Smash Pages Q&A: Tim Foley on adapting Dan Rather’s ‘What Unites Us’ into comics

The accomplished illustrator discusses working on his first graphic novel for First Second’s World Citizen Comics imprint.

Tim Foley has had a long, accomplished career as an illustrator for a wide range of publications, including The Wall Street Journal, Barron’s and Alfred Hitchcock’s Mystery Magazine, and in books like the Who Was and What Was book series for Penguin Young Readers. But this year brings his first graphic novel.

For First Second Book’s World Citizen Comics imprint, Foley adapted the book What Unites Us by Dan Rather and Elliot Kirschner. The book of essays explored what Rather saw as what it means to love this country, the values that shaped it and the role of citizens. Foley is far from a beginning artist, but to make a long-form comic like this is a unique challenge, one that he makes look easy. He was kind enough to take the time to talk about What Unites Us, how he worked and wanting to make more comics.

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Smash Pages Q&A: Crystal Skillman and Fred Van Lente on ‘King Kirby’

The two collaborators discuss adapting their play about Jack Kirby as an audio drama.

Fred Van Lente is well known to comics readers for his many comics, including The Incredible Hercules and Archer and Armstrong, his novels The Con Artist and Ten Dead Comedians, and a string of great comics he’s made with Ryan Dunlavey including Action Philosophers, The Comic Book History of Comics and The Comic Book History of Animation. Crystal Skillman is a playwright and scriptwriter best known for the plays Open and Rain and Zoe Save the World and the musical Mary and Max

The two have collaborated in the past by writing the Webtoon series Eat Fighter, and they wrote the play King Kirby, about the legendary Jack Kirby. Originally produced in 2014, the play is currently being released as a four-part audio drama from the Broadway Podcast Network. Edited and with original music by Bobby Cronin, King Kirby stars Steven Rattazzi, Amy Lee Pearsall, Nat Cassidy, Joseph Mathers and Timothy McCown Reynolds.

The fourth episode of King Kirby is out today, a day before the release of issue #4 of The Comic Book History of Animation by Van Lente and Dunlavey, and tonight is the live reading of Pulp Verite, a new play written by Skillman. We spoke recently about Jack Kirby, theatricality and working in audio drama.

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Smash Pages Q&A: Tim Fielder on ‘Infinitum’

The creator of ‘Matty’s Rocket’ talks about his latest graphic novel, Afrofuturism, what he’s working on next and more.

Tim Fielder had been working as an artist and animator for years before making a splash a few years ago with Matty’s Rocket. A stunning Afrofuturist graphic novel, the book was a dynamic artistic triumph on so many levels.

His new book is Infinitum: An Afrofuturist Tale, which was just released by Harper Collins’ Amistad Press. It’s an original Afrofuturist graphic novel published by a major American publisher, and Fielder admits that he understands the significance — just as he understands what it means to find this success after working for decades and becoming an overnight sensation.

Infinitum is an epic in every sense of the word, about a warlord from the dawn of civilization cursed to live forever. Beyond that, as the book moves ahead centuries and millennia, are a lot of twists and turns that make it difficult to talk about it without spoiling anything, but I was thrilled to talk with Fielder again about this new project.

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Smash Pages Q&A: John Jennings

The writer, artist and professor discusses his role as director of Megascope, the new publishing imprint at Abrams Books dedicated to publishing comics by and about people of color.

It’s hard to sum up John Jennings’ career. He’s a writer and artist who’s made comics like Blue Hand Mojo and collaborated on books like the recent graphic novel adaptations of Kindred and Parable of the Sower. He’s a fine artist and part of the art collective known as Black Kirby. He’s a Professor of Media and Cultural Studies at the University of California, Riverside. He’s co-editor of The Blacker the Ink: Constructions of Blackness in Comics and Sequential Art, curated exhibitions across the country, and co-founded the Black Comic Book Festival at the Schomburg Center in Harlem, and SOL-CON. Jennings also edits the back matter of the Eisner Award-winning comic series Bitter Root.

As if straddling academia and public scholarship, fine arts and comics making wasn’t enough, Jennings is also the director of Megascope. The new publishing imprint at Abrams Books launched this year with After the Rain, an adaptation of a short story by the great Nnedi Okorafor from Jennings and David Brame.

We spoke recently about his work, the imprint and what it means. He also dropped some news and announced another Megascope title in our conversation, an adaptation of Charles Johnson’s National Book Award-winning novel The Middle Passage.

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Smash Pages Q&A: Mike Phillips on ‘The Tessellation’

The writer of the alternate-reality comic talks about the project, which is currently up on Kickstarter.

Alternate history novels and comic series like Marvel’s What If? have explored what happens when a major change occurs in history, but what about the minor choices we make every day? A new comic project on Kickstarter explores the idea that every choice we make creates a different outcome — and a new reality.

The Tessellation is written by Mike Phillips and explores this idea that multiple realities and alternate timelines are created every time we make a choice. The story will explore those different realities in an interesting way on the comics page. “Think of it as the most unique anthology you’ve ever read, at least formatting-wise,” Phillips said.

Phillips is working with the art team of Hernán Gonzalez and Javi Laparra to create the comic, along with publisher Martian Lit,and is currently running a Kickstarter to fund its publication. I spoke with Mike about the project, alternate realities, the comic’s unique structure and more.

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Smash Pages Q&A: Sal Abbinanti on ‘The Hostage’

The creator of ‘Atomika’ returns with a new Kickstarter project that’s been 10 years in the making.

Sal Abbinanti might be familiar to comics readers for his series Atomika, but even those who read that series will be surprised by his artwork in the new graphic novel The Hostage, which is being crowdfunded now.

