The Comicbook United Fund will provide one location to make contributions to support comic book shops and their employees.
The Book Industry Charitable Foundation, or Binc, has announced the launch of the Comicbook United Fund, a dedicated relief fund designed to provide financial assistance to comic shops and their employees. Both DC Comics and the Oni Press-Lion Forge Publishing Group joined them in the announcement, with both offering funds to the organization.
The idea isn’t new — last year, the Oni-Lion Forge Publishing Group teamed with Binc to create the “Forge Fund.” It provides monetary support for comic retailers and their employees during times of hardship, like during Hurricane Harvey. The company continues to donate 5% of proceeds from their titles to the fund, and so far have donated $100,000 to the Forge Fund, which is operated by Binc
“The comic industry has a long history of banding together to protect and promote the art form we all love. We hope that this incredible action from DC will inspire a new wave of generosity and support for the great number of individuals and shops struggling through these times,” said James Lucas Jones, President and Publisher of Oni-Lion Forge Publishing Group. “Comics is an expansive community that still feels like a close-knit family, and these efforts feel like we are helping family members.”
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The comics creator discusses ‘Gender Queer: A Memoir,’ working with siblings, the craft and process of creating comics, and more.
Maia Kobabe has been making comics for The Nib, and anthologies like Mine!, Gothic Tales of Haunted Love, The Secrets Loves of Geeks and elsewhere for years, but eir first book is the just released Gender Queer: A Memoir from Lion Forge.
Gender Queer is an exploration of identity, an explanation of what the term means, but more than that, it’s a thoughtful look at coming to understand oneself over time and what it means to be human. Maia and I spoke recently about the book, working with eir sibling on it and reluctantly crafting a memoir.
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Plus: Bob Clampett Humanitarian Award recipients, Paige Braddock, Frank Santoro, Dr. Gene Luen Yang and more!
Who exactly owns Atlas Comics? That seems to be the question raised in two articles from The Hollywood Reporter. Earlier this month Steven Paul, producer of the Ghost Rider film, announced via a press conference that he had bought the rights to the Atlas Comics and planned to work with Paramount to turn the properties into movies. Not so fast, said Dynamite Entertainment, who followed up by telling THR that they own the name “Atlas Comics.”
Many of you may be wondering “What the heck was Atlas Comics?” while others might be thinking, “Wait, wasn’t Atlas the company that eventually evolved into Marvel Comics in the 1960s?” And still others are wondering, “Didn’t he learn his lesson after Ghost Rider?”
But getting back to Atlas, yes, there was an Atlas Comics in the 1950s that grew out of Timely Comics and eventually became Marvel Comics. It was owned by publisher Martin Goodman, and it put out comics in a variety of genres like horror, crime, espionage and even a few superhero titles featuring characters like Captain America and the Human Torch, who had previously been published under the Timely banner. However, this isn’t that Atlas Comics.
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Plus: Patrick Gleason, Emily Carroll, awards and more!
Oni Press and Lion Forge will merge in order to “strengthen their library of original comics and graphic novels and help them to leverage their characters on other media platforms, including animation and film,” according to a story in the New York Times. The new publishing company will fall under the Polarity umbrella, a media entertainment entity launched by Lion Forge co-founder Dave Steward II last year.
The new company’s combined publishing efforts will be overseen by Oni Press publisher James Lucas Jones, who will be president and publisher. “We’re going to take a look at efficiencies and identify a number of areas of growth as well,” said Steward. The Beat details several layoffs that have already occurred at both companies, including Andrea Colvin, Lion Forge’s editor in chief, and Oni’s Desiree Wilson. According to Publisher’s Weekly, Joe Nozemack, founder of Oni Press, will join the new entity’s board and serve in an advisory role.
As far as their publishing lines go, Lion Forge Senior Publicist Jeremy Atkins tweeted that Oni Press “will be the publisher of all creator-owned books going forward,” while company-owned IP, like the Catalyst Prime universe, will fall under the Lion Forge banner. This one is still developing, so no doubt more information on the new structure and publishing entity will be forthcoming.
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Plus: ‘The Brotherhood’ writer revealed! Transformers’ growing female fan base! Plus Art Spiegelman, Stan Webb and the scariest comic panel in ages!
