The writer and biographer discusses his latest book, which details his youth as a comic fan in the 1960s and beyond.
Bill Schelly is one of the great writers about comics. Currently the Associate Editor of Alter Ego, he’s written biographies of Harvey Kurtzman, Joe Kubert, Otto Binder and others in addition to writing and editing a number of art books and anthologies. Among his many awards are an Eisner Award and an Inkpot Award. Besides being one of the very best biographers who has taken on cartoonists and comics as a subject, Schelly is also one of the great writers about fandom in books like The Golden Age of Comic Fandom and Founders of Comic Fandom.
This year saw the publication of Sense of Wonder: My Life in Comic Fandom–The Whole Story. Schelly had originally published an earlier version of the book, where he wrote about his youth in comics fandom. For this new edition he rewrite the original book and expanded it to nearly twice the length. Schelly has been involved since the 1960s, editing and contributing to various fanzines as a writer and artist. One aspect of this new edition of Sense of Wonder is Schelly talking openly about growing up gay in the 1960s and finding a place in fandom. He also talks about more recent decades, how he got back into reading comics, finding a creative outlet, and other aspects of his life, including the death of his son. I’ve read and admired Schelly for many years, though we’ve never met and I asked if we could talk about his new book.
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The creator of ‘Marbles: Mania, Depression, Michelangelo, and Me’ discusses her latest project, which is out now from Fantagraphics.
Ellen Forney has made many comics over the years that were collected in the books I Love Led Zeppelin and I Was 7 in ’75. She collaborated on the National Book Award winning novel The Absolutely True Diary of a Part-Time Indian. Forney curated the traveling exhibition Graphic Medicine: Ill-Conceived & Well-Drawn. Most readers though know her for her book Marbles: Mania, Depression, Michelangelo, and Me.
Marbles was a stunning book. Both a personal story of her bipolar diagnosis, Forney also investigated the many myths around art and artists and how she has considered and lived with them in her own life. Her new book Rock Steady: Brilliant Advice From My Bipolar Life, which has just been published by Fantagraphics, is a self help guide designed to help people dealing with anxiety, depression and other disorders. It is beautifully drawn, thoughtfully written, and provides a great deal of insight into these issues. She also created a helpful and hilarious mascot to help readers, Smedmerts!
Forney is on book tour right now. She’ll be at Vroman’s Bookstore in Pasadena with Maria Bamford on Friday night before going to the East coast next week. I spoke with her at home before she left about the book and her work.
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The creator discusses her latest graphic novel from Fantagraphics, political activism, PowerPoint and much more.
In her new book Why Art? Eleanor Davis tackles some of the questions around what art is, how we respond to it, how artists think about it and try to use it. Which may sound dry and perhaps dull but in Davis’ hands the idea becomes something strange and unexpected and at times laugh out loud funny. Davis describes one character in the book, “If she were a bad artist her art would be a lie and people would hate it. Instead, somehow she has made the statement into her truth.” This statement could be applied to Davis and her work. For many of us over the past few years she has become one of the essential cartoonists working right now.
Davis has also become very political active and currently serves as the membership coordinator for Athens for Everyone. We spoke recently about her book, political action, finding one’s artistic voice and coming to understand that everything is easy. She also mentioned the graphic novel she’s working on now and she answered, why art?
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The legendary cartoonist discusses his latest work for Toon Books, ‘Love & Rockets’ and more.
Jaime Hernandez has long been one of the great cartoonists. Love and Rockets has been acclaimed for decades and remains beloved by generations of readers. The series continues to come out regularly, and late last year Fantagraphics published the collection Angels and Magpies in addition to a Studio Edition, which reproduces nearly 200 pages of Hernandez’s original artwork.
Toon Books is debuting a new book by Hernandez, The Dragon Slayer: Folktales from Latin America. The book is his first for younger readers and adapts stories from F. Isabel Campoy and Alma Flor Ada, and features an introduction by Campoy about imagination and tradition.
Hernandez will be appearing at the MoCCA Arts Festival this weekend in New York City, where he’ll be in conversation with Marc Sobel on Sunday. He will also appear at the Toronto Comics Arts Festival in May as part of Toon Books’ 1oth anniversary celebration.