Abbinanti has been drawing the book on and off for years, but it has its roots in a trip he took to Brazil decades ago. Since then he couldn’t get the image out of his head of homeless children living just around the corner from the bright, colorful tourist district of Rio. In The Hostage, he found a story and an aesthetic that allowed him to tell the story in a way that is unsettling and unsentimental.

For the campaign, Abbinanti enlisted a number of friends to draw work for stretch goals, but the star is what Abbinanti was able to achieve in the pages. He was kind enough to talk about The Hostage, its road to publication and his crowdfunding campaign.

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Smash Pages Q&A: Ryan Estrada and Kim Hyun-Sook

Ryan Estrada talks about being a globetrotting cartoonist, and his wife Kim Hyun-Sook discusses the real story behind ‘Banned Book Club.’

2020 was quite a year for Ryan Estrada: Iron Circus published two of his graphic novels: Banned Book Club (co-written with his wife, Kim Hyun Sook, with art by Ko Hyung-Ju), which was published in both Korea and North America, and the middle-grade graphic novel Student Ambassador, co-created with artist Axur Eneas.

Banned Book Club received rave reviews, including starred reviews from Kirkus and Publishers Weekly. It was also a Junior Library Guild selection and made numerous best-of-the-year lists, including NPR, The Beat and YALSA’s Great Graphic Novels for Teens. Student Ambassador‘s debut was a little quieter, but it’s a very clever, insightful graphic novel and one of my own choices for best of the year.

Kim Hyun-Sook and Ryan Estrada. Credit: Stacy Shmittling

I interviewed Estrada and Kim via e-mail (they live in Korea) about Banned Book Club, Student Ambassador and the comics life in general.

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Smash Pages Q&A: Sebastian Girner

The editor-in-chief of TKO Studios discusses their approach to making comics, their second year of publishing and the ‘relentless hopelessness’ of his own writing.

Sebastian Girner is the editor-in-chief of TKO Studios, where he’s overseen the publisher’s launch, its approach to publishing, and its diverse lineup of talents and approaches that we’ve seen over the past few years.

Previously Girner worked at Marvel Comics and has edited various creator-owned comics. He’s also written comics, including two projects that came out this year. The Devil’s Red Bride is a miniseries coming out from Vault Comics, and The Father Of All Things is one of the books in TKO’s inaugural line of TKO Shorts.

We spoke recently about his eventful year, about the tone that unites these two different projects, and how he uses the supernatural.

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Smash Pages Q&A: Tea Fougner

The editorial director of comics at King Features talks about their website Comics Kingdom, legacy comic strips, finding new creators and more.

Tea Fougner is a writer, editor, cosplayer and currently the editorial director of comics at King Features. In this job she oversees a wide variety of strips ranging from Beetle Bailey to Zippy the Pinhead, Prince Valiant to Macanudo, Mark Trail to Rhymes with Orange.

Fougner loves comics and comics history, and in recent years has been introducing new artists, new voices and new ways to pay tribute to characters and strips like Flash Forward, which celebrated the 40th anniversary of the Flash Gordon movie.

Fougner and I attended college together many years ago, and we spoke recently about Comics Kingdom, newspapers and getting at the heart of legacy comic strips.

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Smash Pages Q&A: Jeff Trexler on the Comic Book Legal Defense Fund

The interim director of the CBLDF discusses the importance of the organization, their areas of focus and more.

Jeff Trexler is best known to comics fans as a writer and commentator. The lawyer has been writing about comics for years for The Beat, The Comics Journal and Newsarama, explaining legal issues around many of the court cases that have captivated comics fans. The Yale Law School graduate took on a different role earlier this year when he became the interim director of the Comic Book Legal Defense Fund.

The actions of the former director have been well documented, and we did not discuss that in our recent conversation. Besides talking about Trexler’s background and his thoughts about concerns in the comics world that will be important in the coming years, he also makes the case for the continued importance of the CBLDF, mistakes that have been made in the past, and what else the group can and should do going forward.

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Smash Pages Q&A: Trung Le Nguyen on ‘The Magic Fish’

The creator known as Trungles talks about the creation of his newest graphic novel, fairy tales and the nature of stories, and more.

Trung Le Nguyen, aka Trungles, has been making comics and illustrations for years, and this year released his debut book as writer and artist, The Magic Fish, which is one of the year’s best graphic novels.

The story of a relationship between a mother and son, it’s also a story about fairy tales, about the meaning of stories and how we use them. It’s a coming out and coming of age story that’s about immigration and loss. It is a small story about two people that opens up onto some many ideas and concerns in beautiful ways. It is a strikingly beautiful book with Nuguyen’s finest artwork to date, and a deeply moving story for people of all ages.

I interviewed Nguyen in 2018 about Twisted Romance, the Image Comics anthology, and I was thrilled to get to talk with him again about The Magic Fish.

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Smash Pages Q&A: Adrienne Resha

The scholar and critic discusses her comic-related thesis and studies, Muslim and Arab superheroes, and more.

Adrienne Resha is a comics scholar and critic, a Ph.D. candidate in the American Studies program at the College of William & Mary. She serves as President of the Graduate Student Caucus of the Comics Studies Society and is a contributor to and Assistant Editor of Comics Academe at the Award winning website Women Write About Comics. This year Inks: The Journal of the Comics Studies Society, published Resha’s paper “The Blue Age of Comic Books,” which had previously been presented at the first conference of the Comics Studies Society.

Resha and I have corresponded in the past, but I asked her to talk because I continue to ponder some of the ideas she raised in The Blue Age of Comic Books months later, as she tackles not just the content of comics but the medium of comics changing as digital has altered how they’re made and how they’re read. We spoke recently about her work, which focuses on Arab and Muslim representation in media, studying comics and learning to criticize art.

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