SmashPages Q&A: Tim O’Shea on Interviewing Comics Creators

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I first got to know Tim O’Shea in 2008, when he interviewed me about a new blog I had started, Good Comics for Kids. Later on, when I joined the Robot 6 team, he welcomed me warmly and was always quick with a kind word.

Tim blogs here at SmashPages now, but you can find his older comics interviews, as well as his music and other pop-culture writing, at his blog Talking with Tim. When he was diagnosed with brain cancer earlier this year, he asked me if I would be interested in interviewing him, and we spent a lot of time on the phone talking about comics and other matters, including his struggle with depression. This Q&A is edited from those transcripts.

I came to know you as a comics blogger. When did you start reading comics?

The first comic I read was in 1975. It was a Fred Flintstone comic. It was a piece of shit. I hated that I read it and I didn’t read another till 1977. I have read comics ever since on a daily basis.

When did you start writing about comics, and what made you make that transition?

Jennifer M. Contino [the writer for the early comics site The Pulse] had no time to interview Geoff Johns about Stars and Stripes so she said “Could you?” I had never done it, but she said “Give it a try!” David LeBlanc of CBEM [Comic Book Electronic Magazine, a now-defunct website] ran it.

When I realized I was good at writing I started doing it.

Did you ever aspire to make your own comics?

No, because I enjoy comics and I enjoy helping people succeed in comics and I enjoy reading comics. I don’t aspire to do my own comic book, I aspire to help promote people and for people to succeed. All I want is for Jeff Parker to write two titles that can make sure he pays his bills and has time to spend time with his family. I want every single person who wants to be active in comics to be active in comics. I don’t want to be the guy who Tom DeFalco can’t get a job because I am competing with him.

You are particularly known for your interviews. How do you approach an interview? How do you prepare for it? Is there a particular balance of questions you are looking for?

I always go back to past interviews I have done, and I look at Tweets where they have talked about aspects of things. I prepare by doing 10 questions. I say “Once I get you the questions, ignore or revise them to satisfy your needs, because if I am asking you about shit that doesn’t matter to you you are going to talk shit and we are both going to be pissed off.”

The way I do an interview that is balanced is I engage the person in a way that gets them to consider something they hadn’t been thinking of before I told them that. I had an interview with Scott Allie about a Dark Horse issue where Kevin Nowlan was drawing 20 different Murder She Wrote-type characters in this book because that was amusing the hell out of Scott, the writer. All of a sudden I said, “Take out Jerry Orbach, who were the best guest stars on Murder She Wrote?” And Scott said “Well, fuck! Thanks for taking out Jerry. Now we can talk about the others.” The number of people in Murder She Wrote who got blacklisted and couldn’t work for years was astounding.

The way I do an interview that is balanced is I engage the person in a way that gets them to consider something they hadn’t been thinking of before I told them that.

What’s the hardest part?

I didn’t do phone interviews until the past year because my depression made it that I thought I was always going to get facts wrong. When I first started doing email interviews, so many people wouldn’t do them. Then there were a lot of years when nobody wanted to do a phone interview. I have gone through waves of never being able to interview anybody, then everybody wanting to interview me, and now I have a balance. If I can figure out a way to auto-transcribe stuff I will probably go to phone interviews by 2016.

The hardest part is people who will not do an interview with me. Gail Simone. [Tom] Spurgeon has been reluctant to be interviewed by me. Kurt Busiek I would interview every week if I could, but he will interview with me once every blue moon.

Is there an interview, or maybe more than one, that you are particularly proud of?

There are numerous ones, but for now the one that will stand out is the one with Joshua Cotter several years ago where he point blank discussed in detail his depression, because of the number of people that recognize themselves in Josh and because of the number of people that reached out to him. The fact that he took that risk, he changed people’s lives—how can you not be proud of that interview?

Smash Pages Q&A: Paul Jenkins on AfterShock Comics’ ‘Replica’

replicaToday truly marks the beginning of the AfterShock Comics era as comics hit the shelves. Included in this collection is Paul Jenkins and Andy Clarke’s Replica. “Meet Trevor Carter, an Earth-born peacekeeping agent on the intergalactic hub known as The Transfer. When Trevor’s already near impossible assignment becomes a bit too much for the errant detective, he turns to the only logical ap-proach, Replication. More of a good thing can’t hurt, right? A single clone could be helpful; unfortunately the replication process doesn’t go as planned!”

Tim O’Shea: From the initial planning of the series did you always intend to have an element of comedy to it?

Paul Jenkins: Yes. I love dark humor/black comedies. I think there is an autobiographical element to everything a creator makes, and I realized in hindsight this series reflected my crazy workload these days. I wish I could  clone myself sometimes, and I know without a doubt I would hate my clone. The idea that a guy has to interact with aliens species in order to police a giant spaceship is rife with comedic possibilities, and it’s something I had wanted to build out for a long time. In fact, you can see elements of the “Buddy Cop” humor concept in the series I recently did with Boom, Fiction Squad. I love the  idea of a detective paired with someone that he cannot possibly stand – in this case, our main character’s partner is a rather dimwitted alien called Vorgas. 

In terms of the creator-owned aspect what drew you in yourself to new outfit like Aftershock vs some veteran group.

I have known Joe Pruett for many years, and in fact Joe and I had been talking about his new company long before its existence was announced. I really feel supported by everyone at Aftershock, and having been through a number of startup comic companies, i know the real key is to deliver quality books on time for a long time. Adding Mike Marts has really solidified the editorial team – he brings a wealth of contacts and experience. My own experiences here are already amazing, and since I know I am already through issue #6, i know that the series is here for the long haul, and will arrive on time every month. These are the types of details that bode well for the company’s longevity, and the lineup of creators and titles just keeps getting better and better.

clarkeFrom an artistic standpoint what made Andy Clarke a good fit on the series?

Andy is perfect. For one thing, I am guessing his experiences with 2000AD probably helped a lot. He really gets the nuances of the humor, mostly. Andy is fully engaged in terms of the creative, and so I feel like it’s Christmas every time he hands in a page. He’s a great collaborator – perfect choice for this series.

What makes Trevor (Churchill) tick and how hard was it for you to realize the core of the character’s appeal 

As I said above, this series is autobiographical in that I am so overmatched sometimes at my film studio job (plus I work with aliens). Unlike me, he’s a lovable loser. Trevor is constantly on the verge of having the entire thing just go sideways and explode, and he deals with it using humor and tenacity. Trevor keeps trying and trying, no matter what life throws at him (and usually, life throws a lot of stuff that does not smell pleasant). He’s a simple kind of guy who believes in generally being a good guy, though he is willing to bend the rules for a good cause.)

Rather than being an unlimited series it is an ongoing liberating is that for you?

Absolutely, yes. First of all, I love doing this book. Secondly, we are allowed to develop the character instead of just throwing him out there for a little bit and moving onto something else.. I haven’t been on an ongoing in years – I miss it.

As an Atlanta native my ears perked up when I learned you were gonna be teaching at the growing campus that is Kennesaw. While educating your students do you also see it as a chance to improve your creative process as well?

I think that anyone who teaches will only do it properly if they are also willing to learn. I am a sponge for knowledge – I particularly love to do research. So yes, I am learning all the time from my students.

What should we discuss that I neglected to ask about?

Why do bad things happen to good people? (A: because they deserve it).