Wheeler discusses his collection of illustrations of U.S. President Donald Trump’s tweets.
Shannon Wheeler has been drawing cartoons that are sardonic, sarcastic, political, angry but also strange and funny with its own unique viewpoint for a long time. Like many people I first got to know his work with Too Much Coffee Man. In the years since then Wheeler has drawn books like God is Disappointed in You, written by Mark Russell, and Oil and Water, written by Steve Duin. He’s also continued to work as a cartoonist contributing to The New Yorker and other publications.
In recent months though he’s been working on a strange project, illustrating Donald Trump’s tweets. The result is a book just out from Top Shelf, Sh*t My President Says. Since the book went to press, though, Wheeler hasn’t stopped. He’s already made a zine supplement and continues to post the comics on – where else – his Twitter feed. We spoke about how he approaches Donald Trump and why the project wasn’t just parody.
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The author and artist discuss their comics adaptation of Haldeman’s ‘The Forever War’ from Titan Comics.
Joe Haldeman is a name familiar to most science fiction readers. Best known for his novel The Forever War, the book remains more than forty years after it was published, a brilliant, landmark science fiction novel. Haldeman has been named a Grand Master by the Science Fiction Writers of America, and has received numerous Hugo and Nebula Awards, in addition to the World Fantasy Award and James Tiptree Jr. Award, for his novels, novellas and short stories including The Hemingway Hoax, Forever Peace, and Camouflage.
Haldeman is also the author of three comics series, collaborations with the Belgian creator Mark van Oppen, who publishes under the name Marvano. Marvano is best known as a creator for his many historical projects like Grand Prix, Berlin, Ver van leper, and La Brigade Juive. Their first collaboration, an adaptation of Haldeman’s The Forever War, is currently being published in English as a six issue miniseries by Titan Comics and the two spoke about their work, together and separately.
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The prose author discusses his comic book sequel to Anno Dracula, his own comics reading history and much more.
Kim Newman is a beloved and acclaimed cult writer. Comics fans may only know him for his 2015 miniseries Witchfinder: The Mysteries of Unland, but prose fans know him for his dozens of books which include Professor Moriarty – The Hound of the D’Urbervilles, The Night Mayor, and the Diogenes Club series. Perhaps his best known works are the series Anno Dracula. The 1992 novel is something of a what if – what if Dracula defeated Van Helsing. The resulting novel – and the sequels – mixed real life figures and literary characters in a way that is much more common today than it was when the novel first came out.
The new miniseries from Titan Comics, Anno Dracula 1895: Seven Days in Mayhem, is written by Newman and illustrated by Paul McCaffrey. The comic, which wraps up this week, is a direct sequel to the novel Anno Dracula – and a prequel to the second book in the series Bloody Red Baron, which takes place in World War I. Like the novels this one mixes real and fictional worlds. Newman was kind enough to talk about the miniseries, his novels, and everything from Philip Jose Farmer to possible comics crossovers he’s eager to write.
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The creator of ‘The Jam’ talks about his career, current projects and new short story collection from About Comics.
The new book XVI from About Comics collects short comics from the acclaimed creator Bernie Mireault. He has never been the most well-known or best-selling comics creator, but over the past few decades he’s been a key figure in comics.
His miniseries Mackenzie Queen wears its influences on its sleeves, and those influences are Steve Ditko and Doctor Strange and Harvey Kurtzman, European comics and manga, back in the early 1980’s when that range of influences was not as common – or as easy to find – as it is today. Mireault went onto draw Grendel: The Devil Inside and colored many other stories in Matt Wagner’s Grendel series. Mireault then created The Jam, a different kind of superhero comic, which appeared before many other reinventions of the genre appeared.
Mireault spoke about the new collection of his black and white comics, what he’s working on now and more.
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The co-founder of 2d Cloud discusses her latest graphic novel, her essay ‘Getting Divorced in Comics’ and more.
Maggie Umber’s most recent graphic novel Sound of Snow Falling is a wordless painted graphic novel. A beautiful and meditative look at a pair of great horned owls, it may her most recent comic, but in many respects it’s her earliest comics work and is a project that she has been thinking about and working on for many years. It is available now from 2d Cloud.
This book is Umber’s second graphic novel after 2015’s Time Capsule. She is also the co-founder of 2d Cloud and she recently stepped down as Associate Publisher – one of the many hats she wore at the publisher, events that she discusses (among other topics) in her much-discussed essay “Getting Divorced in Comics.” Umber spoke about her book, the essay, her short comic in the upcoming anthology Warmer, which comes out next month.
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Thomas talks about his long-running comic strip turned webcomic, his post-election editorial cartoon that went viral and his work with James Patterson on ‘Public School Hero.’
Cory Thomas remains best known for his comic Watch Your Head. First launched as a comic strip in 2006, Thomas relaunched it in 2014 as a webcomic, tweaking the story and characters, though it has remained the story of a diverse cast of characters attending Douglass University, a historically black university. He continues to update the comic occasionally, though a lot of his attention has been focused on other projects like the James Patterson book Public School Superhero.
Late last year Thomas got a lot of attention for a comic he made for Fusion titled “The Weirdness of being Black in White Spaces After the Election,” which struck a nerve with a lot of people from different backgrounds. Thomas sat down to talk about the response to that comics, the status of Watch Your Head, and what he’s working on now.
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The animator returns to Kickstarter to fund a third volume of his graphic novel series that pits conmen versus vampires.
When he’s not helping to make animated hits like The Iron Giant and Despicable Me, Stephan Franck turns to his first love, comics. The son of two comic retailers, Franck started his own company, Dark Planet Comics, to publish Silver, a pulp-inspired heist story involving vampires.
Franck has used Kickstarter to crowd fund two volumes of the series already, and now a new campaign has launched for the third volume. I spoke with Franck about the project, the campaign and the appeal of working on comics.
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The ‘Stray’ writer discusses his contribution to the New Brooklyn Universe.
Vito Delsante has been writing comics for years, and he’s had success with stories in comics that range from Batman Adventures to Savage Tales to Scooby Doo to Superman. But recently though Delsante has been putting out his best work in a pair of projects. One of them is Stray, the story of a retired sidekick who returns to the hero game whose new solo series from Action Labs kicks off in September.
Perhaps his biggest project, though, is The Purple Heart, which is part of the New Brooklyn Universe spearheaded by Dean Haspiel, a shared universe that also includes The Red Hook and The Brooklynite and the upcoming War Cry, which launches in the fall. The weekly webcomic that Delsante is making with Ricardo Venancio wraps up this week, and Delsante spoke about working in a shared universe, and crafting a story very different from The Red Hook about Brooklyn’s Silver Surfer-like hero.
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The creator of ‘Powdered Milk’ discusses her newest collection from Koyama Press.
In her ongoing self-published series Powdered Milk, Keiler Roberts has been crafting some of the best autobiographical comics being made today. The main characters of the series are her and her daughter Xia, who manages to provide malapropisms and unintentional humor, but for people have read large chunks of Roberts’ work, it’s possible to see Xia growing up in a way that is clear-eyed and unsentimental and familiar, I think, both to people who have children and those of us who do not.
I described one of her comics to Roberts as “funny, relatable and horrifying” and that sums up a lot of her comics – particularly those about parenting. Roberts may sentimentally want to capture these moments, but she depicts everything and everyone – especially herself – without sentimentality. Roberts has crafted something truly outstanding, a portrait of her life at the moment, which, of course, is all too fleeting. It is a striking and singular accomplishment. Roberts won an Ignatz Award for Outstanding Series in 2016, and now Koyama Press has just released Sunburning, a new collection of Roberts’ recent work.
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