‘It’s a weird sci-fi biopunk adventure about colonization, autonomy, the pain of desire and the wonder, power and horror of expression.’
Comics readers might know Sloane Leong as the artist of From Under Mountains. She’s also drawn fill-in stories for a number of comics, including Prophet, Glory and Bravest Warriors, and has contributed to gallery shows, but starting this week, she will be known for Prism Stalker.
The ongoing series launches next week from Image Comics, and the first issue is simply stunning. It manages to convey a lot of information about this world, much of it through suggestion. Her pages quite frankly do not look like most comics pages but are instead complex works of design that echo the musicality within the story and defining the pacing. The story itself, which is about language and culture, memory and what is passed down, could not be more relevant today. Like the very best science fiction, the issue manages to depict something strange and truly alien, while drawing parallels to the present, the past and our own experiences.
For many, writing, drawing and coloring a monthly series is more than enough, but Leong is also finishing a graphic novel, A Map to the Sun, for First Second Books, and writing a regular review column for The Comics Journal. Happily, she somehow found the time to talk with me.
Leong will be at Emerald City Comic Con this weekend at Table #208 where she’ll have advance copies of the first issue for sale. It will be available in stores on March 7.
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New projects announced from Matthew Rosenberg and Tyler Boss, Rob Guillory, J.H. Williams and Haden Blackman, Sam Humphries and Jen Bartel, Annie Wu and more.
As they’ve done in previous years, Image Comics dropped a metric ton of announcements at their Image Expo event, held today in Portland, Oregon.
The line-up of announcements this year includes five new titles from Todd McFarlane’s camp, new titles from Chew creators John Layman and Rob Guillory, two comics from Christoper Sebela, the fact that they’ll publish the Netflix/Millarworld titles starting with The Magic Order and much more. No doubt there are interviews aplenty dropping around the internet on all these new projects, so I’ll start with the text of the press release, then add art and commentary as I find it.
So let’s get to it …
Blackbird by Sam Humphries & Jen Bartel
Sam Humphries and Jen Bartel team up to co-create Blackbird, a modern fantasy story best described as Harry Potter meets Riverdale. It follows a young woman named Nina who discovers a neon-lit world of magic masters in Los Angeles. Now they’ve kidnapped her sister, and Nina is the only one who can save her.
“Blackbird is a labor of love, a coming of age story and beautiful people doing insane things with magic,” said Humphries.
Continue reading “Image reveals many, many new titles at Image Expo”
The comics creator and designer discusses her work with Alex de Campi on the Image Comics anthology, how she came into comics and more.
Alejandra Gutiérrez has been posting comics and illustrations online for a while now on Twitter and Instagram in addition to her published art and covers. She’s shown a sense of design and fashion, a willingness to play with layout. Some of that may come from her background in design, but she’s clearly interested in multimedia, in playing with how people read the page and finding ways to tweak that.
Gutiérrez may wear her influences on her sleeve, but she’s also moved past simply imitating them and is clearly coming into her own. She’s drawing “Twinkle and Star” in Twisted Romance #2 written by Alex de Campi and so I asked her about how she came to comics and why she signed on to draw romance.
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The creator of ‘My Pretty Vampire’ and ‘Nurse Nurse’ discusses the story she drew for Alex de Campi’s romance anthology, the romance genre, what it’s like working with another comics writer and more.
2017 saw the publication of My Pretty Vampire, which may be Katie Skelly‘s most acclaimed book to date. The writer-artist best known for books like Night Nurse and Operation Margarine has always worked on her own projects, so it was a surprise to some of us when it was announced that she would be collaborating with writer Alex de Campi on Twisted Romance, the new anthology series out this month from Image Comics.
Their story “Old Flames” opens the first issue of the series, which is out this week and I asked Skelly a few questions about the project, genre and how it fits in with her body of work.
Continue reading “Smash Pages Q&A: Katie Skelly brings ‘grotesquerie’ and spectacle to ‘Twisted Romance’”
The versatile writer discusses the weekly anthology series, which breaks hearts this month from Image Comics.
