Smash Pages Q&A | Paul Cornell on ‘Con & On’

The writer of Ahoy’s newest title talks about comic conventions, working with Marika Cresta and more.

Most people reading this are probably familiar with the San Diego Comic-Con, the annual gathering of Hollywood, the comics community, media of all shapes and sizes, and fans from around the world. But are you familiar with the Vista Al Mar Comics Festival, which also has taken place on the California coast for the past five decades?

If not, don’t worry — the Vista Al Mar Comics Festival is fictional, a construct of writer Paul Cornell and artist Marika Cresta for their new miniseries from Ahoy Comics, Con & On. The first issue arrives in stores this week.

The comic is set in five different years in the life of the Festival—one year per issue, spanning three decades—from the points of view of “a diverse bunch of desperate people whose lives revolve around this greatest show on Earth.” The comic will track the lives of two young comics talents trying to break into the business; three “brilliant, boozy and bombastic” British creators; as well as crusty editors, forgotten TV stars and fans who “make the convention experience something to revisit year after year.” 

Cornell was kind enough to answer a few of my questions about his work on the title, as well as share some convention memories. My thanks for his time.

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Paul Cornell + Marika Cresta satire Comic-Con in the new miniseries ‘Con & On’

The five-issue miniseries will arrive from Ahoy Comics in (naturally) July.

Paul Cornell and Marika Cresta are teaming up for a new comic about Comic-Con — Con & On is “a tragicomic satire of five decades of the world’s biggest comics festival, and the industry that parties there,” according to Cornell, and it’s coming from Ahoy Comics in July.

“This is a heartfelt insider comedy history of the roller coaster that is the comics industry, with bite but also with love,” Cornell continued. “It’s about the romance of every big convention, the bittersweet journey through time and success, the highs and the lows and the silliness. It’s the story of every fan and every pro and everyone who’s just trying to make a buck in the midst of extremity. Through the narratives of our large cast of characters we see, in miniature, the story of the last few decades of modern comics: how some things have changed and how some things have stayed exactly the damn same.”

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Cornell + Kelly crowdfund the finale to ‘Saucer Country’

The former Vertigo series will finally conclude if it hits its goal on Zoop.

Paul Cornell and Ryan Kelly’s Saucer Country has followed a rocky road — or would that be turbulent flight? — to publication over the years, starting out at Vertigo in 2012 before returning at IDW in 2017 for a new miniseries, Saucer State, that was never finished.

But now Saucer Country is back — Cornell and Kelly have teamed with Syzygy Publishing to kick off a crowdfunding campaign on Zoop that will fund publication of not only the final chapter of their story, but also a complete collection of the entire tale. The creators are looking to raise $20,000 to bring the saucer in for a landing.

“This project is so close to my heart,” Cornell said on his blog. “And this is my first crowdfunding campaign, which makes me extremely nervous. So please take a look and see if you’d like to help. As you’ll see from the page, we’re well on course to deliver exactly what we’re offering pretty swiftly once we’re funded. Zoop have successfully landed many such campaigns, which is why I went with them.

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Cornell + Yeowell combine fantasy with rom com in ‘Three Little Wishes’

Legendary Comics announces a new project about fairies, wishes and winning back your ex.

Legendary Comics revealed a new graphic novel during a panel at C2E2 today — Three Little Wishes, by writer Paul Cornell (who also revealed the news on his blog) and artist Steven Yeowell. They’ll be joined by Pippa Bowland on colors and Simon Bowland on letters.

According to the description, the fantasy rom com original graphic novel, scheduled to arrive next summer, “follows a contract lawyer, who upon discovering a fairy that grants three wishes, attempts to fix the world.”

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Cornell + Cantirino team up for ‘I Walk With Monsters’

The horror series from Vault Comics will launch in November.

Comics writer and author Paul Cornell will make his “comeback” to comics with a new series from Vault Comics, I Walk With Monsters. Cornell will work with artist Sally Cantirino, and colorist Dearbhla Kelly on the title.

