The cartoonist and teacher discusses his latest graphic novel, which combines his love of ‘Goonies,’ ‘Jaws’ and more.
In the new graphic novel Shark Summer, three friends on Martha’s Vineyard, inspired by a film about a shark being filmed on the island, spend their summer trying to make a film and solve a local mystery. It’s a familiar story, but the middle grade adventure is a fun and dangerous kinetic adventure of three kids coming together for an unforgettable summer that will shape each of them in different ways.
Ira Marcks has been working as a cartoonist, illustrator and teacher for years. He’s made projects that range from The Exploit and Aquarium Drift to the project Creative Everyday to to the webcomic Witch Knot, to Harvey Pelican & Co., a catalogue of esoteric things that ran in Weird Tales. Shark Summer is a departure for him, but it’s also the work of a talented and dynamic storyteller and hopefully this powerful book will find him a new audience. We spoke recently about the book, our shared love of Jaws and color.
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The versatile writer discusses her latest project: an anthology for Z2 Comics based on the 1970s album by The Doors.
Leah Moore has written and co-written a long list of comics including Conspiracy of Ravens, Sway and Swords of Sorrow; characters like Doctor Who, Sherlock Holmes and Dracula; and publications including 2000 AD and Heavy Metal.
Moore’s newest project is The Doors: Morrison Hotel, which looks at the 1970 album by The Doors. It’s more than simply comics adaptations of the album’s tracks; the book attempts to capture a sense of the band at this moment and the state of the country and the culture unfolding around them as they worked.
The book also manages to show what Moore does so well and makes look so easy. Each chapter of the book is drawn by a different artist – which includes Colleen Doran, Ryan Kelly, Michael Avon Oeming, Marguerite Sauvage, John K. Snyder III and Jill Thompson – which shows not just Moore’s skill at collaborating with and writing for artists, but her masterful touch at balancing tones and approaches and styles, so that the book never feels like an anthology of disparate stories, but a book seeking to capture the music, its creation and the world around it in a striking way.
Moore was kind enough to answer a few questions about the book and how she works.
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The creator of ‘Titan’ discusses his newest collaboration with Abed and Rashad Gheith, Justin Roiland and Michael Tanner, which arrives in stores from Oni Press this week.
Orcs in Space is a new ongoing comics series from Oni Press, starring three orcs who happen upon an advanced space craft, and chaos and hilarity ensues.
The comic is drawn by François Vigneault, who is best know for his comics like Titan, and he said working on a book with a different tone and approach from his own work was part of the appeal. We spoke recently about playing with the idea of orcs, expectations and color.
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The writer, filmmaker and journalist discusses his latest graphic novel, which comes out next week from comiXology Originals.
Marc Bernardin has had long, varied career, from his years as a writer and editor at Entertainment Weekly, the Los Angeles Times and The Hollywood Reporter, to co-hosting FatMan Beyond with Kevin Smith and the Battlestar Galacticast with Tricia Helfer. In recent years he’s established a reputation as a television writer on series including Alphas, Castle Rock, Treadstone and the upcoming Masters of the Universe: Revelation, which launches in July on Netflix. Some of us, though, know him as a comics writer, co-writing Monster Attack Network, The Highwaymen, Genius and other works for more than a decade.
Bernardin’s new project, which comes out next week from comiXology Originals, is the young-adult graphic novel Adora and The Distance, which he created with artist Ariela Kristantina. A fantasy adventure that has its own twists and surprises, it’s a book that is familiar and unexpected in startlingly beautiful ways. Next week Bernardin’s Kickstarter campaign for his short film Splinter ends, and he was kind enough to answer a few questions about his work.
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The writer of ‘Action Philosophers,’ ‘MODOK’s 11’ and more discusses his work on Archie’s 80th anniversary one-shot, which arrives in stores next week.
Fred Van Lente is well known as the writer behind Action Philosophers, The Comic Book History of Comics, Archer and Armstrong, MODOK’S 11 and many more. He’s written novels like The Con Artist and Ten Dead Comedians, and he co-wrote the play King Kirby, which premiered earlier this year as a podcast.
Van Lente is also the writer of the new comic Everything’s Archie. The one-shot from Van Lente and artist Dan Parent is a collection of linked short comics that center around Archie trying to make enough money to buy a new guitar. To do that, Archie signs up for an app and what follows is a satire of the gig economy with multiple jokes about late stage capitalism, and yet, it still feels like an Archie comic we’ve seen before.
Van Lente and Parent’s comic is paired with an Archie story from 1997 by the late George Gladir and Stan Goldberg, Betty in High School 2021 A.D. The story went viral because of remote learning and other not entirely inaccurate predictions about this rather unusual year. I spoke with Van Lente recently about the comic, which is out next week.
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The artist of ‘Snow Daze’ and ‘Cash and Carrie’ discusses his latest graphic novel, ‘The Black Panther Party: A Graphic Novel History.’
Marcus Kwame Anderson is the artist behind The Black Panther Party: A Graphic Novel History. Along with writer David F. Walker, Anderson tackles an immense complicated subject, a story that isn’t just a historical topic, but remains very contemporary.
The research required to even start such a project and the skill with which Anderson is able to play with page design and layout is striking. He has an incredible eye and a visual sense that is playful, even though he’s addressing topics that are difficult. Anderson is best known as the artist behind comics like Snow Daze and Cash and Carrie, but with this book his work has reached a new level.
