Day: January 27, 2026

Picture + Panel | Robert Mgrdich Apelian + Shaina Lu talk about the intersection of food, family and comics

Check out our interview in advance of a live question-and-answer session between the two creators in Boston next week.

Today we continue our interview series with creators speaking at the monthly Picture + Panel event in Boston, which brings together two comic creators to talk about a specific topic. Robert Mgrdich Apelian and Shaina Lu, whose graphic novels explore “the intersections of culture, community and comestibles,” talk to us about food and comics. You can find more details on the Feb. 2 event here.

Picture + Panel is a monthly conversation series produced in partnership by the Boston Comic Arts Foundation, Porter Square Books and the Boston Figurative Arts Center, Picture + Panel provides thought-provoking discussions for the unique form of expression that is the comics medium.

Robert Mgrdich Apelian (he/him) is an Armenian American author-illustrator based in Everett, Massachusetts. He’s an avid reader of seinen manga and is especially passionate about making the most of comics as a storytelling medium. A primary goal of his work is to celebrate the diversity and cultural excellence of the Middle East and to portray it as something other than tragic and war-torn.​

Shaina Lu (she/her) is a queer Taiwanese American community artist exploring the intersection of art, education, and activism. She graduated from Wellesley College and Harvard Graduate School of Education, where she studied arts in education. When she’s not creating community art, she works with young artists and makers in Boston’s Chinatown. Most important, she drinks juice every day, and she is full of sugar.

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Hourly Comic Day gets a new organizer, moves to Feb. 8

The annual event that encourages artists to draw a comic every hour celebrates its 20th anniversary.

Hourly Comics Day, the annual challenge where creators commit to making and posting a comic every hour for an entire day, has a new organizer and a new date, beginning this year.

The Cartoonist Cooperative has taken over the event and its website, following its lapse by the event’s founder, Simone Veil. Veil founded the event in 2006, making this year the event’s 20th anniversary.

Traditionally the day has been held on Feb. 1, but the Coop has decided to move it to Feb. 8 to avoid conflicts with the start of the U.S.’s Black History Month, which marks its 100th anniversary in the United States this year.

“In prior years, Black cartoonists have noted that when social media and blogs are saturated with posts from non-Black cartoonists focusing on their daily lives, it can make the first day of this important month feel like an afterthought,” the announcement on the site read. “As Feb 1st was an arbitrarily chosen date, there is no reason it cannot be changed, particularly given the anniversary.”

It’s a fun day to follow on social media, so be sure to check your favorite platform on Feb. 8 using the hashtag #HourlyComicsDay. You can see some of my favorites from 2025 here. For more information, visit the event’s website.

Rest in peace, Sal Buscema

The Marvel legend passed away this month at the age of 89.

Sal Buscema, a classic Marvel artist whose work spanned decades for the publisher, passed away Jan. 23 at the age of 89, just a few days shy of his 90th birthday.

Buscema pencilled and inked a number of comics for Marvel throughout the years, including Avengers, Fantastic Four, Thor, Marvel Team-Up, Sub-Mariner, Daredevil, Nova, Eternals, Marvel Two-In-One, New Mutants, Iron Man, Ghost Rider, Ms. Marvel, Howard The Duck, Master Of Kung Fu, and three major Spider-Man series — Amazing, Web of and Peter Parker, Spectacular Spider-Man. He pencilled key runs on Captain America, ROM: Spaceknight and The Defenders, and a 10-year run on Incredible Hulk.

His death was reported by artist Sterling Clark on Facebook, who worked with Buscema on a project. “When I think back on my childhood and all of the comic books that I read, Sal’s name seems to have appeared in just about all of them,” Clark said. “I didn’t just read the books that he illustrated, I studied them. Every nuance in his pencils and his inks I saw and tried to mimic. He was definitely one of the greats during those years at Marvel, when handling more than three titles a month was not just a requirement but a necessity.”

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