Alex de Campi has established a reputation as a versatile writer who seems to move effortless from one genre and one approach to another. Her work has ranged from Smoke and its sequel Ashes to the mobile comic Valentine, from Grindhouse to My Little Pony, and Archie vs. Predator, which is hard to classify for a number of reasons. More recently she’s written books including Mayday, No Mercy, Bankshot, Semiautomagic and Astonisher for a number of companies and worked with a broad range of artists working in a broad range of styles.
To continue her habit of working with many artists in many styles, de Campi’s new big project tackles one genre she hasn’t written – romance. Twisted Romance is a four-issue weekly series coming out this month from Image Comics. Each issue is self-contained with two comics stories and a prose story. I reached out to Alex to find out more about the project.
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Joe Henderson and Lee Garbett team up for a new series about a world without gravity, which is set to launch this April.
Gravity is one of those things you take for granted — until it’s gone. In the new Image Comics series Skyward, writer Joe Henderson (showrunner of Fox’s TV adaptation of Lucifer) and artist Lee Garbett (Lucifer, Loki: Agent of Asgard) tell the story of an Earth where gravity is only a fraction of what we experience, and a young girl who stumbles onto a plot to bring it back.
“Skyward is my all of my favorite things mashed together,” said Henderson. “It’s a coming-of-age story filled with action and humor, devastation and hope. It explores a world turned upside down, where anyone can leap tall buildings with a single bound — but if you jump too high, you die. And getting to see Lee Garbett bring it to glorious life is a dream come true.”
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An unpublished Prisoner comic by Jack Kirby, Gil Kane and Steve Englehart accompanies a new comic series by Peter Milligan and Colin Lorimer.
Titan Comics announced last fall plans to publish a new comic based on the cult classic TV show The Prisoner, and now they’ve revealed more details about what they have planned for Number 6 next July.
First up is printing a “lost” Prisoner comic by Steve Englehart, Jack Kirby and Gil Kane. This special oversized collectors edition will contain the entire 17-page Kirby strip, the first six pages of which were inked and lettered by Mike Royer, as well as 18 pages of pencils drawn by legendary comic artist Kane. The comic was originally intended to be published by Marvel back in the 1970s; read more about it here.
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Milestone issue will include new stories by Brian Michael Bendis, Jim Lee, Curt Swan, Marv Wolfman, Paul Dini, Brad Meltzer, John Cassaday, Scott Snyder and more.
The world returns to sanity again in April with the landmark Action Comics #1000, which features a slew of creators telling tales about Superman and, more importantly, the return of his famous red trunks.
Debuting in Action Comics #1 way back in 1938, the red trunks helped Clark Kent’s alter-ego fight for truth, justice and the American way for almost a century — that is, until the launch of the New 52 in 2010. Dc co-publisher Jim Lee redesigned many DC characters at the time, including Superman — and the new, super-hip redesign had no room for outside undies or his classic red boots. The move was controversial, just like any change to the status quo in superhero comics, and eventually spawned petitions from fans to return to the classic look. Now it looks like those voices have finally been heard by DC.
“Action Comics #1000 represents a watershed moment in the history of not just comic books, but entertainment, literature and pop culture,” said Lee. “There’s no better way to celebrate Superman’s enduring popularity than to give him a look that combines some new accents with the most iconic feature of his classic design.”
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The comics artist, author, playwright and designer discusses ‘Minky Woodcock: The Girl who Handcuffed Houdini,’ her latest comic series from Hard Case Comics.
Over the course of her career, Cynthia von Buhler has been a comics artist, illustrator, children’s book author, playwright and designer. Von Buhler has shown an affinity for and fascination with the early 20th Century, exploring the period and many real life stories in her various projects over the years. Minky Woodcock: The Girl Who Handcuffed Houdini is a new comic series out from Hard Case Comics that she’s writing and drawing. In it, von Buhler introduces a fictional young woman who works for her detective father, still haunted by the death of her mother. She winds up working as Harry Houdini’s assistant. Houdini’s wife wants to keep an eye on him and have an assistant that she can trust. Spiritualists loathe Houdini and how he’s been debunking them. Could there be more to Houdini’s unusual death?
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