In the span of just a few years, Magdalene Visaggio has shown herself to be one of the most original, dynamic and inventive writers in comics.
She’s written books for different companies from Marvel (Dazzler: X-Song) and Valiant (Doctor Mirage) to IDW (Transformers vs. The Visionaries) and Humanoids (Strangelands). The Eternity Girl miniseries from her and Sonny Liew is simply one of the strongest (and strangest) books that DC has published in recent years and I think the best book to come out of the very impressive Young Animal imprint.
For the most part, though Visaggio has written creator-owned miniseries. That in and of itself is hard to do, but the wide variety of what she’s made is impressive. To name just a few, Visaggio has written three Kim & Kim series, Calamity Kate, Morning in America, Quantum Teens Are Go!, Sex Death Revolution, two Vagrant Queen miniseries. Yes, the same Vagrant Queen that was adapted into the current SyFy Channel TV show.
So much of her work is about change and about the emotional journey of transforming ourselves, growing up and finding a new path, rejecting what’s laid out for us when it would be easier to accept it. In a medium that specializes in stories of transformation and adventure, Visaggio has found a place for queer stories and misfit stories that break so many molds and expectations, crafting something that is different, sometimes startlingly so. Her stories reject grand narratives, hero journeys, chosen one sagas, for something messier, something harder. Something a little more realistic and relatable. They are stories about the lives that we build and shape ourselves, with the emotional and psychological stories far more important than the larger narratives.
Her current project is Lost on Planet Earth, the second issue of which comes out from Comixology today. A collaboration with Claudia Aguirre, the two have worked together often over the years. The book and its themes come out of a lifelong obsession with Star Trek (something we both share), but the story that she’s written is uniquely hers, something that one doesn’t need to be a Trek fan to understand or relate to, and something truly unique.
Visaggio and I met last year at the Queers & Comics Conference, and we spoke recently about working with artists, the Federation and more, while comiXology provided a preview of the new issue.Continue reading “Smash Pages Q&A: Magdalene Visaggio”