Étienne Davodeau’s graphic novel The Cross-Eyed Mutt, recently published in a translated version from NBM, has a hilarious premise. Fabien is a security guard at the Louvre and when he meets his girlfriend’s family, they tell him that they have a painting from their ancestor. “Would our ancestor’s painting have a spot in the Louvre or is it an insignificant piece of crap?”
The book is the latest in a series of graphic novels published with the Louvre, and Davodeau uses the situation as a chance to tell a story that, like his Lulu Anew and The Initiates, manages to both poke fun at eccentrics and deeply honor unusual ways of looking at the world – sometimes simultaneously. It is a book that is profound and joyful and very funny about what we love about art and museums, about what we remember, how we see ourselves, and in the end, how we live our lives.
The Cross-Eyed Mutt is in short, a very serious comedy, and it is one of the year’s best books. Thanks to Terry Nantier and Stefan Blitz at NBM, I had a chance to speak with Davodeau about spending time in the Musée du Louvre, his own thoughts on art, and whether we might be able to get my great-uncle’s work into the museum.