Christopher Cantwell and Martín Morazzo team up for a new title from the Dark Horse Comics imprint.
Dark Horse’s Berger Books imprint, from former Vertigo editor Karen Berger, will add another comic to its flight plan this summer — She Could Fly by writer Christopher Cantwell and artist Martín Morazzo.
Cantwell is the co-creator and showrunner of the AMC drama Halt and Catch Fire, while Morazzo has been the artist on such comics as Nighthawk, Elektra, Great Pacific and Ice Cream Man. Miroslav Mrva, who has worked on Ghosted and Foolkiller, will provide colors.
Continue reading “‘She Could Fly’ lifts off from Berger Books”
Comic-Con International announces the 2018 judge’s picks and other nominees for this year’s Eisner Hall of Fame.
Direct market pioneer Carol Kalish and black female newspaper cartoonist Jackie Ormes will be inducted into the Will Eisner Hall of Fame in July at Comic-Con International, as announced by CCI on their official blog this week.
Kalish, who worked as direct sales manager and vice president of new product development at Marvel Comics from 1981 to 1991, is credited with pioneering the comics direct market when it was in its adolescence, in part through a program in which Marvel helped pay for comic book stores to acquire cash registers. Kalish also spearheaded the expansion of the Marvel’s distribution into major bookstores such as B. Daltons and Waldenbooks. Kalish passed away in 1991 from a brain aneurysm, at the age 36.
Ormes was the first, and for a long time only, black female newspaper cartoonist. In the 1930s she wrote and drew Dixie in Harlem comics featuring Torchy Brown. After returning to her roots in journalism, she published Candy, a single-panel cartoon about a witty housemaid in 1945. Then she created Patty-Jo ’n’ Ginger, another single-panel cartoon about a pair of sisters, which ran for 11 years through 1956. Finally, from 1950 to 1954, Ormes revamped Torchy Brown into Torchy in Heartbeats, an 8-page color comic insert that included paper dolls. Ormes passed away in 1985.
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A writer predicts the demise of Marvel comics, but the DC honchos are bullish on their medium. Plus: Sitting down with Los Bros Hernandez.
Let’s kick things off with some doom and gloom! At the Disney theme park fan site The Kingdom Insider, Thom Pratt asks “Will Disney Stop Publishing Marvel Comic Books?” Pratt makes some good points: The Marvel universe most people are familiar with comes from the movies, not the comics; the comics themselves are not really accessible to most people, both literally (because of the uneven distribution and quality of comic shops) and figuratively (because the storylines cross over and the continuity is complex); and the profits are low relative to what a large corporation like Disney expects. Of course, this is all unvarnished speculation, with no insider knowledge, but there’s food for thought here—and as Pratt points out, Marvel is already outsourcing its digests to Archie and its young-readers Star Wars comics to IDW.
Continue reading “Comics Lowdown: We’re all doomed! Or not!”
Published by Dark Horse Comics, the first titles in the creator-owned imprint edited by former Vertigo chief Karen Berger will include the works of Anthony Bourdain, David Aja, Ann Nocenti, Mat Johnson, Warren Pleece and more.
Earlier this year Dark Horse Comics announced that former Vertigo founding editor Karen Berger would head up her own imprint for the publisher, called Berger Books. Today Vulture revealed the first four titles from the imprint, all due out in 2018.
“Dark Horse has been at the frontline of independent, creator-owned comics for decades,” Berger said earlier this year. “It’s great to be working with a company that has such a rich history of publishing scores of many incredible books by some of the best writers and artists in comics. I’m very fired up about being back in the game in a big way, and to be producing this new line with top, diverse creative talent and exciting, original new voices.”
Continue reading “Berger Books announces four new titles for 2018”