Fantagraphics’ ‘Disney Masters’ line begins in May

New line of hardcovers includes work by Romano Scarpa, Luciano Bottaro, Paul Murry, Freddy Milton and Daan Jippes.

Beginning in May, Fantagraphics will publish a new line called “Disney Masters,” building on their already impressive line of classic Disney comics collections. The new line is devoted to “Disney’s greatest cartoonists,” and will include the works of Romano Scarpa, Luciano Bottaro, Paul Murry, Freddy Milton and Daan Jippes.

These will be full-color hardcovers, running about 200 pages each. Many of these stories originated overseas, and this will be their first American appearance.

Here’s the rundown of what you can expect from the first four volumes, which come out later this year:

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Smash Pages Q&A: Anuj Shrestha flies high with ‘National Bird’

The creator talks about his latest project, a story for Fantagraphics’ ‘Now’ anthology.

In the second volume of the anthology Now, editor Eric Reynolds has assembled another great lineup of creators including Dash Shaw, Joseph Remnant and Sammy Harkham. One of the standout stories has to be the striking short comic National Bird from artist and illustrator Anuj Shrestha.

Shrestha has been making short comics and illustrations for a number of years now. He’s made short comics for a number of anthologies including 4Panel, Alternative Comics, and Future Shock 0. He also produced a number of very moving short comics illustrating the stories of refugees for the Syrian Refugee Project. We spoke about contributing to Now and his work.

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Smash Pages Q&A: Sophie Goldstein on ‘House of Women’

The creator of ‘The Oven’ discusses her new book from Fantagraphics, as well as science fiction, her next book and much more.

Sophie Goldstein is best known as the cartoonist behind the book The Oven, and the co-writer and artist of the webcomic Darwin Carmichael is Going to Hell. She’s received multiple Ignatz Awards and her work has appeared in Best American Comics.

Fantagraphics has just released House of Women, the collection of Goldstein’s Ignatz Award-winning series. Goldstein and I have been meeting each other at comic shows for years and I last interviewed her when The Oven was released, shortly after House of Women Part 1 won an Ignatz Award. The new book, which Goldstein designed, is beautiful, and we spoke about the changes in her artwork over the course of making it, science fiction and her next book, An Embarrassment of Witches.

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Smash Pages Q&A: Joseph Remnant on ‘Cartoon Clouds’

The creator of ‘Blindspot’ and artist of Harvey Pekar’s ‘Cleveland’ discusses his first solo graphic novel from Fantagraphics, balancing his work as a storyboarding artist with his own projects, and more.

Like most comics fans I first got to know Joseph Remnant’s work from The Pekar Project. The web project featured the late great Pekar working with a number of artists and Remnant went on to draw Cleveland, a very personal graphic novel written by Pekar that was published after his death.

Remnant was making short work in his comic series Blindspot, in addition to recording music and working on various other projects, but Fantagraphics just released his first solo graphic novel, Cartoon Clouds. The book is about a group of students who have just graduated from art school, and are trying to find their own way and understand their feelings about art. Remnant admits that working on the project over the course of many years has meant that his own feelings about the characters and some of the issues he raises in the book have changed over time, though his linework is masterful throughout.

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Smash Pages Q&A: Roger Langridge on ‘The Iron Duchess’

The cartoonist discusses his latest book from Fantagraphics, as well as ‘Zoot!’, the status of ‘Criminy’ and more.

Roger Langridge has had a long career in comics, crafting a unique body of work that ranges from Fred the Clown to Abigail and the Snowman, The Fez to The Baker Street Peculiars, Art d’Ecco to Snarked. Langridge however is likely best known for a lot of the licensed projects he’s worked on which include Jim Henson’s The Musical Monsters of Turkey Hollow, The Muppet Show, and Popeye. It’s a shame, and not just because people who love The Muppet Show could pick up Fred the Clown and some of his other work and find that same love of wacky characters, vaudeville, silent comedy, music and hijinx.

