Plus: Jack Kirby and William Messner-Loebs to receive the Bill Finger Award, why millennials like webcomics and more.
IDW announced its all-ages Star Wars Adventures comic series a few months ago, but they sprang a surprise this week: In August, they will publish an 80-page graphic novel adaptation of the movie Star Wars: The Force Awakens. The graphic novel, which is also intended for younger readers, is part of Disney’s Journey to Star Wars: The Last Jedi publishing program, which is designed to gin up excitement for the eighth movie, Star Wars: The Last Jedi, which will be out in December. The writer of the adaptation is Alessandro Ferrari, and the art is provided by “a group of Disney artists intended to bridge the gap between Star Wars and traditional Disney animation, making it more attractive for younger audiences.” You’d think people with that sort of ability would merit an actual name credit, but I guess not. This same anonymous group has done other Star Wars graphic novel adaptations that were published by Disney Lucasfilm Press, and in fact, Bleeding Cool notes that this graphic novel was announced in an article about them almost a year ago. That means the big news is really the publisher—it looks like IDW, will launch Star Wars Adventures in September, is becoming the chief publisher of Star Wars comics for young readers.
A cartoonist gets his career back, manga and kids’ comics are booming, and a con veteran offers advice for first-timers
Trolling the Trolls: Your bizarre read for the day is Emma Grey Ellis’s account of the strange career of Ben Garrison, a libertarian political cartoonist who became a sort of real-life Pepe the Frog after alt-right trolls started altering his cartoons to include Nazi imagery and seeded the internet with fake stories:
Plus: The mother of shojo manga, Naruto and real-life politics and more
David Draize, owner of Galactic Comics in Ocean Beach, California, doesn’t know why someone hurled several bricks through his store window, but he’s grateful for the police response that followed. Security camera footage shows a man in his 40s or 50s, clad in black, throwing several bricks and cinderblocks through the store window at about 1 a.m. on June 12. Nothing was taken from the store, in part, Draize believes, because the police officers who responded stayed to guard the store till he could get there.
Amalgam University Gets Its First Grant: In happier retailing news, Ariell Johnson, proprietor of Amalgam Comics & Coffeehouse in Philadelphia, has been awarded a $50,000 grant from the Knight Foundation to set up a programming space, which will expand the footprint of the store and allow her to create an “Amalgam University.” Johnson says that because she sells self-published work, she sees a lot of comics that have potential but are falling short in terms of craft. She hopes to offer classes to help those who can’t go to art school learn the nuts and bolts of making comics.
Plus: New superhero universe Catalyst Prime, comics to fight fake news, Jillian Tamaki, Rico Renzi’s color palette, and more!
What’s up with MAD Magazine?Mark Evanier lays out a brief history of MAD, which has been part of DC Comics for a long time (it’s complicated!), and updates us on its current status, which is… not good. Like pretty much all print magazines, MAD has been struggling for a while, although Evanier thinks editor John Ficarra has been doing a bang-up job. When the rest of DC packed up and moved to Burbank, California, a while ago, the MAD staff stayed, but they are moving out of their New York office at the end of this year, and DC has not been forthcoming with any news about what will happen next, beyond the fact that the magazine is moving to Burbank and only one staffer, a production artist, will be going with it. The February 2018 issue will be the last one produced by the Usual Gang of Idiots. DC has not made any announcements about what happens next, but Evanier suggests following the blog of artist Tom Richmond, one of the most frequent contributors to the magazine, for updates.
Plus: Paco Roca’s Ngozi Ukazu, Mike Norton, a ‘Star Wars Adventures’ update, and the Webcomics Web Archive
Con Creep:Calgary Police are investigating a Twitter account for uploading videos and photos of women and girls without consent, featuring certain body parts in a sexualized way, and even going as far as taking upskirt shots. A Calgary mother is furious that one of the victims is her 14-year old daughter that cosplayed as Harley Quinn at this year’s Calgary Comic and Entertainment Expo. The person responsible took these images only of cosplayers at the Expo, but of women on the streets and in malls as well. Staff Sgt. Cory Dayley of the Calgary Police Service cyber crimes unit said that the images would be classed as voyeurism under the Canadian criminal code. The Twitter account, @CanadaCreep, has been suspended. Late Wednesday afternoon, Calgary police announced they arrested a 42-year-old man on charges relating to voyeurism and publishing voyeuristic images. Police are asking anyone with additional information to contact the at 403-266-1234, case number 17243516. Continue reading “Comics Lowdown: Camera creeps and Comic Con copyright”
Plus: classic Archie returns, Tom King, Black Panther and more.
Battle of the Cons: The court case between Comic-Con International (which runs the San Diego comic con) and Salt Lake Comic Con over CCI’s claim that it owns the term “comic con” moves into a crucial stage this week with two days of depositions today and tomorrow, followed by a settlement hearing before a judge on Thursday. That hearing will determine whether it all ends there or the case will go to trial in October. CCI owns the trademark to “comic-con” with a hyphen but the case is murkier for the unhyphenated version; Salt Lake Comic Con was allowed to trademark its name last year.
Plus: La Borinqueña, Gemini Comix, ‘Fu Jitsu,’ San Jose comic shops and more.
The End of Jem?Jem and the Holograms comes to an end with issue 26, but writer Kelly Thompson and artist Gisèle Lagacé still have a lot to say, and a new Jem/Misfits crossover series, Infinite, will be launching at the end of this month. At CBR, Thompson and Lagacé talk about what it’s been like working on the critically acclaimed series, and what we can expect in the future.
Plus: Dilraj Mann’s cover for ‘Island’ #15 examined, Mike Richardson, Gilbert Hernandez, ‘The Mundane Kid’ and more.
Auction Action: A piece of original art by Joe Colquhoun from the British comic Charley’s Warfetched an unexpected price of £1,320 at auction, soaring past the pre-sale estimate of £250-300. A lot of three consecutive pages, plus a cover layout, went for £2,450, triple the pre-sale estimate. Some other original art as well as vintage comics also did better than expected at the Compalcomics auction. Charley’s War, a World War I action comic written by Pat Mills, is enjoying something of a revival; Titan is publishing a collected edition, and some of the original art is currently on display at the Tank Museum in Bovington, UK.
Plus: ‘Revolutionary Girl Utena’ returns, Red Planet opens in Albuquerque, Melanie Gillman, Alex Segura, Harley Quinn and more.
The Wonder Woman movie has lots of people looking at the history of the character and how she has evolved over the years. The Fresh Toast has a great interview with Trina Robbins, the first woman to draw Wonder Woman and a pioneering underground comics artist and comics historian as well. She’s a delightful person who has had a fascinating life, and this interview is a great way to start off your week.