The cartoonist behind the most recent issue of “Ley Lines” discusses Virginia Woolf, the Hello Boyfriend comics collective, goats and more.
Victor Martins is the cartoonist behind the most recent issue of the Ley Lines anthology, a quarterly comic series where in each issue a cartoonist looks at a work of art. The result has been one of the very best comics projects of recent years, as each artist has yielded something distinct, not just from each other, but often it involves them trying a new approach in these “essayistic” comics.
In the new issue titled Cabra Cabra, Martins looks at Virginia Woolf’s novel Orlando, the story of a character who changes sex and lives for centuries, a character inspired by Woolf’s lover, the writer Vita Sackville-West. Martins re-read the novel and had a different response to it, and the resulting comic is a thoughtful look at the differences.
Martins is one quarter of the comics collective Hello Boyfriend, which has produced Doki Doki High and Archie Fancomics Digest. Martins has made a number of comics and minicomics, including You Don’t Have To Be Afraid Of Me and Stay. We spoke recently about Virginia Woolf, trying to grapple with our feelings toward disturbing and problematic work, and prioritizing the emotional arc of a story.
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Victor Martins, Simon Moreton, Xia Gordon and Brendan Leach will each create an issue of the quarterly series.
The Ignatz-nominated comics series Ley Lines will return this year with four new issues, giving cartoonists “a platform … to directly engage with influences beyond the realm of comics.”
Published by Grindstone Comics and Czap Books, each issue of Ley Lines features a different artist’s take on an artist’s work. Previous issues have featured Gloria Rivera tackling the work of author and naturalist John Muir, Diana Chu channeling singer Patti Smith and W.T. Frick focusing on science fiction writer Ursula Le Guin. L Nichols oversees the project.
Now in its sixth year, the 2020 lineup includes:
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The award-winning cartoonist discusses her work on the latest Patti Smith-influenced issue of “Ley Lines.”
Diana Chu is a cartoonist and illustrator based in Milwaukee, who in recent years has made an impressive body of comics and zines including Where Everything is Music, Woolies, No Mames Guey, Cloud Houseand Sudden Death. She was awarded a Gold Medal by the Society of Illustrators at last year’s MoCCA Festival.
Her new project, which comes out next month, is the new issue of Ley Lines. The issue is about Patti Smith and music, but it’s also about Jimi Hendrix, Dante Alighieri and Henri Rousseau. Chu is an artist who is not especially interested in narrative, but she’s fascinated in mood and design in interesting ways. She was kind enough to open up and talk about her work in process.
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The creator of “Ipsum Lorum” discusses her issue of “Ley Lines,” which focuses on the writing of Ursula Le Guin.
W.T. Frick has made comics for Ink Brick and other publications, but she’s likely best known for her webcomic Ipsum Lorum, a remarkable work about the experience of creating and experiencing art, about doppelgängers and what that means for people. In so much of her work, Frick is less interested in narrative than she is with studying characters and exploring ideas. At one point she described her process as intuitive and her work could be described in those terms, but it also feels much too solid, too involved to ever be dreamlike, or seem unreal.
Frick is also the cartoonist behind the new issue of Ley Lines. The quarterly series is focused on crafting a dialogue between comics and the world of fine art. In the 18th issue, which was just released, Frick interrogates the writing of the late Ursula K. Le Guin along with the work of a number of visual artists. It’s arguably her best work to date and a striking introduction for those who have never encountered her work before.
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The ‘Ley Lines’ creator discusses the collected edition of ‘Flocks’ from Secret Acres, music, engineering and more.
L Nichols has been serializing Flocks for years, working on the comics memoir in between other projects, including overseeing the acclaimed quarterly comics series Ley Lines. Flocks is out now in a collected edition from Secret Acres. Also out now is the new issue of Ley Lines, which is written and drawn by Nichols. Nichols and I have met at various shows over the years but never sat down to talk.
Flocks is an immense achievement, but it’s also striking how well Nichols made the individual issues stand on their own and how well they work as chapters of a book — and how well it comes together into a thoughtful and emotional story arc. It is one of the best of the year, but also deserves a place among the very best graphic memoirs ever made. We spoke recently about Beethoven, engineering and religion.
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