See what the Smash Pages’ staff enjoyed reading this past year.
With 2018 winding down, Smash Pages’ contributors take a look back at some of their favorite comics of the year, from Hey Kiddo and Spectacular Spider-Man #310 to Wet Moon and The Secret Voice.
Silver Spoon, by Hiromu Arakawa (Yen Press)
Arakawa is best known as the creator of Fullmetal Alchemist, but you couldn’t get any farther from that series than Silver Spoon, a comedy about a city boy who goes to agricultural school in rural Hokkaido. Yuugo Hachiken worked hard and did everything he was told, but he still didn’t get into an elite high school, so he takes what he thinks is the easy way out by going to a school that’s not academically focused—or so he thinks. In fact, the students at Ooezo Agricultural High School are very knowledgeable in their fields, but those fields are things like genetics and animal husbandry. The rubber really hits the road in the practical lessons, though, and Hachiken quickly realizes he is out of his depth when it comes to herding chickens, riding a horse, or fetching a stray calf. There’s a lot of city mouse-country mouse comedy in this series, but it’s also a fascinating look at where our food comes from (at least in Japan), and the different agricultural models espoused by different farmers. In fact, like Hachiken’s classmates, this book is very smart and sophisticated in addition to being endlessly entertaining.
Meal, by Blue Delliquanti and Soleil Ho (Iron Circus)
The idea of eating bugs may elicit an “Eeeww” from most people, but Delliquanti and Ho go beyond the ick factor in this romance about an insect cuisine enthusiast and a chef who wants to start a new restaurant based on the dishes of her youth—dishes that include ants, grasshoppers, and tarantulas. There’s a love story woven in there as well. Yarrow has just moved to a new city in hopes of getting a job in the kitchen of Chandra Flores, insect chef extraordinaire, who is about to launch a new restaurant. Milani, her neighbor, is friendly and helpful but the two have a little trouble making it click. At the same time, Chandra suspects that Yarrow is only into insect cuisine because it’s sensational, while to her, it’s part of her heritage. There’s a lot in this slim volume: Love, food, bugs, and bugs that are food, and the creators even include a couple of recipes at the end of the book.
Continue reading “Smash Pages’ favorite comics of 2018”
Streamlined awards featuring six categories presented during the New York Comic Con Friday night; Dave Gibbons and Roz Chast inducted into Hall of Fame.
The Harvey Awards returned last night in a new venue in conjunction with the New York Comic Con. The streamlined awards presented winners in six categories, as well as four other related awards and Hall of Fame inductions.
Joining the Hall of Fame this year were Roz Chast and Dave Gibbons. Harold Sakuishi received the 2018 International Spotlight Award, while Jackie Estrada (who runs the Eisner Awards) received the Comics Industry Pioneer award.
You can find the complete list of winners below.
Continue reading “‘Monstress,’ ‘Barrier’ and more win at the 2018 Harvey Awards”
The novelist teams up with her husband for a series about Vision and his family.
Chelsea Cain will team up with her husband and fellow writer Marc Mohan for a new series at Marvel starring the Vision and his family. Ultimates 2 artist Aud Koch joins the duo, while Marcos Martin (The Private Eye) will provide covers. And Jordie Bellaire, who colored the previous Vision series, is here for this one as well.
Continue reading “Chelsea Cain to write new ‘Vision’ series for Marvel”
Brian K. Vaughan, Marcos Martin and Muntsa Vicente’s pay-what-you-want digital comic lands at Image as a five-issue, weekly miniseries coming next May.
Diamond Comics Distributors has announced the 12 Gold Sponsor comic book titles for 2018’s Free Comic Book Day, which includes titles from DC, Marvel Comics, Dark Horse Comics, IDW and more. While many publishers use the opportunity to kick off events or new series, Image is doing something interesting this year — their FCBD title is Barrier #1, bringing to print Brian K. Vaughan, Marcos Martin and Muntsa Vicente’s pay-what-you-want digital comic.
Continue reading “‘Barrier’ jumps to print on Free Comic Book Day 2018”
Brian K. Vaughan, Marcos Martin and Muntsa Vicente’s digital comic about immigration and aliens wraps up.
Brian K. Vaughan, Marcos Martin and Muntsa Vicente wrap up their second “pay what you want” digital comic today, as the fifth issue of Barrier arrives on the Panel Syndicate site.
Continue reading “Final issue of ‘Barrier’ arrives at Panel Syndicate”
The first issue of the “unconventional drama about violence, language and illegal immigration” is available from the Panel Syndicate site now.
Following the teaser from last week, Brian K. Vaughan, Marcos Martin and Muntsa Vicente have launched another pay-what-you-want digital series, the five-part Barrier.
In an email from their Panel Syndicate imprint, the creators described the comic as an “unconventional drama about violence, language and illegal immigration.” The first 53-page issue is available now for download from the Panel Syndicate site.
Barrier follows the award-winning The Private Eye, which the three creators launched in a similar manner back in 2013.
Check out some preview art from Barrier by Martin and Vicente below.
‘The Private Eye’ creative team teases a new project from their Panel Syndicate label.
Looks like the band is getting back together, as the creators of the excellent “pay as you go” digital comic The Private Eye — Brian K. Vaughan, Marcos Martin and Muntsa Vicente — appear to be reuniting for another project from Panel Syndicate.
Both Panel Syndicate and Vaughan teased the new project on Twitter:
Vaughan also clarified that this is NOT the exclusive The Walking Dead comic that was announced last summer at Image Expo — which is something else we still have to look forward to.
The Private Eye was an interesting experiment — two top-of-their-game creators going out and creating something wonderful, then offering each issue digitally for whatever price their audience was willing to pay. It seems to have worked, as Vaughan said last September:
Even though readers can still pay whatever they want for our DRM-free files (including nothing!), artist Marcos Martin, colorist Muntsa Vicente and I are proud to reveal that The Private Eye is already well into the six figures for both issues downloaded AND dollars earned … and that’s without advertising, corporate backers, Comixology-like distributors, or even a Kickstarter campaign.
If you prefer print, a hardcover of The Private Eye is due out from Image Comics next month. And you can check the teaser out for the new project — in English and Spanish — below.