Tag: Fantagraphics

Smash Pages Q&A: Nick Thorburn on ‘Penguins’

The Canadian musician discusses his first graphic novel.

Nick Thorburn is a Canadian musician who has fronted the bands The Unicorns, Islands, Mister Heavenly and others. He’s composed music for various projects, including the film Ingrid Goes West and the podcast Serial.

His new project is the book Penguins, which is out now from Fantagraphics. A wordless book that inventively tells short tales of penguins in stories that are mundane and fantastic and inventive and strange. It’s an inventive and darkly comic debut, and Thorburn was kind enough to answer a few questions about the book.

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Smash Pages Q&A: Noah Van Sciver

The creator of ‘Blammo’ and Fante Bukowski discusses his latest projects, ‘One Dirty Tree’ and ‘A Perfect Failure.’

Noah Van Sciver has had an incredibly successful and productive year. The cartoonist released a new issue of his comic Blammo, and three books of his are out from two publishers this fall. Uncivilized Press just released One Dirty Tree, a comics memoir about his childhood and the end of a relationship just as he was about to turn thirty. Fantagraphics is publishing A Perfect Failure: Fante Bukowski Three, which completes a trilogy of books about the annoying and hilarious talentless writer who named himself Fante Bukowski, and a sketchbook by Van Sciver, Constant Companion.

One Dirty Tree and A Perfect Failure are possibly Van Sciver’s best books, and he took some time out after recovering from con crud to discuss the books and his current project.

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Gentrification and body horror collide in ‘BTTM FDRS’

Ezra Claytan Daniels and Ben Passmore’s new graphic novel set to debut from Fantagraphics next summer.

Fantagraphics has announced plans to publish BTTM FDRS by writer Ezra Claytan Daniels (Upgrade Soul) and artist Ben Passmore (Daygloayhole) next summer.

Here’s how Fantagraphics describes the book: “Once a thriving working-class neighborhood on Chicago’s South Side, The ‘Bottomyards’ is now the definition of urban blight. When an aspiring fashion designer, Darla, and her image-obsessed BFF, Cynthia, descend upon the neighborhood in search of cheap rent, they discover something far more seductive… and deadly.”

“Writing BTTM FDRS was a very therapeutic way to work through my feelings about issues like cultural appropriation, gentrification and representation. By reinterpreting these ideas through a candy-coated lens of body horror and snarky dialogue, they became, for me at least, a little less intimidating,” Claytan Daniels said.

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Smash Pages Q&A: Carol Tyler’s ‘Fab4Mania’

The creator of ‘Soldier’s Heart’ discusses her latest graphic novel from Fantagraphics, which looks back at her own experiences with Beatlemania.

Carol Tyler has for many years been one of our great cartoonists. Her book Soldier’s Heart is quite simply one of the great comics of the 21st Century. After spending a decade tracing her family history and examining postwar culture, mental illness and many other issues, Tyler wanted to make something lighter.

Her new book Fab4Mania began more than 50 years ago, when Tyler became a Beatles fan. She was a fanatic, attended their 1965 concert at Comisky Park in Chicago, and in the months leading up to the anniversary of the concert, she crafted a blog about her life as a 13-year-old and life leading up to the concert. In what should be no surprise, she managed to capture that young voice in a truly striking way. We spoke recently about the book, about how she began to make sculpture and thinking like an engineer.

This weekend Tyler is a special guest at the Small Press Expo in Bethesda, and on Friday afternoon she will give a talk about her work at the Library of Congress.

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Smash Pages Q&A: Bill Schelly’s ‘Sense of Wonder’

The writer and biographer discusses his latest book, which details his youth as a comic fan in the 1960s and beyond.

Bill Schelly is one of the great writers about comics. Currently the Associate Editor of Alter Ego, he’s written biographies of Harvey Kurtzman, Joe Kubert, Otto Binder and others in addition to writing and editing a number of art books and anthologies. Among his many awards are an Eisner Award and an Inkpot Award. Besides being one of the very best biographers who has taken on cartoonists and comics as a subject, Schelly is also one of the great writers about fandom in books like The Golden Age of Comic Fandom and Founders of Comic Fandom.

This year saw the publication of Sense of Wonder: My Life in Comic Fandom–The Whole Story. Schelly had originally published an earlier version of the book, where he wrote about his youth in comics fandom. For this new edition he rewrite the original book and expanded it to nearly twice the length. Schelly has been involved since the 1960s, editing and contributing to various fanzines as a writer and artist. One aspect of this new edition of Sense of Wonder is Schelly talking openly about growing up gay in the 1960s and finding a place in fandom. He also talks about more recent decades, how he got back into reading comics, finding a creative outlet, and other aspects of his life, including the death of his son. I’ve read and admired Schelly for many years, though we’ve never met and I asked if we could talk about his new book.

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Smash Pages Q&A: Ellen Forney on ‘Rock Steady’

The creator of ‘Marbles: Mania, Depression, Michelangelo, and Me’ discusses her latest project, which is out now from Fantagraphics.

Ellen Forney has made many comics over the years that were collected in the books I Love Led Zeppelin and I Was 7 in ’75. She collaborated on the National Book Award winning novel The Absolutely True Diary of a Part-Time Indian. Forney curated the traveling exhibition Graphic Medicine: Ill-Conceived & Well-Drawn. Most readers though know her for her book Marbles: Mania, Depression, Michelangelo, and Me.

