The journalist and critic discusses his newest project with AHOY Comics, ‘Planet of the Nerds.’
Paul Constant has a long career as a journalist and literary critic working for The Stranger and many other publications. He’s currently a writer at Civic Ventures, a public policy incubator in Seattle, where he writes about politics and economics, and is the co-founder of The Seattle Review of Books.
His new comic is Planet of the Nerds, with artwork by Alan Robinson and Randy Elliott. The first issue of the series is out this week from AHOY Comics. The comic opens in the 1980s when a science experiment goes wrong, and three jocks wake up in 2019 to find that comic conventions are massive, superhero movies rule the box office and everyone uses computers. They are horrified by this world. We spoke recently about how he ended up writing the comic, the way he uses backup stories in the series, and the different roles of editors in comics as opposed to journalism.
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The comics veteran discusses his work for Ahoy Comics, “Captain Ginger,” the upcoming “Bronze Age Boogie” and more.
Stuart Moore has been working in comics in a variety of ways for decades. He was an editor at DC Comics, where he was one of the founding editors of the Vertigo imprint, overseeing books like Swamp Thing, Jonah Hex, Preacher and Hellblazer, before working on DC’s Helix imprint, where he oversaw Vermilion, The Black Lamb and Transmetropolitan, before working on the Marvel Knights imprint, overseeing Alias and Fantastic Four 1234. He’s written books like Firestorm with Jamal Igle, Namor: The First Mutant and The 99. He also adapted Brian Jacques’ Redwall, and created projects like Earthlight, Lone, Giant Robot Warriors and Para.
Right now Moore is working at Ahoy Comics, where he’s not just working behind the scenes, but also writing books for the company. Those books include Captain Ginger, the first season of which wrapped up last month, and Bronze Age Boogie, which launches in April. That’s in addition to writing a story for Ahoy’s Free Comic Book Day issue coming out in May, and one story in June’s Steel Cage One Shot. The titles are all very different kinds of stories that feature collaborations with talented artists doing some of the best work of their careers.
Somehow Moore found a few minutes to answer my questions.
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The editor-in-chief of the new comics line discusses how the company was formed with longtime friend and collaborator Hart Seely, the first two titles (which Peyer is writing) and more.
Tom Peyer has had a long career in comics as a writer and editor. He’s written a long list of superhero titles including Hourman, Legion and The Flash. He co-wrote Cruel and Unusual with Jamie Delano, and with Rachel Pollack, New Gods. Peyer was also a longtime editor at DC and was one of the founding editors of the Vertigo imprint.
His new project is AHOY Comics, where he is the editor-in-chief and has written the first two titles from the publisher. The Wrong Earth is a superhero series with artist Jamal Igle, essentially about how the Adam West Batman and The Dark Knight Returns Batman change places. Coming out this week is the second title, High Heaven, a dark comic tale of the afterlife drawn by Greg Scott. Both series contain other material, including short comics and prose stories and various other backup material. Hashtag: Danger, a backup series by Peyer and Chris Giarrusso will appear in the pages of High Heaven.
The publisher of AHOY is Hart Seely, who Peyer has long been friends and collaborators with. The two previously edited O Holy Cow!: The Selected Verse of Phil Rizzuto, a book of found poetry by the Hall of Fame baseball player and broadcaster. With High Heaven #1 out this week, I reached out to ask a few questions about the imprint, assembling a comics magazine and not going for laughs when writing the absurd.
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