The Ignatz Awards celebrates outstanding achievement in independent comics and cartooning.
The Small Press Expo (SPX), celebrates the outstanding achievements of independent comics, graphic novels and alternative political cartoons with the annual Ignatz Awards. The Ignatz Awards have been handed out since 1997 and this year will be presented at the gala Ignatz Awards ceremony held on Saturday, September 15.
The nominees for the ballot were determined by a panel of five of the best of today’s comic artists, Mita Mahato, Carolyn Nowak, kevin czap, Leila Abdelrazaq, and Taneka Stotts.
The votes for the awards will be cast by the attendees during SPX, which takes place in Bethesda, Maryland on September 15-16.
The Ignatz, named after George Herriman’s brick-wielding mouse from his long running comic strip Krazy Kat, recognizes exceptional work that challenges popular notions of what comics can achieve, both as an art form and as a means of personal expression.
Annual awards presented at this weekend’s Small Press Expo honor excellence in independent comics.
My Favorite Thing is Monsters by Emil Ferris continued to rack up accolades this weekend as it took home two Ignatz Awards last night. Other winners at the annual awards presentation included Jess Fink’s Chester 5000, Ben Passmore’s Your Black Friend and Carolyn Nowak’s Diana’s Electric Tongue.
Named after the brick-throwing mouse from Krazy Kat, the awards honor “excellence in independent comics” and are selected by a jury of five creators and voted on by attendees of the Small Press Expo. The jurors for this year’s nominations were Neil Brideau, Glynnis Fawkes, Sara Lautman, Trungles and David Willis.
The complete list of nominees can be found below, with the winner in bold.
The creator discusses working as an illustrator on archeological digs, co-editing a new issue of ‘The Strumpet,’ upcoming projects and more.
Earlier this year Glynnis Fawkes published Greek Diary, a collection of comics about the previous summer that was spent working on an archeological dig in Greece and a trip through the Greek islands. Fawkes has been working since art school as an illustrator for archeological digs, and has illustrated a number of scholarly books including Three Stones Make a Wall by Eric Cline and Kinyras: The Divine Lyre by her husband John Curtis Franklin. This interest can be seen in a lot of Fawkes’ comics work like Corinthian Diary, Time Out in Palestine and Alle Ego, which was given a MoCCA Art Festival Award of Excellence in 2016.
When it debuted at this year’s MoCCA Arts Festival, Greek Diary received the Silver Medal for Long Form Work. This year also saw the release of Reign of Crumbs from Kilgore Books, which collects many of Fawkes’ diary comics that have appeared in Mutha Magazine, The New Yorker.com and elsewhere. Fawkes has also been in both of issues of Resist!, and is co-editing and contributing to the new issue of The Strumpet coming out this fall.
Fawkes will be at the Small Press Expo, or SPX, this weekend in Bethesda, Maryland. You can find her at SPX table I7B and will have copies of Cinderbunny and the “spanking new” Strumpet 5, as well as Reign of Crumbs and Greek Diary.
Fawkes and I spoke after she returned from this year’s trip to Greece.
Named after the brick-throwing mouse from Krazy Kat, the awards are selected by a jury of five creators and voted on by attendees of the show. The jurors for this year’s nominations were Neil Brideau, Glynnis Fawkes, Sara Lautman, Trungles and David Willis.
Annual awards presented Saturday night at the Small Press Expo in Maryland.
Tillie Walden, Kate Beaton, Lisa Hanawalt, Noah Van Sciver, Meredith Gran, Carolyn Nowak and Sam Bosma all took home bricks last night from the Small Press Expo’s annual Ignatz Awards ceremony.
Walden actually took home two bricks: one for outstanding artist on The End of Summer and one for promising new talent on I Love This Part.
Named after the brick-throwing mouse from Krazy Kat, the awards are selected by a jury of five creators and voted on by attendees of the show. This year’s jury included Tony Breed, Summer Pierre, Keiler Roberts, C. Spike Trotman and J.T. Yost.
The creator talks about her SPX debut from last year, “Baseline Boulevard,” and more in an interview from last year’s show.
Emi Gennis does short comics on fascinating topics, usually quirky stories from history. I first discovered her work when I picked up her minicomic on trepanation (warning: includes graphic images of people drilling holes in their skulls) at TCAF last year. Her other work includes The Radium Girls, about women who were exposed to radium while working in a watch factory in the 1930s; and Franz Reichelt: The Flying Tailor, the story of a man who invented a parachute suit and died testing it on himself. The latter is one of Gennis’s comic adaptations of stories from Wikipedia’s list of unusual deaths.
Daniel Clowes, Kevin Huizenga, Jason Shiga, Kate Beaton and many others vie for this year’s awards.
The nominees for the 2016 Ignatz Awards have been announced by the Small Press Expo. Named after the brick-throwing mouse from Krazy Kat, the awards are selected by a jury of five creators and voted on by attendees of the show.
Multiple Ignatz Award winner Sophia Foster-Dimino says Small Press Expo is “like a summer camp for cartoonists.”
With Small Press Expo just over a month away, I thought it would be a good time to post this interview, which was done at last year’s SPX.
Sophia Foster-Dimino was one-third of the reason that women creators swept the 2015 Ignatz Awards: She won three out of the nine awards, taking the Outstanding Series award for Sex Fantasy, Outstanding Minicomic for Sex Fantasy #4, and the Promising New Talent Award. I spoke to her on the exhibit floor the day after the Harveys.
Can you tell us a bit about Sex Fantasy?
Sex Fantasy is a series that I have been doing for about two years now. They are small format zines, 4 x 4 inches. The first three were kind of like a stream of consciousness explanation of different ideas, and then the next three, 4 through 6, have been more structured narratives. I’m trying to explore things in this series that I wouldn’t want to tackle in a larger book. Like kind of a safer space to play around with new ideas in a small format.