Marbles was a stunning book. Both a personal story of her bipolar diagnosis, Forney also investigated the many myths around art and artists and how she has considered and lived with them in her own life. Her new book Rock Steady: Brilliant Advice From My Bipolar Life, which has just been published by Fantagraphics, is a self help guide designed to help people dealing with anxiety, depression and other disorders. It is beautifully drawn, thoughtfully written, and provides a great deal of insight into these issues. She also created a helpful and hilarious mascot to help readers, Smedmerts!

Forney is on book tour right now. She’ll be at Vroman’s Bookstore in Pasadena with Maria Bamford on Friday night before going to the East coast next week. I spoke with her at home before she left about the book and her work.

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Smash Pages Q&A: Eleanor Davis on ‘Why Art?’

The creator discusses her latest graphic novel from Fantagraphics, political activism, PowerPoint and much more.

In her new book Why Art? Eleanor Davis tackles some of the questions around what art is, how we respond to it, how artists think about it and try to use it. Which may sound dry and perhaps dull but in Davis’ hands the idea becomes something strange and unexpected and at times laugh out loud funny. Davis describes one character in the book, “If she were a bad artist her art would be a lie and people would hate it. Instead, somehow she has made the statement into her truth.” This statement could be applied to Davis and her work. For many of us over the past few years she has become one of the essential cartoonists working right now.

Davis has also become very political active and currently serves as the membership coordinator for Athens for Everyone. We spoke recently about her book, political action, finding one’s artistic voice and coming to understand that everything is easy. She also mentioned the graphic novel she’s working on now and she answered, why art?

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Smash Pages Q&A: Jaime Hernandez on ‘The Dragon Slayer’ and more

The legendary cartoonist discusses his latest work for Toon Books, ‘Love & Rockets’ and more.

Jaime Hernandez has long been one of the great cartoonists. Love and Rockets has been acclaimed for decades and remains beloved by generations of readers. The series continues to come out regularly, and late last year Fantagraphics published the collection Angels and Magpies in addition to a Studio Edition, which reproduces nearly 200 pages of Hernandez’s original artwork.

Toon Books is debuting a new book by Hernandez, The Dragon Slayer: Folktales from Latin America. The book is his first for younger readers and adapts stories from F. Isabel Campoy and Alma Flor Ada, and features an introduction by Campoy about imagination and tradition.

Hernandez will be appearing at the MoCCA Arts Festival this weekend in New York City, where he’ll be in conversation with Marc Sobel on Sunday. He will also appear at the Toronto Comics Arts Festival in May as part of Toon Books’ 1oth anniversary celebration.

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Fantagraphics’ ‘Disney Masters’ line begins in May

New line of hardcovers includes work by Romano Scarpa, Luciano Bottaro, Paul Murry, Freddy Milton and Daan Jippes.

Beginning in May, Fantagraphics will publish a new line called “Disney Masters,” building on their already impressive line of classic Disney comics collections. The new line is devoted to “Disney’s greatest cartoonists,” and will include the works of Romano Scarpa, Luciano Bottaro, Paul Murry, Freddy Milton and Daan Jippes.

These will be full-color hardcovers, running about 200 pages each. Many of these stories originated overseas, and this will be their first American appearance.

Here’s the rundown of what you can expect from the first four volumes, which come out later this year:

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Smash Pages Q&A: Anuj Shrestha flies high with ‘National Bird’

The creator talks about his latest project, a story for Fantagraphics’ ‘Now’ anthology.

In the second volume of the anthology Now, editor Eric Reynolds has assembled another great lineup of creators including Dash Shaw, Joseph Remnant and Sammy Harkham. One of the standout stories has to be the striking short comic National Bird from artist and illustrator Anuj Shrestha.

Shrestha has been making short comics and illustrations for a number of years now. He’s made short comics for a number of anthologies including 4Panel, Alternative Comics, and Future Shock 0. He also produced a number of very moving short comics illustrating the stories of refugees for the Syrian Refugee Project. We spoke about contributing to Now and his work.

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Smash Pages Q&A: Sophie Goldstein on ‘House of Women’

The creator of ‘The Oven’ discusses her new book from Fantagraphics, as well as science fiction, her next book and much more.

Sophie Goldstein is best known as the cartoonist behind the book The Oven, and the co-writer and artist of the webcomic Darwin Carmichael is Going to Hell. She’s received multiple Ignatz Awards and her work has appeared in Best American Comics.

Fantagraphics has just released House of Women, the collection of Goldstein’s Ignatz Award-winning series. Goldstein and I have been meeting each other at comic shows for years and I last interviewed her when The Oven was released, shortly after House of Women Part 1 won an Ignatz Award. The new book, which Goldstein designed, is beautiful, and we spoke about the changes in her artwork over the course of making it, science fiction and her next book, An Embarrassment of Witches.

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Smash Pages Q&A: Joseph Remnant on ‘Cartoon Clouds’

The creator of ‘Blindspot’ and artist of Harvey Pekar’s ‘Cleveland’ discusses his first solo graphic novel from Fantagraphics, balancing his work as a storyboarding artist with his own projects, and more.

Like most comics fans I first got to know Joseph Remnant’s work from The Pekar Project. The web project featured the late great Pekar working with a number of artists and Remnant went on to draw Cleveland, a very personal graphic novel written by Pekar that was published after his death.

Remnant was making short work in his comic series Blindspot, in addition to recording music and working on various other projects, but Fantagraphics just released his first solo graphic novel, Cartoon Clouds. The book is about a group of students who have just graduated from art school, and are trying to find their own way and understand their feelings about art. Remnant admits that working on the project over the course of many years has meant that his own feelings about the characters and some of the issues he raises in the book have changed over time, though his linework is masterful throughout.

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