and former race car driver who most people probably know for his international bestseller The Art of Racing in the Rain. His latest project adds another descriptor to the list — graphic novel writer. Stein has teamed up with Stumptown artist Matthew Southworth for The Cloven, a three-part graphic novel series being published by Fantagraphics.

The Cloven is the story of a genetically modified human named Tuck, who is a cross between a human and a goat — a Cloven. While Tuck just wants is to live a normal life as a university student, it all goes to hell when he shows a girl his hooves. It’s a story of labs, family, loss and community, set in the streets of Seattle and the surrounding area, as Tuck searches for a place in the world. It’s also a beautiful graphic novel, showcasing the talent and skill of its creators.

Part one of the planned trilogy came out at the end of July, and Stein was kind enough to talk with me about it, working with Southworth and Fantagraphics, learning the language of comics and a whole lot more.

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Smash Pages Q&A: Sean Damien Hill

The artist of ‘The Hated’ discusses how he works, his influences, drawing horses and more.

Sean Damien Hill has been working on comics for years now, on projects ranging from Dark Shaman to Route 3 to The Gilded Age. His linework shows traces of a number of influences, finding ways to incorporate manga and classic American illustrators. The result is work that manages to be detailed and dynamic, with an impressive sense of design and layout.

Hill is an immensely talented young artist, and his new project, with David Walker, is The Hated #1. The comic is a Western set in an alternative world that Walker described as part spaghetti Western and part blaxploitation. It’s out now from Solid Comix, and Hill was kind enough to answer a few questions about the book and how he works.

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