The former owners of Emerald City Comic Con will pay $493,227.84 to former volunteers and the attorneys who represented them under a settlement that will keep the matter from going to court. Jerry Michael Brooks, a former volunteer at the con, filed a class action suit on behalf of all volunteers who worked at ECCC in 2014 and 2015, claiming that they were treated like employees and therefore should have been paid for their work. (Seattlish posted the details of the suit when it was first filed.) Under the settlement, Eitane Emerald Corp. and the Demonakos family will pay almost $500,000 to the volunteers, with the lawyers scooping up $123,300 for their troubles, Brooks getting $5,000, and the 250 or so other “volunteers” will divvy up the rest according to how many hours they worked. Although the defendants admit to no wrongdoing, the payments to the volunteers are to be regarded as part wages, part settlement for nonpayment of wages. ReedPOP, which purchased the con in 2015 and ran the 2016 and 2017 events, does not use unpaid volunteers.
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David Draize, owner of Galactic Comics in Ocean Beach, California, doesn’t know why someone hurled several bricks through his store window, but he’s grateful for the police response that followed. Security camera footage shows a man in his 40s or 50s, clad in black, throwing several bricks and cinderblocks through the store window at about 1 a.m. on June 12. Nothing was taken from the store, in part, Draize believes, because the police officers who responded stayed to guard the store till he could get there.
Amalgam University Gets Its First Grant: In happier retailing news, Ariell Johnson, proprietor of Amalgam Comics & Coffeehouse in Philadelphia, has been awarded a $50,000 grant from the Knight Foundation to set up a programming space, which will expand the footprint of the store and allow her to create an “Amalgam University.” Johnson says that because she sells self-published work, she sees a lot of comics that have potential but are falling short in terms of craft. She hopes to offer classes to help those who can’t go to art school learn the nuts and bolts of making comics.
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What’s up with MAD Magazine?Mark Evanier lays out a brief history of MAD, which has been part of DC Comics for a long time (it’s complicated!), and updates us on its current status, which is… not good. Like pretty much all print magazines, MAD has been struggling for a while, although Evanier thinks editor John Ficarra has been doing a bang-up job. When the rest of DC packed up and moved to Burbank, California, a while ago, the MAD staff stayed, but they are moving out of their New York office at the end of this year, and DC has not been forthcoming with any news about what will happen next, beyond the fact that the magazine is moving to Burbank and only one staffer, a production artist, will be going with it. The February 2018 issue will be the last one produced by the Usual Gang of Idiots. DC has not made any announcements about what happens next, but Evanier suggests following the blog of artist Tom Richmond, one of the most frequent contributors to the magazine, for updates.
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Today’s thoughtful read is a painful one: Maggie Umber chronicles the end of her marriage and the struggle to make 2dCloud a successful indy publisher. It’s a reminder that nothing is ever simple when viewed from the inside—she writes poignantly about the part she played in 2dCloud and the tension between that and her own career as a cartoonist, and the strain that put on her relationship with her soon-to-be-ex-husband Raighne Hogan:
‘Big Hard Sex Criminals’ also among the most challenged books, according to the American Library Association.
Mariko and Jillian Tamaki’s This One Summer and Raina Telgemeier’s Drama topped the list of 2016’s most challenged books, according to the American Library Association. Matt Fraction and Chip Zdarsky’s Big Hard Sex Criminals also landed in the top 10 as the seventh most challenged book of 2016.