Pay what you’d like for the new sci-fi thriller by the creator of ‘Polar.’
In celebration of its 8th anniversary, the digital comics site Panel Syndicate has launched a new comic by Polar creator Victor Santos. Paranoia Killer is described as “a thriller with elements of sci-fi about identity, divinity and the privatization of violence.”
“She is the reckless FBI Agent Nathalie Laertes. Her twin brother is the international hitman known as Delon Sombre. And now one must become the other. Princess Knight meets Philip K. Dick in this sci-fi crime thriller,” Santos posted on Twitter.
Pay what you want for the first digital issue of the new fantasy horror title.
The One You Feed, a new title by Donny Cates (Thor) and Dylan Burnett (Ant-Man) has debuted on Panel Syndicate.
The “fantasy terror tale” will be a five-issue miniseries, released digitally on the site in their standard “pay what you want format,” like they’ve done with previous titles like Friday, Barrier and The Private Eye.
Check out recent news and announcements from DC, Marvel, Image, Dark Horse and more.
Mail Call is a roundup of the announcements we’ve received from comics publishers in our mailboxes recently. Hit the links for more information.
Following the end of the Joker War storyline, DC’s current Batgirl series will wrap up with its extra-sized 50th issue this Tuesday. DC has revealed that this issue will also see the debut of Ryan Wilder, the character taking over the Batwoman mantle on The CW’s Batwoman TV show.
Will this new character also take over as Batwoman in the comics? I guess we’ll find out. You can see a preview of that issue here.
“We were always hopeful comiXology Originals books would get into readers’ hands via comics retailers and book stores, and Dark Horse is a terrific collaborator to work with to do so, with an unmatched history of supporting creator-owned projects alongside unmatched distribution expertise. This deal fortifies the ability for these stories to reach customers like never before,” said David Steinberger, comiXology co-founder and CEO. “We’re thrilled to be working with Dark Horse.”
Plus: News from DC, Image, Humble Bundle and more.
Mail Call is a roundup of the announcements we’ve received from publishers in our mailboxes recently. Hit the links for more information.
DC Comics has announced a change in the variant covers for the upcoming The Dreaming: Waking Hours #1. The cover shown below, by Yanick Paquette and Nathan Fairbairn, will replace one from Bill Sienkiewicz that they first showed us in May.
The prolific creator pulls no punches as she discusses her brand-new Panel Syndicate comic, ‘Bad Karma,’ and a whole lot more.
Alex de Campi made a splash writing the 2005 miniseries Smoke and ever since then, she’s been a creator who’s been hard to pin down. Some of that is simply because she’s so prolific. De Campi is a writer who’s worked on My Little Pony and Judge Dredd, Josie and the Pussycats in Space and two Archie vs Predator series. She’s created series like Grindhouse, Kat & Mouse and Agent Boo, comics like Mayday and Bad Girls, Bankshot and Semiautomagic. She created the digital comic Valentine and wrote, edited and lettered the Image Comics anthology Twisted Romance.
One theme that has run through much of her work is responsibility. De Campi does not write moralistic stories, but many of them revolve around people taking responsibility for who they are for what they’ve done, only to be forced to understand that doing the right thing is often harder than they ever considered. Omar famously said in The Wire, “a man’s gotta have a code,” and so many of de Campi’s characters live similarly. Or finally make a stand and choose to live by a code, only to find that decision often becomes their undoing. Ethan and Sully in Bad Karma did not return from war better and stronger and more successful, but when they learn that someone is on death row for an assassination they carried out, they decide to do something about it. Their road trip and what follows are dark, funny, incisive and some of the best work de Campi has ever written.
I joked with de Campi that she’s always working on a dozen different projects, and this year is an especially busy one for her. She’s editing and working on the comics anthology True War Stories, she’s collaborating with Erica Henderson on Dracula, Mother f**ker! and she’s writing Madi, a collaboration with filmmaker Duncan Jones that she can’t talk much about, all of which come out this fall. Meanwhile she’s serializing a graphic novel on Patreon, and her debut novel The Scottish Boy comes out the beginning of June from Unbound.
Brian K. Vaughan and Marcos Martin’s digital one-shot will arrive in print for the second time in July.
Skybound will release a hardcover edition of Brian K. Vaughan and Marcos Martin’s “The Alien,” a story set in the world of The Walking Dead, in July.
The story was released on the Panel Syndicate website about four years ago now, where it is still available for whatever price you’d like to pay. It was part of a deal Vaughan and Martin made with Walking Dead writer Robert Kirkman and Image Comics, which in exchange received the print rights to their digital comic The Private Eye. It was printed and made available to retailers as a part of Local Comic Shop Day last year as a single issue.
The first installment of the digital series is available now.
Criminal writer Ed Brubaker is teaming up with Barrier artists Marcos Martin and Muntsa Vicente for a new Panel Syndicate title called Friday. It’s about a former girl detective/occult expert who returns home from college for the holidays and gets wrapped up in a new mystery.
“One of the first things I said to Marcos was that this book feels like Lovecraft’s New England is colliding with Edward Gorey’s,” said Brubaker. “And I like to describe Friday as post-YA, which is a genre that doesn’t really exist. It’s an idea I’ve been circling for a long time, that lets me tap into my own nostalgia for my youth and the YA books I loved back in the 70s and 80s – stuff like The Great Brain, or John Belliars books, or Harriet the Spy, or Encyclopedia Brown. I want to take that concept of the teen detective and those supernatural mysteries aimed at kids, but then let the protagonists grow up, so they have all the same problems we all do… and they encounter a much more dangerous world.”