“This is a hugely important project for me, both in terms of how personal it is, and how much of a comeback to comics it is,” Cornell said on his blog. “It’s the story of a young woman and her friend who can be a monster, going hunting. I think it’s my best work in the medium, my attempt to create horror that comes from a real place, with lots of heart and character. To see the pages come alive with such glorious artwork has been an absolute joy.”

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‘Edgar Allan Poe’s Snifter of Blood’ creeps in from Ahoy just in time for Halloween

Paul Cornell, Russ Braun and Dean Motter will contribute to the anthology title’s first issue.

The follow-up to Ahoy Comics’ horror title Edgar Allan Poe’s Snifter of Terror gets a slight title tweak that can’t bode well for anyone — Edgar Allan Poe’s Snifter of Blood will arrive from the publisher in October.

The series is the third one invoking the name of the 19th century horror master.

“Since Edgar Allan Poe is dead, we get to make any arbitrary decision we want and there’s not a thing he can do about it,” said Editor-in-Chief Tom Peyer in Ahoy’s July newsletter. “So sometimes we just make a senseless power move out of sheer contempt for the great writer and his memory. Plus, we get to start again at #1, which should attract all of the most devoted comics collectors of 1991. Everybody wins! Except Poe.”

In the first issue, Paul Cornell and Russ Braun retell Poe’s “Black Cat” — but with a dog, while Dean Motter “settles the science vs. religion debate once and for all.”

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Comics Lockdown: Publishers react to COVID-19

With news from Marvel, Dark Horse, Humanoids, Vault Comics and more.

Marvel offers some suggestions on how to support local comic shops, along with a list of stores that are still open and what services they provide.

Christina Merkler of Discount Comic Book Service discusses the effect of the Diamond shutdown on the Collected Comics Podcast.

UK comics blogger John Freeman rounds up resources and links, including free comics sites, information on UK stores that sell by mail order, and stuff to keep homebound kids amused, at Down the Tubes.

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Cornell and Kelly’s ‘Saucer Country’ returns with a new name, publisher

Paul Cornell and Ryan Kelly’s excellent UFO series, previously published by Vertigo, returns next year at IDW.

Back in 2013, Vertigo cancelled the excellent UFO series Saucer Country by Paul Cornell and Ryan Kelly after 14 issues. Cornell at the time wrote on his blog about the Hugo-nominated series:

“I know that’ll disappoint our loyal audience. So I make this promise to you: I will, one day, finish Saucer Country, in one way or another, in a dramatically satisfying way. That is to say, I won’t just put up the remainder of the plot on my blog or something, I’ll find a professional means to actually complete the story, ideally in comic book form, or as a novel or, hey, go on, a movie. The rights revert to me reasonably soon. We’ll work from there.”

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Smash Pages Q&A: Paul Cornell on Creator-Owned ‘This Damned Band’ from Dark Horse

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To say writer Paul Cornell executed the modern day equivalent of Jimi Hendrix setting a guitar on fire with his new creator-owned miniseries This Damned Band is an understatement. Cornell has teamed with artist Tony Parker and colorist Lovern Kindzierski on this one-of-a-kind mockumentary 1970s era period piece where a rock and roll band which acts like they worship the devil–only to realize they really do.

Thanks to Cornell for chatting with me about this Dark Horse published six-issue miniseries. Issue #1 was released on August 5, while issue #2 comes out on September 2. Part of me hopes to chat with Cornell after the miniseries wraps to find out more in terms of the Bowie and the Kinks anecdotes.

Tim O’Shea: Which came first the idea to tackle the 1960s/1970s era of music or the storytelling device do it as a mockumentary?

Paul Cornell: I think the band encountering the occult for real was the first thought, and the mockumentary style just felt like a good way to do that.

I don’t want you to spoil the story but am I right in thinking despite the death of Robert Starkey he plays a role of some kind in this miniseries?

It’s indicative of something, but it’s not going to be referred to in the strip.  By the time we get to the end, I think readers will have gotten something extra out of it.

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