Smash Pages Q&A: Audrey Mok on ‘Archie’ and more

The ‘Heroine Chic’ artist discusses her work on ‘Josie and the Pussycats,’ the latest issue of ‘Archie,’ how she works and more.

Audrey Mok made a big impression when Josie and the Pussycats #1 came out in late 2016. Some of us knew her for her work on the comic Heroine Chic, but her work on Josie managed to straddle the original work of Dan DeCarlo and put her own spin on the characters and their designs. She found a way to visually balance the madcap humor with honest emotion, and find interesting ways to draw both battle scenes and concert scenes with equal ease.

Since Josie wrapped, Mok has been drawing Archie beginning with issue #23. Issue #31 of the series is out this week, and I asked Mok a few questions about her career and how she works.

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Comics Lowdown: Cartoonists entitled to freedom of expression in India

Parents fight to remove Alison Bechdel’s ‘Fun Home’ from school curriculum, Hope Larson’s ‘All Summer Long’ and more!

Legal: The high court in Madras, India, has ruled that political cartoonists are entitled to freedom of expression, stating that since it is their job to sway public opinion, often by making fun of public figures, they should not be vulnerable to lawsuits:

Upholding cartoonists’ unbridled freedom of expression, Justice Swaminathan stated that the “art of the cartoonist is often not reasoned or even-handed, but slashing and one-sided.”

He went on to quote extensively from US Supreme Court Justice William Rhenquist’s celebrated judgement in Hustler Magazine Inc v Falwell (1988): “The political cartoon is a weapon of attack, of scorn, ridicule and satire; it is least effective when it tries to pat some politician on the back. It is usually welcome as a bee sting, and it is always controversial in some quarters.”

The judge and several other commentators made numerous references to American cartoons, including the New Yorker cover depicting Donald Trump naked.

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