Tag: Aaron Campbell

Spurrier, Campbell + Bellaire reunite for more Hellblazer

‘John Constantine, Hellblazer: Dead in America’ kicks off in January.

Si Spurrier, Aaron Campbell and Jordie Bellaire’s run on John Constantine was cut short back in 2020, but as we’ve seen many times before, the rapscallion’s pretty good at cheating death. At NYCC last weekend, DC announced that the trio will team up once again for John Constantine, Hellblazer: Dead in America, an eight-issue Black Label miniseries.

“Hellblazer is back. Between 2019 and 2021, Aaron Campbell and I chronicled John Constantine’s sly progress through London,” said writer Si Spurrier. “For 13 issues, the book dripped with heart and hate and rage—rage at the state of the world, rage at the state of our minds and lives. Those 13 issues were our poisonous love letter to the Constantines of the past—[Alan] Moore’s, [Jamie] Delano’s, [Garth] Ennis’s. It was the best work we’ve ever done. And then it stopped. On a note of death and despair, with—like all magic—a heavy price levied. And now it’s back. Because the cost doesn’t count if we don’t get to see it being paid. Because even dead things can make a difference.”

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Seeley + Campbell + Terry head ‘West of Sundown’

The new horror/western series from Vault Comics arrives in March.

Tim Seeley, Aaron Campbell and Jim Terry will team for a new comic next year “that mashes up Hammer Horror and Sergio Leone,” according to Seeley.

West of Sundown, announced today by Vault Comics, will feature Seeley and Campbell as co-writers. Terry will draw the comic, which will be colored by Triona Farrell, lettered by Crank! and designed by Tim Daniel.

“West of Sundown is about the great mythologies of the old world slamming into the folklore of the new world…the legends of Europe, and the birth of the American beast,” Seeley said in the press release. “And, taking that theme as a skeleton, we’ve draped it with the sewed together skin of Sergio Leone Westerns and Hammer Horror films. Gritty sunsets meets foggy nights. The gothic graveyard meets Boot Hill. What horrors lie in our shared unconsciousness, and how do we stuff them all into a too-tight corset?”

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‘John Constantine, Hellblazer’ joins the Sandman Universe titles this fall

Simon Spurrier, Marcio Takara and Aaron Campbell take the character back to his roots.

After a move to the regular DC Universe, a movie, a TV show and even the announcement of a YA graphic novel, John Constantine will go back to basics in a new Hellblazer title this fall, as part of the Neil Gaiman-curated Sandman Universe line.

The day before Halloween will bring a one-shot by Simon Spurrier and artist Marcio Takara titled The Sandman Universe Presents Hellblazer. That’ll be followed by a new ongoing titled John Constantine, Hellblazer by Spurrier and artist Aaron Campbell.

“Year One was just the start. Now you get to inhabit the worlds, books and houses we built for you,” said Gaiman. “I was thrilled when I was told that John Constantine—the original, demon-haunted one who first showed up in Swamp Thing’s ‘American Gothic’ story—is coming back to his murky and dangerous roots. More magic and more darkness and not a few gods and dreams are here for you to explore.”

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Former Vertigo editor explores Islamophobia in new series from Image

Pornsak Pichetshote and Aaron Campbell team up for ‘Infidel,’ a horror story with political undertones.

Former Vertigo editor Pornsak Pichetshote and artist Aaron Campbell are teaming up for a new horror title that will explore Islamophobia called Infidel. Per the press release, it’s the story of an American Muslim woman and her multi-ethnic neighbors “who move into a building haunted by creatures that feed on xenophobia.”

“I’m a huge fan of horror and was really interested in a horror story that more accurately reflected the multi-racial world we live in and the fears that seem to come with it,” said Pichetshote. “Aaron, Jose, Jeff, and I are really trying to take a classic horror staple—the haunted house—and update everything about it—setting it in the heart of the city, giving it a multi-racial cast where those backgrounds actually matter to the turns of our story, and centering our horror around the very distinct fears of today. I’ve taken to calling Infidel ‘political horror,’ and while we’ve been cooking this project for a while, the success of movies like Get Out make us optimistic that audiences will be as hungry to read something like this as we are to make it.”

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