Plus: Jerusalem cartoonist fired over drawing of Prime Minister Benjamin Nettanyahu, comics at Walmart, Thi Bui and more!
Passings: Eisner Hall of Fame artist Russ Heath passed away last week after battling cancer, his grandson, Lee Kosa, reported on Twitter. “His mastery of the craft of illustration encouraged me to pursue the arts and it is a joy to see my son now filling his own sketchbooks. Thank you for passing along the joys of drawing and storytelling,” Kosa wrote.
In the late 1940s, Heath began his career at Timely Comics, which eventually became Marvel Comics. While there, he drew many of their Western titles like Two-Gun Kid and Kid Colt. Later his work expanded to include their superhero titles, as well as war comics for EC Comics and DC Comics, where he co-created The Haunted Tank and worked on Sea Devils, G.I. Combat and Our Army at War, among other titles. He also worked on the “Little Annie Fanny” strip that appeared in Playboy, even moving into the Playboy Mansion in Chicago for a time while working on it. Later he’d move into animation, where he worked on G.I. Joe, Godzilla and “Pryde of the X-Men.” Heath was inducted into the Will Eisner Hall of Fame in 2009 and received the National Cartoonists Society’s Milton Caniff Award in 2014. He was 91 when he died.
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Parents fight to remove Alison Bechdel’s ‘Fun Home’ from school curriculum, Hope Larson’s ‘All Summer Long’ and more!
Legal: The high court in Madras, India, has ruled that political cartoonists are entitled to freedom of expression, stating that since it is their job to sway public opinion, often by making fun of public figures, they should not be vulnerable to lawsuits:
Upholding cartoonists’ unbridled freedom of expression, Justice Swaminathan stated that the “art of the cartoonist is often not reasoned or even-handed, but slashing and one-sided.”
He went on to quote extensively from US Supreme Court Justice William Rhenquist’s celebrated judgement in Hustler Magazine Inc v Falwell (1988): “The political cartoon is a weapon of attack, of scorn, ridicule and satire; it is least effective when it tries to pat some politician on the back. It is usually welcome as a bee sting, and it is always controversial in some quarters.”
The judge and several other commentators made numerous references to American cartoons, including the New Yorker cover depicting Donald Trump naked.
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Censorship: The Chinese government has banned rage comics (Baozou Manhua, or Baoman) channels from a number of online platforms, claiming violations of the recently enacted Law on the Protection of Heroes and Martyrs. In addition to the censorship, the article discusses how rage comics migrated from 4Chan to Chinese youth culture and why this is important: They are now a big-money business.
Besides the shutdown of the various social media channels, the closure of the baozoumanhua.com media empire is a huge blow to its fans and creators. The website’s founder Wang Nima’s net worth is estimated to be around 4 billion yuan (±US$628 million), according to Daily Economic News (每日经济新闻).
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Plus: Police investigate Mangamura, the world’s largest comics collection and more.
Passings: The Belgian artist William Vance, creator of the French-language series XIII, has died at the age of 82 from Parkinson’s disease. Born William van Cutsem in Belgium in 1935, Vance served a year in the military and then studied for four years at the Académie Royale des Beaux-Arts in Brussels. He began working for Tintin magazine (not the eponymous series, as stated in one obituary) in 1962, drawing four-page stories, and then launched the his first series, Howard Flynn (written by Yves Duval). He also was the artist for Bruno Brazil, and then he took over as the artist of Bob Morane, a series that had been started by Dino Attanasio. In 1984, he and Jean van Hamme launched XIII, a complex series partially inspired by Robert Ludlum’s Bourne character. Vance illustrated 18 volumes of XIII, which sold over 14 million volumes and was adapted into a television series. In 2010 he announced his retirement due to Parkinson’s disease.
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Black comics festivals, indy publishers, and the history of women in comics.
Festivals: West Coast: It’s Martin Luther King Day, and this past weekend brought festivals celebrating black comics to both sides of the country. In San Francisco, Nanette Asimov writes about the Black Comix Arts Festival, which runs through today, and interviews creators Tony Medina and John Jennings as well as an attendee.
