The 80-page issue will kick off a new storyline, ‘The Flash Age,’ in addition to featuring stories by Marv Wolfman, Geoff Johns and more.
As revealed in their solicitations for February 2020, DC Comics has announced the line-up for next year’s Flash #750, a prestige format issue with contributions by Marv Wolfman, Geoff Johns, Bryan Hitch, Francis Manapul, David Marquez, Riley Rossmo and more, in addition to series writer Joshua Williamson.
“The Flash is one of my favorite DC characters,” said Williamson in the press release, “so it’s an honor to work on The Flash #750 with so many returning Flash legends! It’s a showcase of awesome talent, each telling a story that celebrates what we love about the Flash and the Flash family. And what a perfect place to kick off our next epic storyline ‘The Flash Age!’ 2020 is going to be a big year for The Flash. It all starts in this massive issue.”
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‘Flash” and ‘Swamp Thing’ join the line-up, with new material by Tim Seeley, Gail Simone and more.
DC Comics is adding two more titles to its slate of Walmart-exclusive comics, bringing the number from four to six. And they are renaming two existing ones.
The two new titles are Swamp Thing 100-Page Giant and Flash 100-Page Giant, and like the other titles in the line they will feature new stories packaged with reprints of previous stories. Justice League and Teen Titans, meanwhile, will get new names — the former becomes Wonder Woman, while the latter will shorten its name to Titans — no doubt to match the name of the show that can be found on DC’s streaming service.
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At New York Comic Con, DC Comics has revealed new art for many upcoming projects, including a first look at Robson Rocha’s artwork for ‘Aquaman,’ Gary Frank’s upcoming ‘Doomsday Clock’ covers and more ‘Shazam!’ art from Dale Eaglesham.
With New York Comic Con in full swing, DC Comics has been dropping new artwork from upcoming comics at various panels.
Yesterday the Geoff Johns spotlight panel brought new images from Three Jokers, the writer’s project with Jason Fabok; Shazam! with Dale Eaglesham; and the next couple issues of Doomsday Clock, with Gary Frank.
Today, meanwhile, the DC World’s Finest panel brings new art for the upcoming Kelly Sue DeConnick/Robson Rocha run on Aquaman and the just-announced The Flash: Year One by Josh Williamson and Howard Porter. Check it all out below.
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‘DC Nuclear Winter Special’ features 10 holiday stories set in a post-apocalyptic wasteland.
DC Comics will continue their holiday on-shot tradition, albeit with a somewhat radioactive theme this year — DC Nuclear Winter Special will arrive in comic shops and bomb shelters in November.
Like in previous years, the holiday special will feature various characters from the DC Universe, all in stories featuring a “nuclear winter” theme. The release says it’ll include stories starring Batman, Superman and Flash, while the cover also shows Wonder Woman, Harley Quinn and Kamandi (the latter of which makes perfect sense).
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New designer vinyl figures include Chris Uminga’s Flash, HaiNaNu ‘Nooligan’ Saulque’s Nightwing and Sho Murase’s Batgirl.
DC Collectibles has revealed some new additions to their “DC Artist Alley” line, which debuts in about a month.
“The DC Artists Alley line marks our entry into the designer toy market, and we couldn’t be happier with the fan and retailer reception we’ve received thus far,” stated Jim Fletcher, executive creative director of DC Collectibles. “The first wave has nearly sold out at the retailer level, and the figures haven’t even hit stores yet. We’re doubling down on this excitement by adding three new characters to the 2018 lineup.”
DC Collectibles will offer black and white variant editions of The Flash and Nightwing figures, and a vibrant green holiday variant for Murase’s Batgirl design. These new additions will be released in December. Take a look at them below:
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How much “old” do you need?
That question was more hypothetical back in the spring, before DC’s “Rebirth” initiative started quantifying it. “Rebirth” was as direct a response to the New 52 as the publisher has ever given, even bringing back specific characters from the old days to help the healing process along. “Rebirth” also up-ended the normal relaunch paradigm, which seeks to streamline a character’s presentation so as to keep what works and discard what doesn’t. By contrast, “Rebirth” took the position that the status quo generally needed fixing, and specifically could use a healthy dose of what had come before.
Regardless of its inelegance, though, the New 52’s streamlining had to come from somewhere. The old regime had been in place for at least 25 years, ever since the great cosmic streamlining of Crisis On Infinite Earths. Back then, the question of “how much old” related to what the character could do without. Today, it seems like the question is what the character needs to have put back.
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