The ‘Horror of Godzilla’ arrives in July

IDW is taking the King of the Monsters back to where it all began.

IDW Publishing will unleash The Horror of Godzilla this summer, a new series set in 1954 Japan that revisits humanity’s first catastrophic encounter with the King of the Monsters.

The less spectacle, more dread monster story comes from co-writers Ethan S. Parker and Griffin Sheridan, who have worked on Marvel Zombies: Red Band and Godzilla: Escape the Deadzone, along with Tristan Jones, the acclaimed artist of Alien: Defiance and other horror titles. They’re diving deep into the terror behind Godzilla’s initial onslaught and the consequences of exposure to the creature’s mysterious “Kai-Sei” energy.

“Godzilla’s been such a huge part of my life as far back as I can remember, and as someone that had Godzilla 1985 on near permanent loan from our local video store, and hounding my local bootlegger every day on the walk home from high school for the original Japanese cut, I’m genuinely hard-pressed to think of anything I’ve been this excited about in my career,” Jones said. “As a storyteller that’s become something of a fixture in the horror genre, it’s a genuine honor and a thrill to work with Griffin and Ethan (and our incredible editor Jake) on a Godzilla story that leans so hard into my favorite visuals and even harder into things I always wished the films would. It’s a huge departure from what I’ve been known for so far and everyone’s given me incredible space to both try new things, and bring visuals to comics I’d never had a proper chance to before.”

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New miniseries expands the world of ‘Lazarus’

Greg Rucka and Michael Lark’s Image series enlists Eric Trautmann, Steve Lieber and more to explore different corners of the ‘Lazarus’ universe.

Greg Rucka and Michael Lark have recruited several writers and artists for a new six-issue miniseries set in the world of their popular Lazarus comic from Image. Lazarus: X+66 will feature six different stories that look into “neglected” corners of the world they’ve been building.

“Part of the joy of writing Lazarus for me is exploring and defining different aspects of the world, and in particular the characters who inhabit it,” Rucka said in a press release. “Following the events of ‘Cull,’ and gearing up for the inevitable trauma that will be ‘Fracture,’ this was the ideal time and place to look into some of the corners of our universe that had been, for one reason or another, neglected, while at the same time buttressing and expanding on the overall ‘main story’ that Michael and I are telling. Every one of these stories is important in the larger narrative, and getting to provide a laser focus on them is simply something that we can’t do in the confines of the pages of the monthly.”

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