Check out new comics by Jillian Tamaki, Ethan Sacks, Dalibor Talajić, Gavin Guidry and more.
Here’s a round up of some of the best comics we’ve seen online recently. If we missed something, let us know in the comments below.
As calls to “defund the police” spread in protests, on the news and in social media, Ezra Claytan Daniels imagines a few “departments that will replace police in the not-too-distant future.”
Posted at The Nib, Daniels’ new concepts include the “Los Angeles Department of Food Security,” pictured at the top of this post, and the “Department of Crime Deduction,” pictured above, which he calls a “diversely skilled roster of detectives who excel in creative thinking and problem solving.” Probably recruited heavily from crime podcasts.
New publisher Artists, Writers & Artisans, Inc. plans to launch several titles this fall.
Two former Marvel executives are making their return to comics at a new publisher called Artists, Writers & Artisans, Inc. or AWA. They’re joined by a slew of creators, with plans to launch their new titles this fall.
Bill Jemas will serve as the company’s CEO and publisher, while Axel Alonso will serve as Chief Creative Officer, according to The New York Times. They’re joined by Jonathan F. Miller as chairman, who helped broker the deal between Netflix and Mark Millar. They plan to have a shared superhero universe in addition to publishing stand-alone titles.
“The model here really is the old United Artists model, where people who are actually doing the creative have ownership, control and decision-making power over the work that they’re doing,” Jemas told the NYT.
Plus: Bill Jemas, Liza Donnelly and an IKEA comic!
Artist Alex Ross pitched Marvel on taking over the Fantastic Four last year, and you can find his pitch inside Marvelocity, a coffee-table book that highlights the artist’s Marvel work. The 13th Dimension reviews the book and shares several pages from the 2017 pitch. “It just goes to show you that even the biggest talents in comics don’t always get what they want – and what Ross wanted was an eye-popping comic that echoed the DayGlo ’60s while offering something fresh,” reviewer Dan Greenfield writes.