Following the death of Marvel legend Stan Lee on Monday, many outlets covered not only his death, but turned the focus on his wide-reaching life and legacy. Some of the mainstream coverage included:
- The New York Times not only wrote a thorough obituary of “The Man,” but also featured a comic by Brian Michael Bendis, Bill Walko and Howie Noel.
- Peter David, freelance comics writer and a former Marvel employee, wrote a remembrance of Lee for Vulture. “Still, there was a time where Stan became the incarnation of that line from The Dark Knight: You either die a hero or live long enough to see yourself become a villain. In the ’80s and ’90s, it became increasingly stylish to bash Stan, to accuse him of hogging attention for his creations from the artists. But the fact is that before Marvel Comics, comics writers and artists were anonymous. It was Stan who made the artists the centerpieces of the work, giving them snappy nicknames like ‘Stainless’ Steve Ditko, ‘Genial’ Gene Colan, ‘Larrupin’’ Larry Lieber (no, even his brother wasn’t immune), and many others. We would come to know the artists (and other writers) as well as, if not better than, members of our only families. DC editors were so disdainful of this practice that they referred to him as ‘Stan Brag,’ before eventually following suit and crediting people.”
- Roy Thomas, a legendary comics writer in his own right, shares the memory of his last Saturday spent with Lee at the Hollywood Reporter.
- Marvel dedicated a special section of their website to Lee, with a tribute video.
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Plus: Police investigate Mangamura, the world’s largest comics collection and more.
Passings: The Belgian artist William Vance, creator of the French-language series XIII, has died at the age of 82 from Parkinson’s disease. Born William van Cutsem in Belgium in 1935, Vance served a year in the military and then studied for four years at the Académie Royale des Beaux-Arts in Brussels. He began working for Tintin magazine (not the eponymous series, as stated in one obituary) in 1962, drawing four-page stories, and then launched the his first series, Howard Flynn (written by Yves Duval). He also was the artist for Bruno Brazil, and then he took over as the artist of Bob Morane, a series that had been started by Dino Attanasio. In 1984, he and Jean van Hamme launched XIII, a complex series partially inspired by Robert Ludlum’s Bourne character. Vance illustrated 18 volumes of XIII, which sold over 14 million volumes and was adapted into a television series. In 2010 he announced his retirement due to Parkinson’s disease.
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The comics creator and editor discusses her own projects, including her next graphic novel, working at Lion Forge and more.
Hazel Newlevant has been making a big impression in comics in just a few years. She received a Xeric grant for Ci Vediamo and a Queer Press Grant for If This Be Sin, and last year received an Ignatz Award for her minicomic Tender-Hearted. Newlevant is also an editor at Lion Forge Comics, and has edited the anthology Chainmail Bikini and co-edited the recent Comics for Choice with Whit Taylor and O.K. Fox
Sugar Town, which was published late last year, is her longest single work to date and her best. The book is an emotional and thoughtful look at falling in love and exploring the emotional work of polyamory. It felt like a breakthrough for the creator in a number of ways. Newlevant and I have spoken before, and I reached out to talk with her about the fact that she’s had a very busy 2017, the ways she used color in Sugar Town, and her upcoming graphic novel No Ivy League.
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Comics retailers discuss the comics market, Lion Forge profiled and more.
The Biz, Part I: It’s generally agreed that 2017 was a lackluster year (at best) for comics retailers. Publisher’s Weekly’s Shannon O’Leary went to the source, asking retailers in the direct market and bookstores with a large graphic novel section to discuss what’s going wrong—and right—in the comics market. There’s lots to chew on here, with commentary about Marvel, Image, and the structural issues in the direct market.
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Black comics festivals, indy publishers, and the history of women in comics.
Festivals: West Coast: It’s Martin Luther King Day, and this past weekend brought festivals celebrating black comics to both sides of the country. In San Francisco, Nanette Asimov writes about the Black Comix Arts Festival, which runs through today, and interviews creators Tony Medina and John Jennings as well as an attendee.
Festivals: East Coast: At the New York Times, George Gene Gustines turns his focus to the Black Comics Festival, which took place this past weekend at the Schomburg Center for Research in Black Culture in New York City, and he interviews David Heredia, the creator of the animated video series Heroes of Color and a guest at the festival.
Continue reading “Comics Lowdown: The Diversity issue”