Taylor takes over as artist from Nate Bellegrade with issue #7, which arrives in January.
Nowhere Men, the “scientists-as-rock-stars” comic by Image co-publisher Eric Stephenson, artist Nate Bellegrade and Einser award-winning colorist Jordie Bellaire, will return in January with a new artist, Dave Taylor (Batman: Death by Design, Judge Dredd, Prophet).
“It’s very cool to work on something you admire,” Taylor said in the press release. “My respect for the first series is making me work extra hard to fulfil Eric’s concept to the end, in fact, this is the best work I’ve done for years.”
Trade paperback collecting season one arrives in February for $9.99.
Oni Press has announced that Kaijumax, Zander Cannon’s excellent giant monster/prison mash-up comic, will return next May for a second season. In addition, the first season will arrive in trade paperback in February, for the low introductory price of $9.99.
“You like monsters? YEAH! You like prison? MAYBE! C’mon in and join me for Kaijumax Season 2; the first trade is big yet cheap so people can jump aboard, and I will try not to brutalize or kill off any beloved characters this season. No promises,” Cannon said in the press release.
Kaijumax, which probably shares more in common with Oz or Orange is the New Black than it does a Godzilla movie, features a prison for giant monsters that’s made up of all sorts of interesting characters, from the various monster inmates to the guards who keep an eye on them. Its large cast includes some of the most inventive characters we’ve seen in a long time, both visually and personality wise, and it mashes together genres to create something that embraces the silliness and seriousness of both. If you haven’t checked it out, the priced-to-move trade may be up your alley.
I have a love-hate relationship with the comic works of Brian Michael Bendis. Wait, that’s too strong a sentiment; I have a like-meh relationship with his comics.
On one hand, Bendis is a well-respected, intelligent author who has reformed a lot of how comics are being written these days, done a few landmark runs with Marvel characters and has pretty much set the tone for the Marvel Cinematic Universe. On the other hand, reading his books gets redundant, feels like you are going nowhere and doing nothing, and is choc-a-bloc with blithe dialogue that feels less like impassioned superhero speech than something overheard by a Starbucks barista. They can be a slog to get through at times, because they rarely feel like there’s going to be a payoff at the end of the storyline. Jonathan Hickman can be a similar slog, but at least by the end of the Fantastic Four run, for example, you’ve seen characters grow, change and come out the other side as new people. Bendis just feels like he puts the pieces back too carefully or breaks them irrevocably.
Furiosa and the crew ride again in a new fanzine collecting fan art based on “Mad Max: Fury Road.”
One of the things I find fun about Tumblr is seeing how much influence pop culture has on the many artists I follow. For instance, “black suit” Daredevil was all the rage when the Netflix series debuted, while Mad Men tribute pieces had their day when the series ended. And let’s not even get into Donald Trump. But the one thing that’s really made a huge impact — I still see new images in my feed to this day — is George Miller’s Mad Max: Fury Road.
Spearheaded by Frank Gibson, the anthology features enough creators to fill a battle royal, including names from webcomics, alt.comix and animation. Together they will publish a “60ish” page, two-color comic featuring “funny and weird short comics and goofy illustrations about our love and passion … PRO WRESTLING!” The roster includes Box Brown (creator of Andre the Giant: Life and Legend, one of the best wrestling-themed comics in recent memory), Zac Gorman (creator of the wonderful Magical Game Time), Jimmy Chang (whose Secret Item World webcomic I’ve been binge-reading over the last few days), Rosemary Travale (The Champ), Sam Alden, Amanda Meadows and Geoffrey Golden of the now-defunct The Devastator, and many more.
They’re currently looking for funding via Kickstarter, with prizes that include limited edition prints, T-shirts and your very own stop-motion puppet by Rosemary Travale — and of course the book itself, which can be yours for $15 plus postage. Check out some art below, or visit their Tumblr to see more.
Joshua Hale Fialkov and Gabo created one of the past few years’ most interesting and original premises in The Life After, a story set in Purgatory where a man teams up with Ernest Hemingway to fight the divine powers that be.
The revolution continues Nov. 4 in Exodus: The Life After, a new miniseries that once again stars Jude and Ernest Hemingway, as Jude’s “life” is reset in Purgatory. Here’s how Oni Press describes the first issue:
Jude has been sent right back where he started: Purgatory. With no memory of his previous adventures or relationships, Jude’s existence is stark and empty. Yet, just outside his awareness, his friends—including the late, great Ernest Hemingway and a very tenacious preteen girl—struggle to free him. Because in the quest to overthrow God himself, the only person who stands a chance is his son.
Check out a preview of the first issue below. If you missed the first series, it’s been collected and can be found at finer comic shops or on comiXology.
Check out a preview of the first issue, featuring artwork by Nick Dragotta.
Hollywood screenwriter and Eisner nominee Max Landis (Chronicle, American Ultra) returns to comics in November with a murderer’s row of artists for Superman: American Alien, a seven-issue miniseries that highlights “important junctures in his development as a person.” Each issue features a different artist working with Landis on done-in-one stories set in Clark Kent’s past.
Tom Bondurant brings his retrospective on the 30-year-old “Crisis on Infinite Earths” to Smash Pages with a look back at the series’ penultimate issue, which featured “emotional impacts just as devastating as any of its cosmic carnage.”
The penultimate issue of Crisis On Infinite Earths offers an interlude critical to the series’ success. It demonstrates the real impact of DC’s housecleaning not with antimatter waves or shadow demons, but through the characters who helped build the publisher’s matchless history. Accordingly, Crisis #11 features emotional impacts just as devastating as any of its cosmic carnage. Continue reading “‘Crisis’ at 30, Part 11”