Plus: Tramp’s closing down, submissions open for a feminist critique of Whedon and more!
Indianapolis Star cartoonist Gary Varvel was surprised, and none too pleased, when Donald Trump Tweeted one of his cartoons—with some unauthorized alterations. The original cartoon, which was published in January, was a play on the “Trump train” trope, showing a Trump-branded locomotive with a donkey plastered on the front. (Varvel was careful to note that the donkey is “resisting” the train but not being flattened by it: “No cartoon donkeys were killed in the making of this cartoon,” he said.) Trump retweeted another version that replaced the donkey with a CNN logo, added a line about “fake news,” and cropped out Varvel’s signature.
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David Steinberger talks digital comics, Akira Himekawa discuss Legend of Zelda and a Pakistani creator makes the world’s longest comic strip
The Digital Picture: ICv2 posts an interview with comiXology CEO David Steinberger, who talks about the platform’s gradual shift from something resembling a comic shop selling single issues to a more comprehensive service; how the company’s acquisition by Amazon three years ago has changed things; and the impact of ComiXology Unlimited, their all-you-can-read service, in terms of bringing in new readers:
One of the figures we’ve been sharing is that publishers that have been with [ComiXology Unlimited] for the year have seen overall double-digit growth this year. That’s totally opposite to what’s going on in the Direct Market.
One of the keys to their success is “personalization,” letting users tailor the experience and focus on what they are interested in—and, a la Amazon, recommend more items based on what they are reading already.
Continue reading “Comics Lowdown: The impact of ComiXology Unlimited”