Smash Pages Q&A: G Romero-Johnson on ‘SFSX: Terms of Service’

The artist of the newest volume of the queer science fiction tale discusses her process and approach to creating the new story.

Sfsx (Safe Sex) was a stunning book when it was published in 2019. Writer Tina Horn was new to comics, but the journalist and podcaster took to the language of comics in a really exciting way. The queer science fiction tale was like nothing else in comics. The dystopic series is returning in a new graphic novel coming out from Image Comics. Writer Tina Horn and editor/designer Laurenn McCubbin and other members of the team are back with a new artist, G Romero-Johnson.

SFSX: Terms of Service is currently being kickstarted and G Romero-Johnson was kind enough to take a few minutes to talk. A cartoonist and illustrator, she’s made comics like Sweet Insecurity and The Red Side of The Moon and her work has appeared in anthologies including Stratos and the upcoming Nectar.

Continue reading “Smash Pages Q&A: G Romero-Johnson on ‘SFSX: Terms of Service’”

Smash Pages Q&A: Dean Haspiel on ‘The Red Hook: Blackout’

The versatile creator talks about the ending to his latest Webtoons series, how it fits into the broader New Brookyln saga, his theater work and more.

Dean Haspiel has always made a wide range of comics, from personal stories to cosmic epics, from realistic tales to superhero stories in books like The Alcoholic, The Fox, The Quitter and The Thing: Night Falls on Yancy Street. For the past few years he’s been writing and drawing The Red Hook at Webtoon. The story of Sam Brosia, a boxer turned super thief turned superhero and bartender. Over four seasons Sam Brosia, aka The Red Hook, has gone through a lot of changes

This week Haspiel wraps up his fourth series at Webtoon, The Red Hook: Blackout, and we spoke about Brooklyn, where things stand and his next chapter in the Red Hook saga, PTSD: Post-Traumatic Superhero Disorder.

Continue reading “Smash Pages Q&A: Dean Haspiel on ‘The Red Hook: Blackout’”

Smash Pages Q&A: Justin Jordan on ‘Breaklands’

The writer of ‘Urban Animals,’ ‘Luther Strode’ and many other comics discusses the second season of the comiXology title, world-building, writing a digital title and more.

Justin Jordan is the writer behind comics series like The Strange Talent of Luther Strode, Dead Body Road, Reaver, Spread, Strayer and many others. He writes the Webtoon series Urban Animals, which is wrapping up its third season now. He wrote the upcoming Summoner’s War: Legacy comic launching in April.

Meanwhile the second season of his series with artist Tyasseta, Breaklands, is coming out on comiXology now, with the fifth and final issue out March 23. The first season has just been collected into a trade collection from Dark Horse Comics.

We spoke about the appeal of post-apocalyptic fiction, his approach to world-building, writing for digital vs. print, and more.

Continue reading “Smash Pages Q&A: Justin Jordan on ‘Breaklands’”

Smash Pages Q&A: Tim Foley on adapting Dan Rather’s ‘What Unites Us’ into comics

The accomplished illustrator discusses working on his first graphic novel for First Second’s World Citizen Comics imprint.

Tim Foley has had a long, accomplished career as an illustrator for a wide range of publications, including The Wall Street Journal, Barron’s and Alfred Hitchcock’s Mystery Magazine, and in books like the Who Was and What Was book series for Penguin Young Readers. But this year brings his first graphic novel.

For First Second Book’s World Citizen Comics imprint, Foley adapted the book What Unites Us by Dan Rather and Elliot Kirschner. The book of essays explored what Rather saw as what it means to love this country, the values that shaped it and the role of citizens. Foley is far from a beginning artist, but to make a long-form comic like this is a unique challenge, one that he makes look easy. He was kind enough to take the time to talk about What Unites Us, how he worked and wanting to make more comics.

Continue reading “Smash Pages Q&A: Tim Foley on adapting Dan Rather’s ‘What Unites Us’ into comics”

Smash Pages Q&A: Crystal Skillman and Fred Van Lente on ‘King Kirby’

The two collaborators discuss adapting their play about Jack Kirby as an audio drama.

