The young picture book artist talks about the backstory of the greatest superhero story of 2017.
In recent years, artist Stephanie Graegin has established herself as one of the best young picture book artists. If anyone wasn’t convinced of her talents, this year saw the release of three picture books that Greagin illustrated, including one based on the Elvis Presley song Love Me Tender, two novels that she illustrated, in addition to her debut as a writer and illustrator, Little Fox in the Forest.
The sheer volume of work she’s able to draw is impressible, but she is also very good, and there is so much detail and nuance in her work to pour over. From a day in the life of a city park to what it means to have a relative suffering from Alzheimer’s to the nature of being a collector to the small joys found in everyday, Graegin finds a way to blend a playful style with the profound in a way that brings these humanistic stories to life. Moreover she does so with such care and detail, as though each page is a world.
This summer saw the release of Super Manny Stands Up! which was written by Kelly DiPucchio and illustrated by Graegin. It is a story about the power of imagination and the way that it can influence and change lives, and is, quite simply, one of the best and most important superhero stories of the year. Super Manny is the hero we need and thankfully Stephanie Graegin is one of the artists we have. She answered a few questions about how she works, and how her superpower seems to be not sleeping.
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The author and painter discusses her ‘comics-adjacent’ books on the City of Lights.
Janice Macleod doesn’t make comics, but her Paris Letters are clearly comics-adjacent. For years she’s been painting images of Paris and elsewhere and combining it with text, a story or her own observations about the place or events. She detailed the story behind how she ended up in Paris, crafting these letters and selling them through etsy in her bestselling book Paris Letters. The book is essentially a how-to guide for leaving your job and becoming a flâneur in Paris, a description she enjoyed.
Her new book is A Paris Year, which is an artist’s book, a datebook-like volume of drawings, photographs and stories about the city.
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OmahaBound collects 27 ‘back-woods horror’ prose stories by Bunn, with illustrations by Tim Mayer.
When he’s not writing comics — and sometimes it’s hard to imagine that there’s a time when he’s not writing comics, based on all the projects he has going on — Cullen Bunn (The Sixth Gun, Harrow County) writes short stories, usually (and not surprisingly) in the horror genre. Now 27 of those stories are being collected by publisher OmahaBound.
A Passage in Black & Other Stories will include eight never-before published stories, along with 19 that were only released in the small press. Artist Tim Mayer will provide 23 illustrations for the collection, as well as the cover for the trade paperback version. Tyler Crook, Bunn’s collaborator on Harrow County, created the cover for the limited edition hardcover that will only be available on OmahaBound’s site. The publisher describes the stories as “back-woods horror, creepy and terrifying tales that only Cullen Bunn could tell.”
The collection is due out Oct. 6. Check out the two covers below.
Continue reading “Cullen Bunn’s prose work collected in ‘A Passage in Black’”
Klein worked with legendary paperback and movie poster artist Robert McGinnis to create a new cover for Neil Gaiman’s book, the first of many from the Gaiman library.
With the American Gods TV show getting a lot of attention right now, demand for Neil Gaiman’s original novel about old gods facing new gods has skyrocketed. Luckily, Gaiman and his publisher were already discussing a new paperback printing of the book — one featuring a cover by Robert McGinnis.
Continue reading “Check out Todd Klein’s process for creating a retro ‘American Gods’ cover”