Paul Constant, Fred Harper, Lee Loughridge and Rob Steen will introduce the world to Melville Snelson in August.
A ’90s comedian will fight against cancel culture and his own irrelevancy in the new AHOY Comics series Snelson: Comedy is Dying. The miniseries is written by Paul Constant, with art by Fred Harper, colors by Lee Loughridge and lettering by Rob Steen.
“Snelson: Comedy is Dying is more than just a surprisingly violent, unfortunately sexual, thoroughly filthy comedy about an irrelevant older comedian who refuses to give up his ‘edgy’ material from the 1990s,” Constant said. “It’s also a janky-ass carnival ride through the weird griftopia that’s built up around cancel culture, and a skewering of all the money-grubbing controversy seekers who can’t seem to shut up about how silenced they are.”
The five-issue miniseries about L.A.’s supernatural underground debuts in July.
After writer Eric Palicki teased it on Twitter earlier this year, AHOY Comics has formally announced Black’s Myth, a black-and-white “punk rock horror story” by the writer of Atlantis Wasn’t Built For Tourists and No Angel, and BlackAcre artist Wendell Cavalcanti. Sarah Litt will edit it.
“Like all the best punk rock narratives, Black’s Myth is about outcasts finding each other and accepting their place in the world,” Palicki said. “In its own subtle way, it’s about being part of the comics community.”
Paul Cornell, Russ Braun and Dean Motter will contribute to the anthology title’s first issue.
The follow-up to Ahoy Comics’ horror title Edgar Allan Poe’s Snifter of Terror gets a slight title tweak that can’t bode well for anyone — Edgar Allan Poe’s Snifter of Blood will arrive from the publisher in October.
The series is the third one invoking the name of the 19th century horror master.
“Since Edgar Allan Poe is dead, we get to make any arbitrary decision we want and there’s not a thing he can do about it,” said Editor-in-Chief Tom Peyer in Ahoy’s July newsletter. “So sometimes we just make a senseless power move out of sheer contempt for the great writer and his memory. Plus, we get to start again at #1, which should attract all of the most devoted comics collectors of 1991. Everybody wins! Except Poe.”
In the first issue, Paul Cornell and Russ Braun retell Poe’s “Black Cat” — but with a dog, while Dean Motter “settles the science vs. religion debate once and for all.”
The new series from Ahoy Comics starts in November.
What if being sad was against the law? What if the “Joy Police” brutally enforced a “cheery code” all citizens had to abide by? That’s the premise of an upcoming Ahoy Comics title, Happy Hour, by Peter Milligan, Michael Montenat and Felipe Sobreiro.
“I was a miserable child. Strangers would approach me in the street and tell me to cheer up. But I didn’t want to cheer up,” Milligan said in the July Ahoy newsletter “Years later, these feelings morphed into Happy Hour, the strange story of a society of legally-enforced cheerfulness… and a young man who just wants the right to be miserable. Finally, I feel vindicated!”
Mark Russell, Richard Pace and Leonard Kirk return for more stories about Jesus and his superhero roommate.
Ahoy Comics has announced a sequel to Second Coming subtitled “Only Begotten Son,” which will debut at the end of this year. Mark Russell, RichardPace, Leonard Kirk and Andy Troy will return to tell the controversial — and also funny, touching and just plain awesome — story of Jesus and his roommate, the superhero Sunstar.
According to the solicitation text Ahoy shared, the new series will “turn back time to witness the interplanetary origin of Sunstar! Warning: portrays science denial, mass extinction and real estate sales!”
Ahoy Comics has a new release date for the comic, which was delayed due to the pandemic.
Ahoy Comics’s Penultiman has endured title changes, controversial contest endings and delays due to worldwide pandemics, but now “The Next-To-Last Stage in Human Evolution” looks like he might finally have a release date. Ahoy has announced the first issue by Tom Peyer and Alan Robinson will finally arrive in October.
“We’ve seen characters who represent the ultimate stage of human potential—Captain Comet and Warlock come to mind—but I don’t think we’ve met any who are just a little worse than the best,” Peyer told Alex Dueben in March. “Imagine being so advanced only to be outclassed. I guess a lot of science fiction that dealt with humans encountering extraterrestrials would have played on that anxiety, but I haven’t seen it played as comedy in a superhero comic.”
The comics editor and writer talks about writing the new AHOY title ‘Ash & Thorn,’ creating art, baking and more.
Mariah McCourt has had a long career as a comics editor at DC and IDW. It was also at IDW that she first started writing comics, though she is an artist who attended the School of Visual Arts, majoring in illustration. Since then she’s written comics like September Mourning and Stitched, and adapted Anne Rice’s Servant of the Bones.
Her new comic, which she wrote and created, is Ash & Thorn. Drawn by Soo Lee with colors by Pippa Bowland and covers by Jill Thompson, the book involves Lady Peruvia Ashlington-Voss arriving at the home of Lottie Thorn, the new chosen one, who will fight off the demonic hordes. She was not expecting to find an elderly retired art teacher. The result is a comedic horror tale that pokes fun at the genre.
After being delayed due to the pandemic shutdown, the first issue is out tomorrow, June 24, and McCourt was kind enough to answers a few questions about her career path, her art practice and pie.
The COVID-19 epidemic that has shuttered comic shops and forced the postponement of conventions around the country has also affected Diamond Comics Distributors, the sole major distributor to comics retail shops, and today, Diamond co-founder Steve Geppi announced that they will be shutting down shipments of new product: