The creator of ‘Upgrade Soul’ discusses ‘BTTM FDRS,’ his collaboration with Ben Passmore.
Ezra Claytan Daniels is a writer, illustrator and designer who made a huge splash in comics when Upgrade Soul first came out. It may have made a huge impact on a lot of readers and critics, winning the Dwayne McDuffie Award in 2017 and being nominated for several awards over the past few weeks, but it was a hard sell to publishers and started out as an app.
Fantagraphics just published his second book, a collaboration with Ben Passmore. BTTM FDRS is a horror story in a very best tradition of the genre. The story of gentrification in a Chicago neighborhood tackles race and class, and involves a monster that is linked to an old building. It’s thoughtful and funny, disturbing and shocking, and Daniels was kind enough to answer a few questions about the book and his process.
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The comics creator discusses ‘Gender Queer: A Memoir,’ working with siblings, the craft and process of creating comics, and more.
Maia Kobabe has been making comics for The Nib, and anthologies like Mine!, Gothic Tales of Haunted Love, The Secrets Loves of Geeks and elsewhere for years, but eir first book is the just released Gender Queer: A Memoir from Lion Forge.
Gender Queer is an exploration of identity, an explanation of what the term means, but more than that, it’s a thoughtful look at coming to understand oneself over time and what it means to be human. Maia and I spoke recently about the book, working with eir sibling on it and reluctantly crafting a memoir.
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The comics writer discusses his latest project, ‘Before Houdini,’ which is about the early life of the magician and escape artist.
Though he came to comics late in life, Jeremy Holt has been making up for lost time. He’s written a number of comics in recent years including Pulp, Southern Dog, Skinned and Skip To The End.
His new book, which was just released by Insight Comics, is Before Houdini. A prequel to After Houdini, the 2018 graphic novel that Holt made with John Lucas and Adi Crossa, the new book looks at the early life of the aspiring magician and escape artist. In these books Holt and Lucas have established an entertaining supernatural universe, but his greatest gift is the sense of sprawl, both historical and fictional, that explodes from the pages, the panels offering but a glimpse into this larger world while also managing the story and plotting.
It’s a fine line to walk, and Holt and I spoke recently about the long path working on both of these books, his love of research and what comes next.
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The denizens of St. Louis-based HEK Studios team up on a new anthology, which is up for funding on Kickstarter.
The depth and breadth of what you can do in comics and with comics — and I’m talking story-wise, design-wise and format-wise here — is virtually limitless. Sometimes it takes a particular project and a particular set of creators to remind us of this, and The HEK Treasury serves as just such a reminder.
The HEK Treasury is a creative project by the members of HEK Studios — Matt Kindt, Brian Hurtt and Marie Enger. The three of them have a large assortment of credits within comics — Black Badge, The Sixth Gun, Dept. H, Super-Spy, Fhtagn and Loathing, Shadow Roads, Nosferatu! and many more. The Missouri-based creators formed HEK Studios in 2015 and have purchased a vintage Route 66 garage that they’re converting into “the first full-time exclusive comic book studio in St. Louis.”
In addition to their own projects with various publishers, they’ve decided to team up on a large prestige format hardcover (8 ¾ x 11 5/8 ). This deluxe collection will feature “all new epic, experimental science fiction, fantasy and genre short stories. The HEK Treasury will showcase each creator as they unleash new ideas, using experimental art and storytelling techniques.” The project went live on Kickstarter earlier this week, and the campaign runs for 30 days. If funded, the book will be delivered to backers in the fall.
I spoke with the three of them about The HEK Treasury, HEK Studios and what they hope to accomplish together with this project.
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The writer of ‘The Snagglepuss Chronicles,’ ‘The Flintstones’ and more discusses ‘Second Coming,’ his new series from AHOY Comics.
In the span of a few years, Mark Russell has written a series of comics that have rethought and re-envisioned a number of characters at DC Comics. From Snagglepuss to Prez to The Flinstones, Russell has rethought the characters and their worlds in new and novel ways, finding depths and concerns that are striking and thoughtful. Russell’s first books in comics were God is Disappointed in You and Apocrypha Now, with Shannon Wheeler, which were published by Top Shelf Comix. So religion has long been an interest of his.
His new book is Second Coming with artist Richard Pace. The first issue arrived last month from AHOY Comics, with the second issue scheduled to arrive tomorrow. The controversy around it has drowned out the actual book, which is a smart look at Sunstar, a Superman-like hero, and Jesus, the character from the Bible. It’s a shocking idea, but perhaps more startling is what Russell does with the idea, which is to explore the limits of superheroes, start a conversation around power, and consider what religion and change mean today.
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The journalist, writer and Squirrel Girl co-creator discusses his work on Doc Savage, The Shadow and other pulp heroes — and his return to Squirrel Girl.
Will Murray has long been a journalist for Starlog and other publications, but he’s best known as one of the great pulp historians. Murray’s been involved with the recent reprints of Doc Savage, The Shadow and other characters. A few years ago, Murray had two major books published, Writings in Bronze, which collected a lot of his writings about Doc Savage and Lester Dent, and Wordslingers, a book about the pulp Westerns, and more broadly, about what the Western genre was and continues to mean.
All along, Murray has also been writing fiction, something that he’s spent more time and energy on in recent years. Besides writing multiple Doc Savage novels under the pen name Kenneth Robeson, Murray has written a Pat Savage novel, crossovers between Doc Savage and The Shadow, and books featuring The Spider, Tarzan and King Kong. Murray has also written a number of comics over the years, including co-creating one of Marvel Comics’ most beloved characters with legendary artist Steve Ditko – Squirrel Girl.
I spoke with Murray about his current projects, including John Carter and The Spider, his continuing love of pulp fiction and writing Squirrel Girl again.
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The writing team discusses ‘Penny Nichols,’ ‘a graphic novel that will warm your heart while stabbing you in the chest.’
Penny Nichols is the new graphic novel from writers MK Reed and Greg Means about the making of a low budget horror film. The titular character is an aimless 20-something who stumbles across people making a movie and becomes involved in the production, taking on an increasing number of tasks, and in the process finding herself. It is a subtle and brilliant tribute to artists with day jobs, found family, and the passions that give our lives meaning.
Means is best known as the editor of the Papercutter and Runner Runner, and the person behind Tugboat Press. Reed is currently co-writing Delver, a comiXology original, and has written a number of other comics including Palefire, The Castoffs, Americus, Science Comics: Dinosaurs, Science Comics: Wild Weather. The two have collaborated before on the graphic novel The Cute Girl Network. Penny Nichols, drawn by artist Matt Wiegle, was just released by Top Shelf Comix, and the writers answered a few questions about the book.
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‘Dear Scarlet: The Story of My Postpartum Depression’ is a deeply personal look at the weeks after the birth of Wong’s first child.
Teresa Wong still thinks of herself as a writer, but the Calgary-based creator just had her first graphic memoir as writer and artist published by Arsenal Pulp Press. Dear Scarlet: The Story of My Postpartum Depression is a deeply personal look at the weeks after the birth of her first child.
The text is written in the form of a letter to her daughter, but the book is unsparing in looking at the physical and emotional costs of motherhood. In recent years, the stigma around postpartum depression has lessened as more women have begun to open up about their experiences, and Dear Scarlet helps to open the conversation around motherhood and parenting in important ways.
Wong and I spoke recently about depression and how Raina Telegemier helped her make the book, and we laughed about Coldplay.
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The writer of ‘Harrow County,’ ‘The Sixth Gun,’ ‘X-Men Blue,’ ‘Unearth’ and more discusses the recently wrapped-up Archie Horror title.
Cullen Bunn has written a lot of horror comics in recent years – along with a lot of comics in a lot of other genres. In comics ranging from Harrow County to The Empty Man to Bone Parish to The Damned, he’s played with the genre in different ways.
The five-issue miniseries Blossoms 666 which Bunn made with artist Laura Braga just wrapped up, in which Cheryl and Jason Blossom compete to become the Antichrist. The Archie Comics horror line has a reputation for being shocking and brutal in a lot of strange and creative ways, but Blossoms 666 is a much quieter book compared to the others, with the horror being much more subtle and running under the seemingly placid surface.
Now that the series has wrapped up, Bunn answered a few questions about the comic and playing with an ideal version of Riverdale.
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