The co-founder of 2d Cloud discusses their latest Kickstarter, their 2019 lineup, her latest project and more.
Maggie Umber is the acclaimed cartoonist behind the books 270˚, Sound of Snow Falling, Time Capsule and other comics. She is also one of the founders of 2d Cloud, which in the past decade has established itself as one of the most important comics publishers in North America.
Umber wrote a blog post recently about the state of 2D Cloud and her own health, and about how the company plans to move forward. The company has just launched Artist Book Boxes at the Center of the Universe, a Kickstarter for the company’s 2019 lineup. We spoke recently about her new book, what kinds of books 2d Cloud will be publishing this year and why they just couldn’t walk away from the company.
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The cartoonist discusses her latest project, now up on Kickstarter, as well as the urban fantasy genre, ‘The Stone King’ and more.
Kel McDonald has been making comics for years. I read her webcomic Sorcery 101 years ago, but she’s also made comics series like Misfits of Avalon, written Buffy the Vampire Slayer comics and contributed to Dark Horse Presents. Late last year Comixology Originals released The Stone King, a comics series that McDonald made with artist Tyler Crook. Her work is always interesting because she clearly loves fantasy, but she wants to do interesting things with the genre, telling different kinds of stories in really exciting ways.
In recent years she’s been making the series The City Between, composed of different books with different characters and genres set in the same world. Right now she’s kickstarting the third book in the series, The Dead Deception. I’ve been reading McDonald’s work for years and she was kind enough to answer a few questions about urban fantasy, werewolves, her future plans for the series, and how Kickstarter has changed over the years for the better.
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The creators of ‘Red Range:Pirates of Fireworld’ discuss the sequel to a 1999 graphic novel by Joe R. Lansdale and Sam Glanzman.
The miniseries Red Range: Pirates of Fireworld, currently being kickstarted for a summer release, is a sequel to the graphic novel Red Range. Originally published in 1999, the book by Joe R. Lansdale and Sam Glanzman was reprinted with new colors recently. The first volume was a dark western tale, which ended with the hero and the boy he rescued falling into the hollow earth, a place filled with dinosaurs and other creatures.
The final page of the book teased a sequel, but nothing ever came of it – until now. Written by Keith Lansdale and drawn by Jok, who colored the reprinted edition, they’re picking up where the original left off in this miniseries. Lansdale has written comics including Crawling Sky, Vampirella: Feary Tales, The X-Files: Case Files and Creepy. Jok has drawn many comics over the years including Strangeways, The Hill, Freud’s Covenant, Mixtape and many others.
I reached out to ask the two a few questions about the book.
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Deibert to adapt cult classic Lesbian mystery into graphic novel
Work for a Million is a cult classic novel by Eve Zaremba. The 1986 novel was one of a series of mysteries starring the openly lesbian private eye Helen Keremos. Bedside Press is running a kickstarter to reprint the novel and publish an original graphic novel adaptation written by Amanda Deibert and drawn by Selena Goulding.
Amanda Deibert has written a number of comics including Wonder Woman ’77 and Teen Titans Go!, she’s contributed to the anthologies Womanthology and Secret Loves of Geeks, and wrote the webcomic Hot Mess. As a TV and film writer she’s worked on OWN Tonight, 24 Hours of Reality, SyFy Presents Live from Comic-Con, Take Part Live, The Morning After, and other shows, and she was kind enough to take a few minutes to talk about the project.
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“A Change in Perspective” marks a different approach to the Glyph Comics award-winning series.
Ajala is a comic series written by Robert Garrett with art by N Steven Harris, and colors by Walt Msonza Barna. It’s a comic that they have been working on in between other projects. Harris is still remembered for drawing the Grant Morrison and Mark Millar series Aztek from years back, but recently he’s been busy drawing The Wild Storm: Michael Cray for DC.
The two are now crowdfunding the next two issues of the comic, which they’re calling “A Change in Perspective.” The title has a lot of meanings, from the young protagonist who, like all teenagers, starts to question and push against what she’s been taught, to the ways that the book wants to grow, to be not just about her, but her family, her community and ways to depict them in all their complexity.
I’ve interviewed Garrett and Harris in the past and reached out to ask them a few questions about the Kickstarter and where Ajala is going from here.
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The writer, artist and scholar discusses the new anthology he’s co-editing with Elizabeth LaPensée.
Michael Sheyahshe is a writer, artist and scholar who remains perhaps best known for his book Native Americans in Comic Books: A Critical Study. He’s written stories for both volumes of the Moonshot anthology, and wrote the forward to the first one. His new project is Moonshot: The Indigenous Comics Collection Volume 3, which he’s co-editing with Elizabeth LaPensée
The book will feature work from creators including Lee Francis, Weshoyot Alvitre, Jeffrey Veregge, Jon Proudstar and Rebecca Roanhorse, and is currently being kickstarted by AH Comics. Michael was kind enough to answer a few questions about his work and what readers can look forward to in the new volume.
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The former ‘Green Lantern’ artist and co-creator of Kyle Raynor discusses his new graphic novel with Ron Marz, his work on ‘Green Lantern’ and more.
Darryl Banks will always be remembered by many comics fans as the co-creator of Kyle Raynor, and the artist who drew Green Lantern for more than seven years. As I told Banks, “my” Green Lantern is Kyle, but what has always stood out for me is the ways that Banks managed to visually redefine the book in exciting ways. Since he finished his run on Green Lantern, Banks has drawn a few books, but he’s mostly been working outside of comics.
The fact that he’s drawing a new book is news in itself. He’s working with his Green Lantern collaborator Ron Marz on Harken’s Raiders, a very different project for the duo, telling a World War II adventure story about a commando team extracting a German scientist from behind enemy lines. The book is being kickstarted now, and one of the rewards is The Art of Darryl Banks, the first-ever art book from Banks. I reached out to ask him a few questions about what brought him back to comics and whether we’ll be seeing more from him in the coming years.
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The creator of ‘The Pride’ talks about the Kickstarter for his latest project.
Joe Glass is best known by comics readers for his series The Pride, which is an old school superhero tale, but with LGBTQ characters. It manages to play with archetypes, tell very pointed and political stories, but they also very consciously called back to classic superhero stories. Glass clearly knew the genre and the kinds of stories he wanted to both celebrate and subvert.
His new book, which he’s made with Danny Flores, Moose Baumann and Michael Stock, is Acceptable Losses. The book is being kickstarted right now, and it’s a very different story than The Pride, but it shows how Glass is interested in playing with comics concepts that we’re familiar with and finding ways to subvert archetypal and stereotypical characters in interesting ways.
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It’s Alive! launches a new Kickstarter to reprint another World War II story from ‘Combat.’
It’s Alive! has launched a Kickstarter to bring another of Sam Glanzman’s classic World War II tales back into print.
Battle for Britain tells the story of the Royal Air Force defense of the United Kingdom against large-scale attacks by Nazi Germany’s air force, the Luftwaffe — one of the first major campaigns fought by air forces. The original story was published in 1961 in an issue of Combat.
Along with a fully restored main story, this new edition will feature a four-page back-up story titled The Puny, Little Yank, along with black and white photos from WWII, a new essay about Glanzman, an essay about the Doolittle Raiders, vintage ads that were in the original issues, the original cover art by Glanzman, a new standard cover by Glanzman and a new variant cover by John McCrea.
Check out the two new covers below, and visit the Kickstarter page for more information.
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