Almost 30 stories by the author, drawn by some of EC’s finest artists, will arrive in stores later this month.
EC Comics will also hold a special place in the hearts of comics fans, as they brought together some of the best creators of the time to create comics featuring horror, science fiction, war and other genres — names like Wally Wood, Frank Frazetta, Joe Orlando, John Severin and Al Williamson, among many others. Just in the past week EC Comics was referenced by both Scott Snyder and D.G. Chichester in their respective newsletters.
One name that might not immediately come to mind, though, is Ray Bradbury. The author of Fahrenheit 451, The Halloween Tree, Something Wicked This Way Comes and more was a prolific short story writer, and EC adapted many of those stories into comics — 28 of them, in fact, which are being collected later this month by Fantagraphics.
Home to Stay includes every Bradbury story that EC adapted between 1951 and 1954, including “Home to Stay”— a combination of two Bradbury science fiction stories that Bradbury himself proclaimed topped his originals, combined by scripter Al Feldstein and artist Wally Wood.
Continue reading “Fantagraphics gets spooky in a new collection of Ray Bradbury’s EC Comics stories”
The critically acclaimed cartoonist discusses his two latest projects, ‘Joseph Smith and the Mormons’ and ‘As a Cartoonist.’
Noah Van Sciver has always been a prolific cartoonist. This summer he released two new books, which represent the best work he’s done so far in his career.
Joseph Smith and the Mormons, which is out now from Abrams, is a project Van Sciver has been working on for more than a decade. To say that it’s Van Sciver’s best book, which I believe, is to sell it short, because the book is also the most ambitious project that Van Sciver has attempted. The book looks at the life of Smith and, without captions or word balloons, manages to convey so much information as it charts the early years of the Church of Jesus Christ of Latter-day Saints. It’s an incredible work of cartooning and of history.
His other book is As a Cartoonist, a collection of short comics published by Fantagraphics, which were made in the same period, and share a number of concerns and approaches. Both books are deeply personal in different ways. I’ve talked with Van Sciver a few times over the years, and I was thrilled to be able to talk with him about these two books.
Continue reading “Smash Pages Q&A | Noah Van Sciver”
Gilbert and Jaime Hernandez will attend Comic-Con International this week to celebrate the anniversary.
Fantagraphics has announced their plans for the 40th anniversary of Love and Rockets by Gilbert and Jaime Hernandez. Those plans include a slipcase edition of the first 50 issues of the groundbreaking title.
The Brothers Hernandez self-published the first issue of Love and Rockets back in 1981, which was re-published by Fantagraphics in 1982 with a color cover. The series would continue through 1996 and issue #50, the final issue of the first volume. Since then, the series has returned for three additional volumes, as well as countless spinoff series featuring the characters from L&R.
“When I read Gilbert and Jaime’s stories in Love and Rockets for the first time their work looked to me, miraculously, like the artistic future of comics — and so it was,” said Fantagraphics publisher Gary Groth. “It has certainly been a high point of my career (and my life) to have known and published these brilliant cartoonists over the last 40 years, and I look forward to publishing them another 40. Well, OK. Maybe 30.”
Continue reading “Fantagraphics will celebrate 40 years of ‘Love & Rockets’ with a slipcase edition and more”
Fantagraphics will distribute both previous and new projects from Sunday Press.
Fantagraphics has announced that they’ve entered in a partnership with Sunday Press, the publisher of collections of classic comic strips like Little Nemo in Slumberland, Walt & Skeezix, Little Joe and more.
Fantagraphics will distribute Sunday Press’s previous publications beginning in July 2022, and in 2023 will start publishing new books under the Sunday Press imprint. Sunday Press previously had a similar agreement with IDW.
“It’s just a perfect fit for a small publisher like myself,” said Sunday Press founder and editor Peter Maresca in a statement. “I’ve always been a great admirer of the editorial decisions and quality production from Fantagraphics and I’m very happy for this chance to become a part of their family.”
Continue reading “Fantagraphics, Sunday Press enter into a publishing agreement”
Lai and Fantagraphics add another award to a growing list.
Stone Fruit, Lee Lai’s graphic novel about a queer couple and their relationships with their families, has added another award to its growing collection. Penn State University Libraries has awarded it the Lyn Ward Graphic Novel Prize for 2022. The graphic novel was published by Fantagraphics in May of 2021.
The award comes with a $2,500 prize, and the winner is chosen by a jury. In their write-up, the jury said, “Lee Lai’s ‘Stone Fruit’ is one of those rare graphic novels where everything — story, text, images, style — comes together in full complement to create a memorable, moving experience for readers.”
Continue reading “‘Stone Fruit’ by Lee Lai wins the 2022 Lynd Ward prize”
The graphic novel about a family on Maui dealing with grief was published by Fantagraphics last fall.
The Los Angeles Times has awarded R. Kikuo Johnson’s No One Else its annual Book Prize for 2022 in the Graphic Novel/Comics category.
“I once believed that awards were given mostly on merit, but obviously luck and other factors have just as much to do with it, and that makes me even more grateful that the dice rolled my way this time,” Johnson said on Instagram. “The five other finalists made beautiful books that make me proud to be a cartoonist and so thankful to the generation of artists before us who built the doorways that we get to walk through.”