Fred Van Lente is well known to comics readers for his many comics, including The Incredible Hercules and Archer and Armstrong, his novels The Con Artist and Ten Dead Comedians, and a string of great comics he’s made with Ryan Dunlavey including Action Philosophers, The Comic Book History of Comics and The Comic Book History of Animation. Crystal Skillman is a playwright and scriptwriter best known for the plays Open and Rain and Zoe Save the World and the musical Mary and Max

The two have collaborated in the past by writing the Webtoon series Eat Fighter, and they wrote the play King Kirby, about the legendary Jack Kirby. Originally produced in 2014, the play is currently being released as a four-part audio drama from the Broadway Podcast Network. Edited and with original music by Bobby Cronin, King Kirby stars Steven Rattazzi, Amy Lee Pearsall, Nat Cassidy, Joseph Mathers and Timothy McCown Reynolds.

The fourth episode of King Kirby is out today, a day before the release of issue #4 of The Comic Book History of Animation by Van Lente and Dunlavey, and tonight is the live reading of Pulp Verite, a new play written by Skillman. We spoke recently about Jack Kirby, theatricality and working in audio drama.

Continue reading “Smash Pages Q&A: Crystal Skillman and Fred Van Lente on ‘King Kirby’”

Smash Pages Q&A: Tim Fielder on ‘Infinitum’

The creator of ‘Matty’s Rocket’ talks about his latest graphic novel, Afrofuturism, what he’s working on next and more.

Tim Fielder had been working as an artist and animator for years before making a splash a few years ago with Matty’s Rocket. A stunning Afrofuturist graphic novel, the book was a dynamic artistic triumph on so many levels.

His new book is Infinitum: An Afrofuturist Tale, which was just released by Harper Collins’ Amistad Press. It’s an original Afrofuturist graphic novel published by a major American publisher, and Fielder admits that he understands the significance — just as he understands what it means to find this success after working for decades and becoming an overnight sensation.

Infinitum is an epic in every sense of the word, about a warlord from the dawn of civilization cursed to live forever. Beyond that, as the book moves ahead centuries and millennia, are a lot of twists and turns that make it difficult to talk about it without spoiling anything, but I was thrilled to talk with Fielder again about this new project.

Continue reading “Smash Pages Q&A: Tim Fielder on ‘Infinitum’”

Smash Pages Q&A: John Jennings

The writer, artist and professor discusses his role as director of Megascope, the new publishing imprint at Abrams Books dedicated to publishing comics by and about people of color.

It’s hard to sum up John Jennings’ career. He’s a writer and artist who’s made comics like Blue Hand Mojo and collaborated on books like the recent graphic novel adaptations of Kindred and Parable of the Sower. He’s a fine artist and part of the art collective known as Black Kirby. He’s a Professor of Media and Cultural Studies at the University of California, Riverside. He’s co-editor of The Blacker the Ink: Constructions of Blackness in Comics and Sequential Art, curated exhibitions across the country, and co-founded the Black Comic Book Festival at the Schomburg Center in Harlem, and SOL-CON. Jennings also edits the back matter of the Eisner Award-winning comic series Bitter Root.

As if straddling academia and public scholarship, fine arts and comics making wasn’t enough, Jennings is also the director of Megascope. The new publishing imprint at Abrams Books launched this year with After the Rain, an adaptation of a short story by the great Nnedi Okorafor from Jennings and David Brame.

We spoke recently about his work, the imprint and what it means. He also dropped some news and announced another Megascope title in our conversation, an adaptation of Charles Johnson’s National Book Award-winning novel The Middle Passage.

Continue reading “Smash Pages Q&A: John Jennings”

Smash Pages Q&A: Mike Phillips on ‘The Tessellation’

The writer of the alternate-reality comic talks about the project, which is currently up on Kickstarter.

Alternate history novels and comic series like Marvel’s What If? have explored what happens when a major change occurs in history, but what about the minor choices we make every day? A new comic project on Kickstarter explores the idea that every choice we make creates a different outcome — and a new reality.

The Tessellation is written by Mike Phillips and explores this idea that multiple realities and alternate timelines are created every time we make a choice. The story will explore those different realities in an interesting way on the comics page. “Think of it as the most unique anthology you’ve ever read, at least formatting-wise,” Phillips said.

