Wimberly’s ‘Diary Project’ submission proved too controversial because it depicted a burning police car.
The New York Times has been running a series of comic strips over the last few months from some top-notch comic creators, including Jillian Tamaki, Ben Passmore and more. Titled “The Diary Project,” the “weekly visual assignment series” features a recent “diary” entry by the artist. Many have focused on COVID-19, Black Lives Matter and other recent newsworthy events.
Artist Ronald Wimberly of Prince of Cats and LAAB fame created the final piece for the series, but says that the New York Times has decided not to run it.
Check out new comics by Jillian Tamaki, Ethan Sacks, Dalibor Talajić, Gavin Guidry and more.
Here’s a round up of some of the best comics we’ve seen online recently. If we missed something, let us know in the comments below.
As calls to “defund the police” spread in protests, on the news and in social media, Ezra Claytan Daniels imagines a few “departments that will replace police in the not-too-distant future.”
Posted at The Nib, Daniels’ new concepts include the “Los Angeles Department of Food Security,” pictured at the top of this post, and the “Department of Crime Deduction,” pictured above, which he calls a “diversely skilled roster of detectives who excel in creative thinking and problem solving.” Probably recruited heavily from crime podcasts.
Check out comics by Lynda Barry, Joey Weiser and more.
Here’s a round up of some of the best comics we’ve seen online in the past few weeks. If we missed something, let us know in the comments below.
In her latest comic for the New York Times, Lynda Barry asks the question, “How did then become now?” and chronicles the little things she saw as the world slowly changed from pre-pandemic to pandemic.
Plus: Steve Morrow passes away, New York Times stops editorial cartoons, and more!
The New York Times reports on a new digital comics service, Graphite, that operates on a subscription basis, like ComiXology Unlimited. Graphite will offer a free version with ads, and their premium ad-free version is priced at $4.99 a month, a buck cheaper than ComiXology Unlimited, but their real selling point is automated recommendations:
On other platforms, recommendations are typically offered by editors, said Tom Akel, Graphite’s chief content officer. “Ours takes into account your user behavior, what you’ve watched before, what the pool of people around you liked and cross references that the same way a Netflix algorithm will,” he said.
The real test of a digital comics service, of course, is content. Graphite’s lineup will include BOOM! Studios, Tokyopop, Dynamite, IDW and the children’s publisher Papercutz, but not Marvel or DC (both of whom have their own subscription services). This is a choice that seems to make sense for the smaller publishers; as BOOM!’s Filip Sablik commented, “We’ve had free content available for multiple years, and it hasn’t cut into our Comixology business. In fact, it has continued to grow.
An open letter to Abrams from the Asian Author Alliance, signed by more than 1,000 writers, teachers and readers, reads: “The simple fact is that today, the biggest terrorist threat in the United States is white supremacy. In publishing A Suicide Bomber Sits in the Library, Abrams is willfully fear-mongering and spreading harmful stereotypes in a failed attempt to show the power of story.”
McKean responded to some of the controversy on Twitter: “The premise of the book is that a boy uses his mind and faith to decide for himself that violence is not the right course or action.” The book was due to be published next May.
Tillie Walden, Francesco Francavilla, David Mazzuchelli, Tom Gauld help turn New York news stories into compelling comics.
The New York Times Magazine has posted their very first all-comics issue, which features cartoonists turning stories that came through the NYT Metro desk into comic strips.
Tom Gauld, Sammy Harkham, Tillie Walden, Francesco Francavilla, David Mazzuchelli and several others contributed strips, while Kevin Huizenga provided the introductory strip that explains the concept. You can view all the strips by going here.