Continue reading “R. Kikuo Johnson’s ‘No One Else’ wins the 2022 L.A Times Book Prize”
Fantagraphics, Ed Piskor and Jim Rugg decide not to release a cover that parodies Art Spiegelman’s cover to ‘Maus.’
A variant cover for the third issue of Ed Piskor’s “splatterpunk” comic series Red Room: Trigger Warning has been cancelled by its publisher, Fantagraphics, and the creators involved.
The cover, for Red Room: Trigger Warnings #3, was one of several covers that debuted in a post at The Beat yesterday — which they’ve since removed. It parodied Art Spiegelman’s Maus, the multiple award-winning autobiographical comic about his father’s experiences as a Polish Jew and Holocaust survivor. It’s not the kind of comic that would be a good idea to parody on a splatterpunk gore comic, given the subject matter or the recent controversy in Tennessee.
The backlash on Twitter was swift, with a tweet from artist Ramon Villalobos garnering several responses from other comics creators. His tweet also includes an image of the cover in question.
Continue reading “Controversial ‘Red Room’ variant cover won’t be published”
The new graphic novel arrives in March of 2022.
Jordan Crane, creator of NON, The Last Lonely Saturday, We Are All Me and The Clouds Above, will return with a new graphic novel next year. Fantagraphics will publish Keeping Two in March.
“I could not be more proud to publish Keeping Two,” said Fantagraphics VP/Associate Publisher Eric Reynolds. “It’s a works of comics by a master cartoonist at the very peak of his form. But it’s also a profoundly affecting story that I think strives to bring people closer by reminding us of our shared experience as human beings, at a time when we could really use it.”
Continue reading “Fantagraphics announces ‘Keeping Two’ by Jordan Crane”
‘The Fabulous Furry Freak Brothers Follies’ will encompass four volumes of comics featuring the underground comix legends.
Fantagraphics has announced plans to collect underground comic The Fabulous Furry Freak Brothers into four volumes, starting with The Idiots Abroad and Other Follies in January.
In the main story, the three titular brothers — Freewheelin’ Franklin, Phineas and Fat Freddy — head to Columbia to buy drugs, but end up separated and scattered around the world. The first volume will also feature 70 pages of Freak Brothers short stories.
Continue reading “Fantagraphics will collect ‘The Fabulous Furry Freak Brothers’ into four volumes”
The creator of ‘Joe Frank: Ascent’ discusses adapting the radio dramas of the legendary radio producer.
Jason Novak is a cartoonist and writer perhaps best known for his collaboration with the poet Ron Padgett, How To Be Perfect: An Illustrated Guide and his books Et Tu, Brute?: The Deaths of the Roman Emperors and Baseball Epic: Famous and Forgotten Lives of the Dead Ball Era. He’s contributed to The Rumpus, The Paris Review, The Morning News, and many other publications. His new book, an adaptation of some of the radio stories of Joe Frank, is Joe Frank: Ascent.
Joe Frank is a legendary radio producer who influenced generations of producers including Ira Glass (This American Life), Jad Abumrad (Radiolab) and Jonathan Goldstein (Wiretap, Heavyweight). Frank wrote plays and a book, and he was loved by many in Hollywood, but radio was always his first love.
In the pages of Joe Frank: Ascent, Novak manages to adapt Frank’s work in really striking ways. Using the rhythms and designs of the page in ways similar to how Frank used music and the way he spoke. It’s a strange experience to see some of the pieces I know almost by heart adapted into a new medium, but Novak captured Frank’s voice in a way that’s stunning to behold. Novak was kind enough to answer a few questions about the project.
Continue reading “Smash Pages Q&A: Jason Novak”
The comic series will be 12 issues of ‘subversive, stand alone stories that are all part of a larger, twisted narrative.’
Hip Hop Family Tree creator Ed Piskor will debut his first creator-owned, shared universe in a new comic, Red Room, which debuts in May from Fantagraphics.
“Red Room is a cyberpunk, outlaw, splatterpunk comic that you can’t unsee once you feast your eyes on the mayhem,” said Piskor in a press release. “Think of Red Room as modern day E.C. Comics, infused with the dream of Black Mirror. These are subversive, stand alone stories that are all part of a larger, twisted narrative.”
Piskor has been sharing pages from the new project on his Patreon, where he describes it as an “epic in the funnybook tradition of Faust, The Crow and other comics that make parents nervous.“
Continue reading “Fantagraphics to publish Ed Piskor’s ‘Red Room’”
See what the Seattle publisher will release in the first eight months of 2021.
I keep saying things like, “Man, am I going to be happy when the dumpster fire known as 2020 is finally over,” to which my wife will respond, “Hey, 2021 may not be any better.”
But here’s the thing: what my wife doesn’t realize is that 2021 has the distinct advantage of having a new Barry Windsor-Smith graphic novel coming out, courtesy of Fantagraphics. So take that, 2020.
Windsor-Smith’s Monster isn’t the only graphic novel the publisher will release, of course. They recently dropped us a note highlighting 16 other titles they have planned through August, along with their full winter and summer catalogs.
Here’s a rundown of some of the highlights you can expect from the Seattle publisher next year:
Continue reading “Fantagraphics’ 2021 line-up includes Windsor-Smith, Panter, Sala and more”