Phillips is working with the art team of Hernán Gonzalez and Javi Laparra to create the comic, along with publisher Martian Lit,and is currently running a Kickstarter to fund its publication. I spoke with Mike about the project, alternate realities, the comic’s unique structure and more.

Continue reading “Smash Pages Q&A: Mike Phillips on ‘The Tessellation’”

Smash Pages Q&A: Sal Abbinanti on ‘The Hostage’

The creator of ‘Atomika’ returns with a new Kickstarter project that’s been 10 years in the making.

Sal Abbinanti might be familiar to comics readers for his series Atomika, but even those who read that series will be surprised by his artwork in the new graphic novel The Hostage, which is being crowdfunded now.

Abbinanti has been drawing the book on and off for years, but it has its roots in a trip he took to Brazil decades ago. Since then he couldn’t get the image out of his head of homeless children living just around the corner from the bright, colorful tourist district of Rio. In The Hostage, he found a story and an aesthetic that allowed him to tell the story in a way that is unsettling and unsentimental.

For the campaign, Abbinanti enlisted a number of friends to draw work for stretch goals, but the star is what Abbinanti was able to achieve in the pages. He was kind enough to talk about The Hostage, its road to publication and his crowdfunding campaign.

Continue reading “Smash Pages Q&A: Sal Abbinanti on ‘The Hostage’”

Smash Pages Q&A: Ryan Estrada and Kim Hyun-Sook

Ryan Estrada talks about being a globetrotting cartoonist, and his wife Kim Hyun-Sook discusses the real story behind ‘Banned Book Club.’

2020 was quite a year for Ryan Estrada: Iron Circus published two of his graphic novels: Banned Book Club (co-written with his wife, Kim Hyun Sook, with art by Ko Hyung-Ju), which was published in both Korea and North America, and the middle-grade graphic novel Student Ambassador, co-created with artist Axur Eneas.

Banned Book Club received rave reviews, including starred reviews from Kirkus and Publishers Weekly. It was also a Junior Library Guild selection and made numerous best-of-the-year lists, including NPR, The Beat and YALSA’s Great Graphic Novels for Teens. Student Ambassador‘s debut was a little quieter, but it’s a very clever, insightful graphic novel and one of my own choices for best of the year.

Kim Hyun-Sook and Ryan Estrada. Credit: Stacy Shmittling

I interviewed Estrada and Kim via e-mail (they live in Korea) about Banned Book Club, Student Ambassador and the comics life in general.

Continue reading “Smash Pages Q&A: Ryan Estrada and Kim Hyun-Sook”

Smash Pages Q&A: Sebastian Girner

The editor-in-chief of TKO Studios discusses their approach to making comics, their second year of publishing and the ‘relentless hopelessness’ of his own writing.

Sebastian Girner is the editor-in-chief of TKO Studios, where he’s overseen the publisher’s launch, its approach to publishing, and its diverse lineup of talents and approaches that we’ve seen over the past few years.

Previously Girner worked at Marvel Comics and has edited various creator-owned comics. He’s also written comics, including two projects that came out this year. The Devil’s Red Bride is a miniseries coming out from Vault Comics, and The Father Of All Things is one of the books in TKO’s inaugural line of TKO Shorts.

We spoke recently about his eventful year, about the tone that unites these two different projects, and how he uses the supernatural.

Continue reading “Smash Pages Q&A: Sebastian Girner”

Smash Pages Q&A: Tea Fougner

The editorial director of comics at King Features talks about their website Comics Kingdom, legacy comic strips, finding new creators and more.

Tea Fougner is a writer, editor, cosplayer and currently the editorial director of comics at King Features. In this job she oversees a wide variety of strips ranging from Beetle Bailey to Zippy the Pinhead, Prince Valiant to Macanudo, Mark Trail to Rhymes with Orange.

Fougner loves comics and comics history, and in recent years has been introducing new artists, new voices and new ways to pay tribute to characters and strips like Flash Forward, which celebrated the 40th anniversary of the Flash Gordon movie.

Fougner and I attended college together many years ago, and we spoke recently about Comics Kingdom, newspapers and getting at the heart of legacy comic strips.

Continue reading “Smash Pages Q&A: Tea Fougner”