Fred the Clown: The Iron Duchess shows Langridge’s love for old silent films, in particular those of the late great Buster Keaton. Langridge likes to use Fred as a character the way old silent comedians played the same “character” in one film after another. The book manages to combine a mad scientist, a wealthy man and his daughter, the making of a film, a horse, a pig, a train chase, and much more. It manages to be a madcap adventure, but also a beautifully structured story with multiple threads moving along and leading to some strange and hilarious surprises by the end. The Iron Duchess is out now from Fantagraphics Books, and Langridge has also released Zoot! #1, a new one-man anthology that is a available from his website.

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Smash Pages Q&A: Michel Fiffe on ‘Zegas’

The ‘Copra’ creator revisits its predecessor, which will be collected and released by Fantagraphics.

Today Michel Fiffe is best known for Copra, the acclaimed Suicide Squad-inspired adventure story that he self-publishes. Before he made Copra, Fiffe started self-publishing with the series Zegas. It only lasted three issues, but the stories of siblings Emily and Boston Zegas take place in an unnamed city and combines quiet realistic stories with dynamic styles, wild backgrounds and interacts with the story in interesting ways. I made the comparison to George Herriman’s Krazy Kat who had wild backgrounds and used them to convey a feeling. Zegas doesn’t take place in a science fiction city, but it captures a lot of the energy and craziness that comes from moving to a big city and experiencing urban life for the first time.

Fantagraphics has just published a collection of Zegas, along with a brand new story Fiffe created for the collection. He continues to publish Copra, with issue #31 out now and a fifth collection coming out early next year from Bergen Street Comics, and is creating a new series Negativeland on Patreon. In addition, this week brought the news that Fiffe is working on Bloodstrike, the 1990s comic created by Rob Liefeld. This interview was conducted before that news broke.

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Smash Pages Q&A: And ‘Now’ … Eric Reynolds

The associate publisher of Fantagraphics discusses his new anthology project, which launches this month.

Eric Reynolds is the associate publisher of Fantagraphics, which means that he’s edited some of the best comics in the world. Throughout his career though he’s had a special interest in anthologies.

His new project is Now, a three-times-a-year anthology with cartoonists well known and not, working in a variety of styles from all over the world. The first issue features work by Gabrielle Bell, Noah Van Sciver and a long story by Eleanor Davis in addition to a number of cartoonists people might not know as well. Reynolds wanted to create a relatively cheap ($9.99) project with a feel and approach he didn’t see anywhere else.

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Get great deals on Fantagraphics’ entire catalog, including their Comic-Con International debuts.

If you’re sitting at home thinking, “Man, I wish I was at Comic-Con so I could get some good deals on graphic novels,” worry no more — Fantagraphics is holding their annual “Not at Comic-Con” sale on their website.

You can get 20 percent off everything on their site from today through July 23. This includes their many Comic-Con International debuts, like Otherworld Barbara Volume 2 by Moto Hagio, Last Girl Standing by Trina Robbins, Johnny Appleseed by Paul Buhle and Noah Van Sciver, Katie Skelly’s My Pretty Vampire and the latest issue of Love & Rockets.

Head over to their site to check it out.

Comics Lowdown: Stan Lee immortalized at the TCL Chinese Theatre

Plus: Batton Lash vs. Cancer, Donny Cates signs with Marvel, DC Girl Power, Texas Latino Comic Con and more!

Hollywood cannot seem to get enough of Stan Lee. Over the weekend, Lee became a Disney Legend and yesterday, the comic icon had his hands and feet immortalized in cement in front of the TCL Chinese theater.

“I can’t tell you what this means to me. I’m thrilled,” he said. “And if I’m half as good as everybody said I am, I’m far too good to be wasting time with ordinary people. But I seem to be spending my life with ordinary people, who are the best people in the world.”

Meanwhile, Variety continued the love affair and took a look back on the life of Stan Lee.
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