David Steinberger talks digital comics, Akira Himekawa discuss Legend of Zelda and a Pakistani creator makes the world’s longest comic strip
The Digital Picture: ICv2 posts an interview with comiXology CEO David Steinberger, who talks about the platform’s gradual shift from something resembling a comic shop selling single issues to a more comprehensive service; how the company’s acquisition by Amazon three years ago has changed things; and the impact of ComiXology Unlimited, their all-you-can-read service, in terms of bringing in new readers:
One of the figures we’ve been sharing is that publishers that have been with [ComiXology Unlimited] for the year have seen overall double-digit growth this year. That’s totally opposite to what’s going on in the Direct Market.
One of the keys to their success is “personalization,” letting users tailor the experience and focus on what they are interested in—and, a la Amazon, recommend more items based on what they are reading already.
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DC announces their Writers Workshop participants, First Second unveils their Spring 2018 books, Viz licenses some new media, and Mimi Pond talks about her new book—and getting dropped from ‘The Simpsons’ because she was a woman
The Big Reveal: DC announced the names of the six writers who will take part in this year’s DC Writers Workshop: Magdalene Visaggio (Kim & Kim, Quantum Teens Are Go), Sanya Anwar (1001), Joey Esposito (Pawn Shop, Captain Ultimate), Phillip Kennedy Johnson (Last Sons of America, Warlords of Appalachia), Robert Jeffrey (Route 3, Radio Free Amerika) and Ryan Cady (Big Moose). Batman writer Scott Snyder will lead the workshop.
“It’s 13 weeks, and we meet for two, two-and-a-half hours online in a Brady Bunch-style box of windows. I teach it in such a way that it’s all superhero writing for DC. I try and make each week a lesson about a particular technique,” Snyder told Heat Vision. “My job is not to teach you how to write by formula for DC. It’s for you to come in and write the stuff you’re passionate about in your own way. I don’t care if that’s funny political, light-hearted, dark, whatever. Your job is to come in and have something to say. My job is to help you fit it into the rubric of superhero calculus and to help you maximize that story: look at where you should beef things up, slow it down, be aware of pacing. You need to come here and have something to say.”
At the end of the workshop, DC works with the writers to place them in writing slots for DC comics.
Continue reading “Comics Lowdown: All is revealed!”
Also: Moto Hagio returns to the Poe saga, Tini Howard and Gilbert Hernandez talk ‘Assassinistas,’ and Annie Koyama looks back at her first decade as a comics publisher
Someone has defaced a mural of the Malaysian cartoonist Zunar—but the artist who created the mural is OK with that. “I don’t see it as ruined but as a response, and it does not matter to me who is responding,” said Bibichun, the artist. “It’s in the public domain and it’s for members of the public to consume in their own way.” The mural depicted Zunar with his mouth covered by the flag of UMNO, the dominant political party of Malaysia (and therefore a frequent target of Zunar’s cartoon). Recently, an unknown man painted the flag black. “The piece was a response to the suppression of Zunar’s exhibition at the Penang Literary Festival last year,” said Bibichun. “I’m surprised it took Umno supporters such a long time to respond.” Zunar recently canceled a planned exhibit of his work out of concern that it, too, would be attacked.
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Plus: Big Hero 6, DC saves the day, Graphix winners, Best comic shops in the US, Todd Klein’s SDCC, and Spider-Man mows a lawn!
Fly the confusing skies: While at the San Diego airport on Sunday morning, Twitter user @AdiChappo sent out a warning to other Comic-Con attendees about a comic book ban on flights. Recently, the Transportation Security Administration (TSA) suggested passengers needed to remove books from luggage for inspection, so this idea wasn’t out of the ordinary. Despite the fact that the pilot project was trashed due to civil liberty concerns, this was the message that greeted travelers:
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The comics market is growing, but monthly comics are not. Also: A week of great comics articles from NPR!
By the Numbers: The comics market increased by 5% to a total of $1.085 billion in 2016, according to an estimate by Milton Griepp of ICv2 and John Jackson Miller of Comichron. Graphic novels sold in bookstores accounted for almost all the growth, however; they were up 16%, while sales of monthly comics in comic shops, on newsstands, and in digital format remained flat. Griepp saw the graphic novel growth as evidence that the market is expanding, as more women and children find graphic novels, while Miller credited Marvel’s Star Wars comics and DC’s Rebirth event.
Whatever Happened to comiXology? Three years after the largest digital comics service was purchased by Amazon, they still have plenty going on, says comics-biz maven Rob Salkowitz, including using Amazon’s “affinity marketing” (if you liked this, you’ll like that) tools, expanding to foreign audiences, and bringing in new readers via the ComiXology Unlimited, Kindle Unlimited, and Prime Reading programs.
Continue reading “Comics Lowdown: Graphic novel sales are up, floppies are flat”
Plus: Udon to publish Daigo manga, another comics shop is robbed, a comics professor quits his job
It’s official: Comic-Con International will remain in San Diego for now, resisting the blandishments of other cities such as Los Angeles and Anaheim, which have been trying to woo it away. San Diego Mayor Kevin Faulconer announced on June 30 that the city has signed a three-year deal with Comic-Con that will last through 2021; the current contract ends after next year’s show. Faulconer made a pitch for expanding the convention center, something that has been talked about for years now; the City Council recently refused his request to put a special tax on the November ballot to fund an expansion. Con-goers get a bit of a break in this new contract, though: The last contract held all hotel rooms to their 2016 prices for the duration, and the new one only allows a 4% increase over the 2018 price over the subsequent three years.
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Plus: the ALA, Jillian Tamaki and more.
The former owners of Emerald City Comic Con will pay $493,227.84 to former volunteers and the attorneys who represented them under a settlement that will keep the matter from going to court. Jerry Michael Brooks, a former volunteer at the con, filed a class action suit on behalf of all volunteers who worked at ECCC in 2014 and 2015, claiming that they were treated like employees and therefore should have been paid for their work. (Seattlish posted the details of the suit when it was first filed.) Under the settlement, Eitane Emerald Corp. and the Demonakos family will pay almost $500,000 to the volunteers, with the lawyers scooping up $123,300 for their troubles, Brooks getting $5,000, and the 250 or so other “volunteers” will divvy up the rest according to how many hours they worked. Although the defendants admit to no wrongdoing, the payments to the volunteers are to be regarded as part wages, part settlement for nonpayment of wages. ReedPOP, which purchased the con in 2015 and ran the 2016 and 2017 events, does not use unpaid volunteers.
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A cartoonist gets his career back, manga and kids’ comics are booming, and a con veteran offers advice for first-timers
Trolling the Trolls: Your bizarre read for the day is Emma Grey Ellis’s account of the strange career of Ben Garrison, a libertarian political cartoonist who became a sort of real-life Pepe the Frog after alt-right trolls started altering his cartoons to include Nazi imagery and seeded the internet with fake stories:
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Plus: Dilraj Mann’s cover for ‘Island’ #15 examined, Mike Richardson, Gilbert Hernandez, ‘The Mundane Kid’ and more.
Auction Action: A piece of original art by Joe Colquhoun from the British comic Charley’s War fetched an unexpected price of £1,320 at auction, soaring past the pre-sale estimate of £250-300. A lot of three consecutive pages, plus a cover layout, went for £2,450, triple the pre-sale estimate. Some other original art as well as vintage comics also did better than expected at the Compalcomics auction. Charley’s War, a World War I action comic written by Pat Mills, is enjoying something of a revival; Titan is publishing a collected edition, and some of the original art is currently on display at the Tank Museum in Bovington, UK.
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