A round-up of news from DC, Marvel, Image and more.
Fresh from saving the Earth from being destroyed by the sun in Empyre, the Fantastic Four will get a much-needed vacation in a one-shot by new Iron Man scribe Christopher Cantwell and artist Filipe Andrade. It’s titled Fantastic Four: Road Trip, and it features family fun, a station wagon … and a Reed Richards experiment gone wrong.
“We were always hopeful comiXology Originals books would get into readers’ hands via comics retailers and book stores, and Dark Horse is a terrific collaborator to work with to do so, with an unmatched history of supporting creator-owned projects alongside unmatched distribution expertise. This deal fortifies the ability for these stories to reach customers like never before,” said David Steinberger, comiXology co-founder and CEO. “We’re thrilled to be working with Dark Horse.”
Catch up on news from Marvel, DC, BOOM!, IDW and more.
Mail Call is a roundup of the announcements we’ve received from publishers in our mailboxes recently. Hit the links for more information.
Former WWE superstar turned author AJ Mendez and Lucifer actress Aimee Garcia will write a new Dungeons & Dragons series for IDW. Dungeons & Dragons: At the Spine of the World will be set in the property’s Icewind Dale world with new characters and artwork by Martín Cóccolo.
Here are some of the character designs, by Max Davenport and Katrina Mae Hao:
New works by Aminder Dhaliwal, Darryl Cunningham, Michael DeForge and more are coming next year.
Drawn and Quarterly’s winter 2021 catalog, which they shared last week, includes new work by Aminder Dhaliwal, Darryl Cunningham and Michael DeForge, and new manga collections by Shigeru Mizuki and Yoshiharu Tsuge. They’ll all be released between January and April of next year.
Marvel makes its return (digitally) as DC makes Tuesday comics a permanent thing.
Welcome to our newly renamed Can’t Wait for Wednesday Comics, our weekly look at what’s arriving in shops, on digital and wherever else you can find comics.
So why the name change? Well, with comics and graphic novels arriving in different places and channels on different days — and even some publishers shifting weekly comics away from the traditional Wednesday — it seemed antiquated to assume that people are only buying new comics on one day during the week. When DC started releasing their comics again in April, they shifted from the traditional comic-shop Wednesday to Tuesday — which is consistent with when trades and graphic novels arrive in book stores. They plan for this to be a permanent change moving forward.
So yeah, it’s a crazy time in the comics world right now, just like it is in the larger world. But here are some comics and graphic novels you can find this week — in comic shops or bookstores if they’re open, through online shops or via digital channels.
The creator of ‘The River at Night’ discusses insomnia, his process, endings and more.
In Kevin Huizenga’s book The River at Night, his main character Glenn Ganges has insomnia. One of Huizenga’s great gifts as a cartoonist is the way in which this is the entire plot of the book, but it’s not the point of the book, as Huizenga uses this scenario as a way to explore memory, our experience of time, death, deep time, the writing of John McPhee, how we experience change and those moments where people are able to step outside of themselves for a moment.
Huizenga has always been a formalist. He’s been compared to Chris Ware, but the two have very different interests in how they work. Huizenga is interested in consciousness and the subconscious, with perception and understanding, with finding ways to explain and understanding how the world works and how the mind perceives it. Glenn has been the protagonist of much of Huizenga’s work, but he uses the character as a way to explore ideas and experiences and we spoke recently about some of these ideas and trying to explore and depict these ideas visually.
The creator of ‘The Nature of Nature,’ ‘Remember This?,’ and ‘Help Yourself’ discusses ‘Becoming Horses,’ her latest graphic novel from Drawn and Quarterly.
In recent years, Disa Wallander has been crafting a small but deliberate and brilliant body of work in comics like The Nature of Nature, Remember This?, Help Yourself, and in her webcomic, Slowly Dying. Her new book, Becoming Horses, which was just released by Drawn & Quarterly, is her longest work to date, and perhaps her best.
In the book she uses collage, mostly watercolors and photography, overlaid with a precise but delicate linework that’s been compared to Jules Feiffer. Like Feiffer, Wallander is interested in shape, gesture and an interest in dialogue, but the similarity ends there. In this book Wallander is crafting a series of conversations about art and life, which doesn’t sound exciting or visually interesting when phrased that way, but in Wallander’s hands, these conversations are at the center of this stunning and moving dream-like journey.
There are scenes and images form the book that have stayed with me through multiple readings, and I was so thrilled that Wallander agreed to answer a few questions over email about existentialism, how she works and Tove Jansson’s influence.