We had the opportunity to speak recently about what the project required and what he took away from the experience.
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The creator of ‘Joe Frank: Ascent’ discusses adapting the radio dramas of the legendary radio producer.
Jason Novak is a cartoonist and writer perhaps best known for his collaboration with the poet Ron Padgett, How To Be Perfect: An Illustrated Guide and his books Et Tu, Brute?: The Deaths of the Roman Emperors and Baseball Epic: Famous and Forgotten Lives of the Dead Ball Era. He’s contributed to The Rumpus, The Paris Review, The Morning News, and many other publications. His new book, an adaptation of some of the radio stories of Joe Frank, is Joe Frank: Ascent.
Joe Frank is a legendary radio producer who influenced generations of producers including Ira Glass (This American Life), Jad Abumrad (Radiolab) and Jonathan Goldstein (Wiretap, Heavyweight). Frank wrote plays and a book, and he was loved by many in Hollywood, but radio was always his first love.
In the pages of Joe Frank: Ascent, Novak manages to adapt Frank’s work in really striking ways. Using the rhythms and designs of the page in ways similar to how Frank used music and the way he spoke. It’s a strange experience to see some of the pieces I know almost by heart adapted into a new medium, but Novak captured Frank’s voice in a way that’s stunning to behold. Novak was kind enough to answer a few questions about the project.
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The author and journalist discusses his new book on the life and career of longtime Marvel editor and publisher Stan Lee.
True Believer: The Rise and Fall of Stan Lee is, I would argue, the best book written about the longtime Marvel editor and publisher Stan Lee. It is a thoroughly researched look at Lee’s life, his family history, his business dealings at Marvel and afterwards.
Lee’s defenders have been attacking or dismissing the book since before its publication, because it dents the myth of Stan Lee that he and others built. Unfortunately much of the conversation around the book has been around whether Lee is given too little credit for Marvel’s success in the 1960s instead of seriously addressing a lot of the issues that author Abraham Riesman uncovers and writes about at length.
Abraham Riesman is a journalist best known for his work at New York Magazine’s Vulture. He’s written extensively about the comics industry over the years, but in this book, Riesman writes a story of assimilation, of the fantasy of success and the brutality reality of it, of corporate criminality. Lee was beloved by many; he is a complicated figure at best.
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The artist of the newest volume of the queer science fiction tale discusses her process and approach to creating the new story.
Sfsx (Safe Sex) was a stunning book when it was published in 2019. Writer Tina Horn was new to comics, but the journalist and podcaster took to the language of comics in a really exciting way. The queer science fiction tale was like nothing else in comics. The dystopic series is returning in a new graphic novel coming out from Image Comics. Writer Tina Horn and editor/designer Laurenn McCubbin and other members of the team are back with a new artist, G Romero-Johnson.
SFSX: Terms of Service is currently being kickstarted and G Romero-Johnson was kind enough to take a few minutes to talk. A cartoonist and illustrator, she’s made comics like Sweet Insecurity and The Red Side of The Moon and her work has appeared in anthologies including Stratos and the upcoming Nectar.
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The versatile creator talks about the ending to his latest Webtoons series, how it fits into the broader New Brookyln saga, his theater work and more.
Dean Haspiel has always made a wide range of comics, from personal stories to cosmic epics, from realistic tales to superhero stories in books like The Alcoholic, The Fox, The Quitter and The Thing: Night Falls on Yancy Street. For the past few years he’s been writing and drawing The Red Hook at Webtoon. The story of Sam Brosia, a boxer turned super thief turned superhero and bartender. Over four seasons Sam Brosia, aka The Red Hook, has gone through a lot of changes
This week Haspiel wraps up his fourth series at Webtoon, The Red Hook: Blackout, and we spoke about Brooklyn, where things stand and his next chapter in the Red Hook saga, PTSD: Post-Traumatic Superhero Disorder.
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The writer of ‘Urban Animals,’ ‘Luther Strode’ and many other comics discusses the second season of the comiXology title, world-building, writing a digital title and more.
Justin Jordan is the writer behind comics series like The Strange Talent of Luther Strode, Dead Body Road, Reaver, Spread, Strayer and many others. He writes the Webtoon series Urban Animals, which is wrapping up its third season now. He wrote the upcoming Summoner’s War: Legacy comic launching in April.
Meanwhile the second season of his series with artist Tyasseta, Breaklands, is coming out on comiXology now, with the fifth and final issue out March 23. The first season has just been collected into a trade collection from Dark Horse Comics.
We spoke about the appeal of post-apocalyptic fiction, his approach to world-building, writing for digital vs. print, and more.
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The accomplished illustrator discusses working on his first graphic novel for First Second’s World Citizen Comics imprint.
Tim Foley has had a long, accomplished career as an illustrator for a wide range of publications, including The Wall Street Journal, Barron’s and Alfred Hitchcock’s Mystery Magazine, and in books like the Who Was and What Was book series for Penguin Young Readers. But this year brings his first graphic novel.
For First Second Book’s World Citizen Comics imprint, Foley adapted the book What Unites Us by Dan Rather and Elliot Kirschner. The book of essays explored what Rather saw as what it means to love this country, the values that shaped it and the role of citizens. Foley is far from a beginning artist, but to make a long-form comic like this is a unique challenge, one that he makes look easy. He was kind enough to take the time to talk about What Unites Us, how he worked and wanting to make more comics.
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