Plus: News on Terrific Production, Archie Comics, Rebellion, L.A. Comic-Con and more.
Distributors: UCS Comics Distributors, one of the two comics distributors that began working with DC Comics during the COVID-19 industry shutdown earlier this year, has told retailers they will no longer distribute DC’s books as of January 2021. Their accounts will be serviced by Lunar Distribution, the other distributor for DC that came into being during the pandemic. UCS was formed by retailer Midtown Comics, while Lunar was formed by Discount Comic Book Service.
So is UCS going away? Not according to the email they sent to retailers, which you can read over at The Beat. It says “UCS is not closing. We will be offering other exciting items that stores can use!” So it’ll be interesting to see what they offer in the future. John Jackson Miller has additional commentary.
The four-issue miniseries will follow a woman who uses folk tales to cope with the loss of her family during a home invasion. But as she plots her revenge, she discovers a government plot to use folk tales to turn children into super assassins.
“‘Cold blooded Russian assassins?’ We’ve seen that before. But assassins trained using Slavic folktales as a brainwashing device? That’s something new that really needed a unique visual style,” Kindt said. “When I saw Matt Lesniewski’s book The Freak (nominated for an Eisner) I knew he was going to do something like we’ve never seen before. Our collaboration was alchemy – turning this book into a brutal, heartbreaking, psychedelic journey of a woman intent on revenge-killing every assassin that ruined her life.”
The awards recognize, promote and celebrate diversity and excellence in the field of queer comics.
The winners of the fourth annual Prism Awards were announced over the weekend as part of the virtual Queer Comics Expo hosted by the Cartoon Art Museum in San Francisco. The awards ceremony and other content from the expo can be found on the CAM’s YouTube channel.
The awards are presented to comic works by queer authors and stories that promote the growing body of diverse, powerful, innovative, positive or challenging representations of LGBTQAI+ characters in fiction or nonfiction comics. The goal is to recognize, promote and celebrate diversity and excellence in the field of queer comics. Finalists and recipients were voted on by diverse panels of comics professionals, educators, librarians, journalists and writers, which can be found here.
Congratulations to all the winners, who are in bold below:
Check out recent comics by Matthew Dow Smith, Noelle Stevenson, Melanie Gillman, Keith Knight and more.
Here’s a round up of some of the best comics we’ve seen online recently. If we missed something, let us know in the comments below.
We kick off this week with a new comic from Matthew Dow Smith, who created and posted the comic Johnny Chaos on Twitter earlier this year after the pandemic hit. Alex Dueben spoke with Smith back in July about getting work done during the pandemic; like a lot of other creators, when pens went down at various publishers, Smith started working on his own comics.
A round-up of news from Marvel, IDW, Top Shelf and more.
Mail Call is a roundup of the announcements we’ve received from comics publishers in our mailboxes recently. Hit the links for more information.
Academy Award winner John Ridley has several projects in the works at DC right now, but DC’s not the only publisher he’s doing work for. Marvel has announced that the writer of 12 Years A Slave will have a story in Wolverine: Black, White and Blood #3. The anthology series will feature short stories about the popular mutant, told in black and white … and red. Jorge Fornés is the artist on his story.
“I can think of no better way to kick off my writing relationship with Marvel Comics than by contributing to a truly fantastic anthology series centered around Wolverine,” Ridley told Marvel.com. “Equally exciting is having the story illustrated by Jorge Fornés. I look forward to writing more stories set in the Marvel Universe, and with their roster of iconic characters.”
The new anthology series from W. Maxwell Prince and Image Comics begins in January.
Image Comics has announced a new anthology title called Haha, written by W. Maxwell Prince and drawn by a variety of different artists. Each issue will include a done-in-one story about a professional clown, the only thing in the universe scarier than the main character in Prince’s Ice Cream Man series.
“I don’t like clowns, so I thought it’d be a good idea to write about them,” Prince said. “What a gas, to get to partner with some of comics’ best to tell these ditties about a bunch of real jokers.”
North and Monteys discuss how they approached adapting Kurt Vonnegut’s ‘Slaughterhouse-Five’ into a graphic novel.
Slaughterhouse-Five by Kurt Vonnegut is one of the seminal novels of postwar America. Part science fiction tale, part story of World War II and the firebombing of Dresden from the point of view of American POWs, the story of Billy Pilgrim was an immensely important novel and for many their introduction to the late, great novelist Kurt Vonnegut. It is also not an easy book to adapt and defies adaptation in a number of ways, which makes the success of the new graphic novel all the more impressive.
Ryan North is the person behind the weekly Dinosaur Comics, the writer of Marvel’s The Unbeatable Squirrel Girl and the writer of How To Invent Everything. This isn’t his first time tackling literary legends after writing Romeo and/or Juliet and To Be Or Not To Be (both with the help of William Shakespeare). Albert Monteys is an artist and illustrator know for his work on the weekly magazine El Jueves, the series Carlitos Fax and the monthly publication Orgullo y Satisfacción, which he co-founded. His comicUniverse!was published online by Panel Syndicate and nominated for an Eisner in 2017.
As someone who has read almost everything Vonnegut ever wrote and has always held the book in great regard, the graphic novel manages to capture and reinvent the spirit and the substance of the book in ways that are shocking, making the story a new experience, even though I knew the text so well. I had to ask the duo a few questions about how they worked and their own relationship to the material.
DC will kick off 2021 by exploring the future of their universe for two months, with regular titles resuming in March.
Following the events of Dark Nights: Death Metal, which wraps up Jan. 5, DC will hit pause on their regular monthly titles for two months. In January and February, they’ll release a bunch of titles under the “DC Future State” banner, giving readers a glimpse at the future of the DC Universe.
“In DC Future State, the Multiverse has been saved from the brink of destruction, but the triumph of DC’s heroes has shaken loose the very fabric of time and space,” reads their press release. “The final chapter of Dark Nights: Death Metal brings new life to DC’s Multiverse, kicking off this glimpse into the unwritten worlds of DC’s future.”
They plan to resume with their regular titles in March.