Festivals: East Coast: At the New York Times, George Gene Gustines turns his focus to the Black Comics Festival, which took place this past weekend at the Schomburg Center for Research in Black Culture in New York City, and he interviews David Heredia, the creator of the animated video series Heroes of Color and a guest at the festival.
Continue reading “Comics Lowdown: The Diversity issue”
Charlie Hebdo survived the 2015 attack, but at a steep cost. Also: Phoenix Comic Con changes its name, museum exhibit focuses on photo comics, and retailers reflect on a difficult 2017.
The Long Con: The convention formerly known as Phoenix Comicon has changed its name and will henceforth be known as Phoenix Comic Fest. The reason? “In recent months, the use of the word Comic-Con, and its many forms, has become litigious,” says the official press release. “We would prefer to focus on creating the best events and experiences for our attendees.” This is undoubtedly a reaction to the court decision late last month that stated that Comic-Con International, the organization that runs Comic Con in San Diego, owns the trademark for the term “comic con.”
Continue reading “Comics Lowdown: Charlie Hebdo, 3 years later”
Plus: The Cartoon Art Museum gets a new home, the Guinness Book of World Records recognizes the largest X-Men collection, and much more!
The manga world was rocked on Tuesday when Rurouni Kenshin creator Nobuhiro Watsuki was charged with possession of child pornography. Police didn’t target the 47-year-old manga-ka; they were investigating someone else when he turned up as a possible purchaser of child porn, and indeed he has been charged with possessions of “numerous” DVDs containing footage of nude girls in their early teens. In a deposition, Watsuki, stated that he “liked girls in late elementary school to around the second year of middle school.”
The penalty for possession of child pornography in Japan is up to a year in prison and a fine of up to 1 million yen, if convicted, but for Watsuki the consequences are already grave: His publisher, Shueisha, said it is taking the news very seriously and it has suspended his current series, Rurouni Kenshin: Hokkaido Arc, which he is co-creating with his wife, Kaoru Kurosaki; it has not decided yet what to do about the volumes that are already in print. Rurouni Kenshin started in 1994 and has over 60 million volumes in print; Viz has the U.S. license and has been re-releasing the original series in omnibus format, and is publishing the Hokkaido Arc simultaneously with the Japanese release.
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Reflections on the industry after the firing of Eddie Berganza, plus trouble ahead for Wizard World and new manga licenses from Anime NYC.
Sexual Harassment in Comics: Buzzfeed’s exposé of DC editor Eddie Berganza’s history of sexual harassment, followed by DC’s swift action in firing him (seven years after his actions were first brought to the attention of their HR department) has brought on a round of commentary in comics circles, where this story was well known and discussed for years. Strongly recommended: Caitlin Rosberg takes the broad view with a look at the structural of the comics industry and how the current power shields harassers and makes creators vulnerable. She goes beyond gossip to address the real issues. And if you’re still not clear on what we’re talking about here, BookRiot’s Jessica Plummer takes a look at the January DC, Marvel, and Image solicitations and names the harassers—with links.
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Plus: Top graphic novels, comics retail chat and two new manga from Jiro Taniguchi!
The 9th U.S. District Court of Appeals ruled on Monday that a gag order imposed by a judge in the trademark lawsuit between Comic-Con International and Salt Lake Comic Con is unconstitutional. The case stretches back to 2014, when Comic-Con International, which produces the San Diego comic con, sued the organizers of Salt Lake Comic Con over the use of the term “comic con,” which CCI claims it owns. The Salt Lake organization countersued, claiming the term is widely used by other conventions and is a generic term. The trial is scheduled to begin on Nov. 28, and because they were concerned that Salt Lake’s postings about the issue on social media would taint the jury pool, CCI asked that they be restrained from commenting publicly about the case. U.S. District Court Judge Anthony Battaglia placed a strict limit on what Salt Lake could post about the case, and limited that even further after CCI claimed that Salt Lake violated the ban. However, the appeals court overturned that order on Monday, saying,
San Diego Comic-Con has presented no evidence as to how many, if any, of the approximately 35,200 Twitter followers are registered voters in San Diego and Imperial counties and how many, if any, of the 120,000 attendees of the 2014 Salt Lake Comic Con in Utah are even possibly members of the current San Diego-area jury pool.
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