Innovative small press publisher Hope Nicholson is making big waves to shake up the Canadian comics industry
Bedside Press, the Winnipeg-based small publisher, made a big announcement in the Hollywood Reporter today introducing a collaborative project to boost books and comics that have strong potential but no current access to the market.
Publisher Hope Nicholson formed Bedside Press in 2014 and spent the last five years navigating the comics publishing world and beyond, using already established publishers, Canadian arts grants and internet crowdfunding sites to help bring her books to print. Bedside Press is responsible for many books coming to print, including Margaret Atwood’s Angel Catbird, The Secret Loves of Geek Girls, and two Eisner Award-nominated anthologies: Enough Space for Everyone Else and Trina Robbins’ A Bunch of Jews (and other stuff) with various artists.
Continue reading “Bedside Press to launch mentorship and publishing programs for new comics creators”
The creator of ‘Polar’ teams with author Alma Katsu for a comic about Cold War spies and vintage cars.
Polar creator Victor Santos has teamed up with author Alma Katsu for an unusual project — a comic for Porsche Panorama, the official publication of the Porsche Club of America.
Called “The Spy Collector,” the comic is “a globe-skirting, Porsche-centric fictional spy tale involving a recently deceased vintage Porsche collector who took to the grave a Cold War-era secret that remains dangerous enough in the present to kill for.”
Continue reading “Victor Santos has drawn a spy comic for Porsche Club of America”
Site editor Matt Bors says he plans to continue The Nib with member support.
First Look Media, which has funded The Nib for the past three years, will drop its support for the political/non-fiction comics site and lay off its staff at the end of July. Editor Matt Bors said he is working with First Look so they can “hand the publication over to me so that I can continue The Nib.”
In addition to the website, Bors also oversees a print edition of The Nib, with the fourth issue scheduled for July. He said a fifth issue is in the works, and he plans to print it independently.
“This will be a major setback but I will be devoting all my time to continuing this publication with contributions from all the editors and cartoonists who have made this publication what it is,” Bors said.
Continue reading “‘The Nib’ loses funding support from First Look Media”
Nicholas Gurewitch’s strip gets a fancy collection in November.
The Perry Bible Fellowship turns 10 this year, and fans of the alt.newspaper-turned-webcomic strip are getting a gift, as Dark Horse puts together an “Almanack” of Nicholas Gurewitch‘s creation.
Continue reading “‘Perry Bible Fellowship’ gets an ‘Almanack’ for its birthday”
In the brand-new ‘Alley Cats’ feature, Suzette Chan spotlights webcomics artist Husein.
Welcome to Alley Cats, a new feature by Suzette Chan that focuses on one of our favorite parts of any convention — Artists Alley. Chan spoke to some of the many talented craftspeople and artists at the the 2019 Calgary Expo in late April. This is one in a series of six.
Husein has been drawing a comic per week for the last five years, and has been doing comic conventions for almost as long. This year, he added a new element to his booth: the craft of drawing people as pop culture icons–badly!
Continue reading “‘High Comedic Value’: A bit of truth in every drawing”
Adam Warren’s long-running satire gets a new volume this September.
Adam Warren‘s long-running series Empowered will return with a new volume from Dark Horse this fall. The company announced that the superhero/cheesecake satire will see its 11th volume arrive in stores Sept. 18.
The manga-influenced series kicked off in 2007 with its first volume, with new volumes following every 1-2 years. Warren began posting the earlier volumes on the web a few years back, and currently you can read up through volume five on the site. Be careful, as it can be addictive; it looks like a softcore cheesecake superhero story, but it goes deeper than that, with a lot of humor and intrigue. I’ve seen it described as a “guilty pleasure” series, and I’d agree after getting hooked reading the first two volumes this past weekend.
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Plus: Bob Clampett Humanitarian Award recipients, Paige Braddock, Frank Santoro, Dr. Gene Luen Yang and more!
Who exactly owns Atlas Comics? That seems to be the question raised in two articles from The Hollywood Reporter. Earlier this month Steven Paul, producer of the Ghost Rider film, announced via a press conference that he had bought the rights to the Atlas Comics and planned to work with Paramount to turn the properties into movies. Not so fast, said Dynamite Entertainment, who followed up by telling THR that they own the name “Atlas Comics.”
Many of you may be wondering “What the heck was Atlas Comics?” while others might be thinking, “Wait, wasn’t Atlas the company that eventually evolved into Marvel Comics in the 1960s?” And still others are wondering, “Didn’t he learn his lesson after Ghost Rider?”
But getting back to Atlas, yes, there was an Atlas Comics in the 1950s that grew out of Timely Comics and eventually became Marvel Comics. It was owned by publisher Martin Goodman, and it put out comics in a variety of genres like horror, crime, espionage and even a few superhero titles featuring characters like Captain America and the Human Torch, who had previously been published under the Timely banner. However, this isn’t that Atlas Comics.
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The creator of ‘O Human Star’ discusses entomophagy, working with food writer Soleil Ho and much more.
Blue Delliquanti is best known for the webcomic O Human Star, which has been running since 2012. Delliquanti has also made shorter comics which have appeared in The Nib, Mine!, Beyond and the just-released Smut Peddler: Sex Machine, but Delliquanti’s new book is something of a departure. Meal was co-written with food writer and journalist Soleil Ho and centers around Yarrow, who moves to Minneapolis to work at a restaurant that serves insects.
The book is an enthusiastic and thoughtful primer for those who are unaccustomed to entomophagy (that’s eating bugs), but it’s more than that. It’s a story about food and our connections to it. It’s about the communities that have eaten and have a relationship to these foods for generations, and what it means for others to “discover” that. It’s a love story that captures some of that feeling from moving to a new place and working at a job that’s much more than a job. The tagline for the book is “Dreams. Love. Entomophagy.” I recently talked about those things and more with Delliquanti, who will be appearing this coming weekend at the Queers and Comics Conference in New York.
Continue reading “Smash Pages Q&A: Blue Delliquanti”
The cartoonist and comics critic discusses his work, the differences in comic strips vs. comic books, and much more.
Darryl Ayo has been making comics for years and remains known today for not just his comics, including the series Little Garden, but for his criticism. He has been published in The Comics Journal, Comixcube, Comics MNT, The Hooded Utilitarian and elsewhere. Little Garden features mythological creatures and humans in a world that is clearly not ours, but the focus of the series is centered around more mundane events and interactions. It also possesses Darryl’s sense of humor and a great sense of design and composition.
Ayo and I have met at shows for years and we’ve interacted on Twitter, but we’ve never before sat down to talk in a formal interview. So we took the opportunity to chat about his work and process.
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