Geoff Johns, Brad Meltzer, Francis Manapul, Bryan Hitch + more form ‘Ghost Machine’

The creator collective will publish new comics across several genres through Image Comics.

Geoff Johns and Gary Frank are doubling down on their creator-owned projects, and they’re bringing a bunch of friends with them.

Along with Jason Fabok, Bryan Hitch, Lamont Magee, Francis Manapul, Brad Meltzer, Peter J. Tomasi, and Maytal Zchut, they’ve formed Ghost Machine, a “first-of-its-kind creator-owned and operated media company,” per the press release, where creators will co-own all the characters and universes developed, “sharing in all publishing, media, merchandise, and beyond.” They point to the recent Hollywood strike as an example of why creators need more empowerment in the current media landscape.

“Our ambition for Ghost Machine is to push beyond superheroes, introducing new genres, characters and shared universes, completely co-owned by all the creators involved. We see this as the future of how creatives will work and retain creative control and meaningfully participate in success like never before,” reads the Ghost Machine founding creators’ joint statement. “Our passion is for the magic of graphic storytelling and the emotional resonance of compelling characters. But we are not just a comic book company—we are the first wholly creator-owned and operated media company of its kind, born out of a desire to create and succeed together.”

The founders released a video explaining their vision for Ghost Machine:

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The Justice League at 60, Part 8: Fantasy Drafts

In this edition, Tom Bondurant dives into the “Crisis Cycle” era that defined the Justice League before the New 52 kicked in.

For a series which only lasted five years, there’s a lot to talk about with regard to Justice League of America volume 2. Much of this involves events outside the series, both in DC’s other comics and with the people producing them. Meanwhile, the “comics blogosphere” came into its own, intensifying fan scrutiny and offering real-time commentary on controversies. This post won’t go too deeply into all that extratextual drama; but rest assured it was there, and it crept inevitably into the work.

With that said, let’s get started.

The Legends miniseries begat Justice League International and the Justice League: A Midsummer’s Nightmare miniseries begat JLA. The 2006-2011 Justice League of America similarly traced its roots to 2004’s Identity Crisis, written by novelist Brad Meltzer, pencilled by Rags Morales and inked by Michael Bair. Featuring the murder of a superhero’s spouse and reaching back into the League’s hidden history, Identity Crisis kicked off a “Crisis cycle” that churned through DC books for the next several years.

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DC spotlights medal of honor recipient in ‘Our Fighting Forces 100-Page Giant’

Brad Meltzer, Jim Lee and Scott Williams team up on a story featuring U.S. Army Specialist Salvatore A. Giunta and Batman.

DC’s upcoming Our Fighting Forces 100-Page Giant, part of its line of anthologies available at Walmart and comic shops, will include a previously announced story about U.S. Army Specialist Salvatore A. Giunta, the first living person since the Vietnam War to receive the U.S. military’s Medal of Honor.

The eight-page story is written by Giunta and Brad Meltzer, with art by Jim Lee and Scott Williams. And it also features Batman. Here’s the description:

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Superman puts his pants back on for ‘Action’ #1000

Milestone issue will include new stories by Brian Michael Bendis, Jim Lee, Curt Swan, Marv Wolfman, Paul Dini, Brad Meltzer, John Cassaday, Scott Snyder and more.

The world returns to sanity again in April with the landmark Action Comics #1000, which features a slew of creators telling tales about Superman and, more importantly, the return of his famous red trunks.

Debuting in Action Comics #1 way back in 1938, the red trunks helped Clark Kent’s alter-ego fight for truth, justice and the American way for almost a century — that is, until the launch of the New 52 in 2010. Dc co-publisher Jim Lee redesigned many DC characters at the time, including Superman — and the new, super-hip redesign had no room for outside undies or his classic red boots. The move was controversial, just like any change to the status quo in superhero comics, and eventually spawned petitions from fans to return to the classic look. Now it looks like those voices have finally been heard by DC.

Action Comics #1000 represents a watershed moment in the history of not just comic books, but entertainment, literature and pop culture,” said Lee. “There’s no better way to celebrate Superman’s enduring popularity than to give him a look that combines some new accents with the most iconic feature of his classic design.”

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