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New line of hardcovers includes work by Romano Scarpa, Luciano Bottaro, Paul Murry, Freddy Milton and Daan Jippes.
Beginning in May, Fantagraphics will publish a new line called “Disney Masters,” building on their already impressive line of classic Disney comics collections. The new line is devoted to “Disney’s greatest cartoonists,” and will include the works of Romano Scarpa, Luciano Bottaro, Paul Murry, Freddy Milton and Daan Jippes.
These will be full-color hardcovers, running about 200 pages each. Many of these stories originated overseas, and this will be their first American appearance.
Here’s the rundown of what you can expect from the first four volumes, which come out later this year:
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The creator talks about his latest project, a story for Fantagraphics’ ‘Now’ anthology.
In the second volume of the anthology Now, editor Eric Reynolds has assembled another great lineup of creators including Dash Shaw, Joseph Remnant and Sammy Harkham. One of the standout stories has to be the striking short comic National Bird from artist and illustrator Anuj Shrestha.
Shrestha has been making short comics and illustrations for a number of years now. He’s made short comics for a number of anthologies including 4Panel, Alternative Comics, and Future Shock 0. He also produced a number of very moving short comics illustrating the stories of refugees for the Syrian Refugee Project. We spoke about contributing to Now and his work.
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The creator of ‘The Oven’ discusses her new book from Fantagraphics, as well as science fiction, her next book and much more.
Sophie Goldstein is best known as the cartoonist behind the book The Oven, and the co-writer and artist of the webcomic Darwin Carmichael is Going to Hell. She’s received multiple Ignatz Awards and her work has appeared in Best American Comics.
Fantagraphics has just released House of Women, the collection of Goldstein’s Ignatz Award-winning series. Goldstein and I have been meeting each other at comic shows for years and I last interviewed her when The Oven was released, shortly after House of Women Part 1 won an Ignatz Award. The new book, which Goldstein designed, is beautiful, and we spoke about the changes in her artwork over the course of making it, science fiction and her next book, An Embarrassment of Witches.
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The creator of ‘Blindspot’ and artist of Harvey Pekar’s ‘Cleveland’ discusses his first solo graphic novel from Fantagraphics, balancing his work as a storyboarding artist with his own projects, and more.
Like most comics fans I first got to know Joseph Remnant’s work from The Pekar Project. The web project featured the late great Pekar working with a number of artists and Remnant went on to draw Cleveland, a very personal graphic novel written by Pekar that was published after his death.
Remnant was making short work in his comic series Blindspot, in addition to recording music and working on various other projects, but Fantagraphics just released his first solo graphic novel, Cartoon Clouds. The book is about a group of students who have just graduated from art school, and are trying to find their own way and understand their feelings about art. Remnant admits that working on the project over the course of many years has meant that his own feelings about the characters and some of the issues he raises in the book have changed over time, though his linework is masterful throughout.
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The cartoonist discusses his latest book from Fantagraphics, as well as ‘Zoot!’, the status of ‘Criminy’ and more.
Roger Langridge has had a long career in comics, crafting a unique body of work that ranges from Fred the Clown to Abigail and the Snowman, The Fez to The Baker Street Peculiars, Art d’Ecco to Snarked. Langridge however is likely best known for a lot of the licensed projects he’s worked on which include Jim Henson’s The Musical Monsters of Turkey Hollow, The Muppet Show, and Popeye. It’s a shame, and not just because people who love The Muppet Show could pick up Fred the Clown and some of his other work and find that same love of wacky characters, vaudeville, silent comedy, music and hijinx.
Fred the Clown: The Iron Duchess shows Langridge’s love for old silent films, in particular those of the late great Buster Keaton. Langridge likes to use Fred as a character the way old silent comedians played the same “character” in one film after another. The book manages to combine a mad scientist, a wealthy man and his daughter, the making of a film, a horse, a pig, a train chase, and much more. It manages to be a madcap adventure, but also a beautifully structured story with multiple threads moving along and leading to some strange and hilarious surprises by the end. The Iron Duchess is out now from Fantagraphics Books, and Langridge has also released Zoot! #1, a new one-man anthology that is a available from his website.
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