Annie Goetzinger, RIP

A brief remembrance of French comics creator Annie Goetzinger, who died unexpectedly last week

French comics writer and artist Annie Goetzinger died unexpectedly on December 20, at the age of 66. Goetzinger had a 40-year career in French comics, but her work was relatively new to English-speaking audiences: NBM published Girl in Dior in 2015, following it up with Marie Antoinette, Phantom Queen, in 2016; her biography of the French novelist Colette, The Provocative Colette, is due out next August.

I was slightly ahead of the game: When I was at Angouleme in 2014, I asked Philippe Osterman of Dargaud to point out some French titles that would be popular with American audiences. He handed me a half-dozen graphic novels, and Girl in Dior was the one that caught my eye immediately. So when NBM brought Goetzinger to the MoCCA Fest in April 2015, I arranged to interview her.

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Smash Pages Q&A: Étienne Davodeau on ‘The Cross-Eyed Mutt’

The French creator discusses his latest graphic novel from NBM, a very serious comedy about a security guard at the Louvre.

Étienne Davodeau’s graphic novel The Cross-Eyed Mutt, recently published in a translated version from NBM, has a hilarious premise. Fabien is a security guard at the Louvre and when he meets his girlfriend’s family, they tell him that they have a painting from their ancestor. “Would our ancestor’s painting have a spot in the Louvre or is it an insignificant piece of crap?”

The book is the latest in a series of graphic novels published with the Louvre, and Davodeau uses the situation as a chance to tell a story that, like his Lulu Anew and The Initiates, manages to both poke fun at eccentrics and deeply honor unusual ways of looking at the world – sometimes simultaneously. It is a book that is profound and joyful and very funny about what we love about art and museums, about what we remember, how we see ourselves, and in the end, how we live our lives.

The Cross-Eyed Mutt is in short, a very serious comedy, and it is one of the year’s best books. Thanks to Terry Nantier and Stefan Blitz at NBM, I had a chance to speak with Davodeau about spending time in the Musée du Louvre, his own thoughts on art, and whether we might be able to get my great-uncle’s work into the museum.

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Comics Lowdown: Original Crumb art sells for $717,000

Plus news and updates on NBM, ‘Saga,” Dan Parent and more.

Robert Crumb’s original art for the cover of the 1969 Fritz the Cat collection has set a new record price for a piece of original American comics art: The drawing sold for $717,000 at an auction run by Heritage Auctions; the next highest price for a piece of American comics art is the $657,250 that someone paid for the last page of Incredible Hulk #180, which features the first appearance of Wolverine. Internationally, Tintin art is still top of the heap; one set of drawings brought in $3.5 million, and two other original Tintin drawings have sold for over $1 million apiece.

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Comics’ coming-of-age party at TCAF this weekend

My, how we’ve grown! This year’s Toronto Comic Arts Festival, which takes place this weekend in the Toronto Reference Library, will include a number of significant anniversaries.

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